Sacher-Pelz

2008 release ** "Maurizio Bianchi is more than a legend in contemporary electronica, he is beyond good and evil by now in what respects to creative effort, he has surpassed all genres and styles, has reinvented and deconstructed himself, has even recessed from doing music during years and has come back again fresh and rejuvenated. With a vast discography and extensive musical career as sound sculptor and textural colonizer Bianchi is more alive than ever. “Innervation” released by the excellent …

2007 release ** Limited edition of 199 hand numbered copies with unique paste-on covers plus 16-page A5 booklet. "Together with Museo Della Tortura (although the cover just says M.B. + M.D.T.) Maurizio Bianchi made seven tracks, 'psalmodian', which on the cover is explained as an 'experimental way how to interpret the psalms'. All pieces are about psalm 63, which is when King David was alone in the desert and God was still with him. This desolation is captured quite well in the music. Sometimes …

Italians Maurizio Bianchi and Emanuela De Angelis have a generation between them, but that does not prevent them from delivering their first collaboration entitled "Regolelettroniche".However, to get there, they had to agree on a few rules, alluded to in titles such as "Earthly Principle" and "Cosmic Norms", and through these "rulelectronics" credited to both of them.That being said, these rules are left unexplained; listeners can discover them on their own when they experience this drone-based …

2006 release ** "Aided by musician M.D.T. (aka the Museum of Torture), this time leaving Maurizio Bianchi concessions acoustic Antarctic Mosaic and MI Nheem Alysm (where an upright piano hammers for 10 minutes a tether claustrophobic) to resume the speech sound historical works as Symphony For A Genocide (grazed in the title) and Regel. If the departure (Departure) aligns with the hordes of former electronics student Merzbow, in pieces like Return or Arrival distortion is channeled into a world …

Primordial sounds created by Maurizio Bianchi/M. B. using a rudimental five strings guitar, afterwards polarized effects added by Siegmar Fricke utilizing a shapeless analogtronic apparatus. CD-R in half handmade 3 panels digipack

Collaboration between Maurizio Bianchi and Saverio Evangelista, planned for 2006 and released in Japan in April 2007 on Gift and Artecnico, in an embossed gatefold sleeve with poster and obi.

The fact that Maurizio Bianchi is back is something that is known. I think the new age muzak he created right after his return should be seen as a false start, as since quite some time now, he returned to the world of noise and that is a territory that we can safely call his territory. Bianchi here teams up with one Maor Appelbaum, who is a member of various Israeli project such Poochlatz, Vultures, IWR and who has various solo projects Screening , Vectorscope and Plated Steel – not that I heard…

2007 release ** "Electrostatic Deflection" is a new industrial-music masterwork, created through collaboration with Maurizio Bianchi, and Israeli musician Maor Appelbaum. It's represents Bianchi's more extreme direction... a sample of whats comming in the future from the historic Italian composer. Amazing impact, immense slabs of industrial sound in motion. Sweeping vistas of intense static energy, storm-fronts moving across the stereo field, an acoustic tidal wave approaching landfall, breathta…

"For whatever reason I am not entirely sure of Maurizio Bianchi hooked up with Siegmar Fricke a lot since he returned to recording new music again. Fricke always seems to have something to do with the music of Bianchi, whether or not it is a collaboration, mastering, mixing or post production. Here on 'Makrokosmikro' its a collaboration with Bianchi getting credit for 'macrowaves, cosmotronics, microloops' and Fricke for 'mactronics, cosmodulations, microblending', which I am sure they have had …

This is probably one of  the most clinical releases of Maurizio Bianchi's current discography. Together with Siegmar Fricke from Germany four very complex soundscapes have been produced that on the one hand show similarities and relations in sound to Maurizio’s early releases and on the other hand enter new territorities of clinical sound-excursions. The four long tracks contain metallurgic ambiences, painful postoperative distortions, quiet endoscopic sections and pulsating, radiant elect…

A very rare electronic-experimental minidisk by Maurizio Bianchi.

Limited to 69 numbered copies, only available for subscribers of the picture 7" series by SmallVoices. Comes in a clear sleeve. Included is an one-sided 5x9 cm info-sheet, handsigned

A new double cd from Silentes, containing soundworks by 'Chaotische Fraktale' and 'Letze Technologie'. These works were sourced from collaborations between M.B./Maurizio Bianchi, and Frequency in Cycles for Second/Sandro Kaiser. A fascinating sonic mix of influences here... industrial, electro-experimentation, minimalism, noise, and deep-listening. Large, drone-based segments meld with the distant sounds of reverberating piano and soft whispered melodies. Dramatic and dark. Huge pools of sound, …

2005 release ** "Italian Avant-Noise legend M.B. and Land Use collaborate on dramatic, subterranean wall-of-noise constructions and swirling textural storms, dense and complex arrangements, shifting and shimmering tones barely under control, streaming toward some distant and indefineable precipice. Not noisy, but way too tense and corrosive to be called ambient. These vibrant monoliths of sound shift the listeners pysche into a restless sort of zen, a blissful chaos - truly mind and mood-alterin…

