Price: €12.00
3/4HADBEENELIMINATED
s/t
BOWINDO
bowindo 06 CD 2003
3/4HadBeenEliminated was founded in Bologna, Italy, in 2002. Starting as a trio (guitarist/double bassist Stefano Pilia, turntablist/sound assembler Claudio Rocchetti, sound architect Valerio Tricoli) in 2004 the line up was extended to drummer Tony Arrabito.
Their first self titled record (bowindo, 2003) was released after playing a series of live concerts in which the group attention was strongly focused on the performative/theatrical/ecological aspects of the event: as starting point of the complex dramatic crescendo of the performance, 3/4 usually opened their concerts with amplifying a suspended bulky object of everyday life that they occasionally find at the location. Comprised of a large number of electronic and acoustic instruments, the album mirrors the disparate musical influences and aesthetics of the group. Live electronics, electroacoustic composition, field recordings, drones... All elements are here combined to "create a seven-part cycle of radiant acoustic imagery, with a sonic-methodology aimed at continuity rather than clash, and one that helps to create a fluid sound world, full of juxtapositions, but ones which provide an indecisive magical middle passage."
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s/t
BOWINDO
bowindo 06 CD 2003
3/4HadBeenEliminated was founded in Bologna, Italy, in 2002. Starting as a trio (guitarist/double bassist Stefano Pilia, turntablist/sound assembler Claudio Rocchetti, sound architect Valerio Tricoli) in 2004 the line up was extended to drummer Tony Arrabito.
Their first self titled record (bowindo, 2003) was released after playing a series of live concerts in which the group attention was strongly focused on the performative/theatrical/ecological aspects of the event: as starting point of the complex dramatic crescendo of the performance, 3/4 usually opened their concerts with amplifying a suspended bulky object of everyday life that they occasionally find at the location. Comprised of a large number of electronic and acoustic instruments, the album mirrors the disparate musical influences and aesthetics of the group. Live electronics, electroacoustic composition, field recordings, drones... All elements are here combined to "create a seven-part cycle of radiant acoustic imagery, with a sonic-methodology aimed at continuity rather than clash, and one that helps to create a fluid sound world, full of juxtapositions, but ones which provide an indecisive magical middle passage."
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