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In 1968, Steve Reich coined the term Process Music to describe compositional designs that resemble “pulling back a swing, releasing it, and observing it gradually come to rest,” explaining that “once the musical process is set up and loaded it runs by itself.” In the mid-1970s, Brian Eno began using the expression Ambient Music to refer to atmospheric compositions that “must be able to accommodate many levels of listening attention without enforcing one in particular,” music that “must be as ign…
A double CD of works for violin, piano and vibraphone. One disc is a long piece by J.P.A. Falzone, the other a long piece by Morgan Evans-Weiler. Both are beautiful, delicate chamber works for violin + piano / vibraphone / fortepiano, recorded at Wesleyan College in Connecticut.