An extraordinary collaboration between the hystorical italian de-composer Maurizio Bianchi and the eclectic electronic-ambiental experimenter Nimh (Giuseppe Verticchio). An unmissable 4CD box that's a long and kaleidoscopic journey at the edges of sound, from the dark-industrial feelings of Together's Symphony, CD that gives the box the title, to experimental-lyric-introspective atmospheres of Secluded Truths, to sonic multicoloured collages of Niddah Emmhna, by the only M.B., and the electronic…

LAST COPIES - LP album, numbered and stamped vinyl limited edition of 250 copies. 'I've taken inspiration for this medicative work from the sordid persecution of the early Christians, but in other ways we receive objectivistic persecution every day from this standardized system, from our wretched condition and from the modern persecutors which are hidden behind their threatening countenances. The appropriate soundtrack of such perturbed sufferings is this justifiable work, 'Persecutionem', in wh…

A brand new album of minimal, cryptic & static sounds. The inexistence is the aplanatic condition of what is not existing, therefore doesn't subsist in the shot reality. Transferring this entomologic concept to radical music, we're consequently asking: inexistent sounds for existing people or existing sounds for inexistent people? Without schizoid presumption, "Inexistence" is replying to this existential question

Numbered edition of 600 numbered copies in a trifold 10" inch sleeve with original artwork. Re-issue of the Maurizio Bianchi's early Lp Mectpyo Bakterium . Included in this re-issue is a bonus disc with 55 minutes of ultra rare material officially published on CD for the first time here.Disc 1: First two tracks are from the 1982 LP 'Mectpyo Bakterium' released by DYS Records, USA. Third track is from '40 Days/ 40 Nights' compilation on Stratosphere Music, Japan. Fourth track is from 'Internation…

An unusual, very nice release for Maurizio Bianchi/M. B. playing a decadent piano using sostenuto and damper pedals effects. Ultra limited edition of 100 copies

First issued as a very limited private tapes in 1981, now for the first time ever on CD for these early tapes by one of the most important figures in noise/electronic history, Maurizio Bianchi. These two discs were originally issued on tape in 1981 and have been bootlegged and cut into oblivion since then; this is the first time they've been made available digitally and fully uncut. Technology 1 has two long 25 min+ songs, both in a similar vein and showing MB taking a more subtle melodic approa…

This is the limited friends edition of 50 copies in a red Box Set with golden imprints instead of the black Box Set with silver imprints, especially for the artist and a few other people in relation to VOD. Handsingned copy!

Maurizio Bianchi/M. B. used gelatinous comglomerates of consubstantial sounds, mixed with discretional eviscerated noises. Antithetic metal crucibles for contemplative adherents.

Maurizio Bianchi has been in the game for a long time. Since the late 70's he has proved himself to be a true pioneer of industrial minimalist tactics making it a goal to "produce technological sounds to work for a full awareness of modern decadence." I strongly believe that the most beautiful music is made through the filters of decay and slow demise. Bacterie is a fine example of this and only a sliver of what Bianchi has done over the last 30 years.

A magnetotherapeutic leakage bridled in the impartial passivity of our univocal meditations the second haemodialysis generated by maurizio bianchi and akifumi nakajima, announces the new era of untamed audio-inflammation. both operators have sharpened their pathologist scalpels to intoxicate the aural hemisphere with rhizospheric microorganisms and mononuclear blood-cells. inside the parasite plasmodium of mectpyo saisei the clinical rhythm-impulses by aube and septic piano-fragments by m.b. for…

First collaboration between Maurizio Bianchi and Akifumi Nakajima, the second one being the Mectpyo Saisei on Para Disc. Four long tracks of drowsy noise ambiance.

The duo weave a shimmering tapestry of alien drone, scattering bits of harddrive flotsam across squalls of ringing jetsam. "Improvisational" this recording might be, but aesthetically more than a few chronologically cultural links are forged with pioneer soundscapers of yesteryear (Xenakis, Stockhausen, Babbitt, Subotnick) more so than any straightforward diagrammatical connection with post-jazz avant-gardists... the duo delight in erecting a quakebasket quiverfest of extraordinarily well-articu…

Versatile sounds macerated during the past two years, finally assembled by Siegmar Fricke using phonematic machineries. In the academese, a "cluster" is a simultaneous musical chord comprised of consecutive tones separated chromatically. In general parlance, a cluster consists of three or more contiguous notes sounded at the same time, and the notes are sounded fully and simultaneously, distinguishing them from ornamented figures involving acciaccaturas and the like. Diametrically opposed are th…

Are based on Psalm 23 the brand new recordings by the great Maurizio Bianchi. Maurizio surprises us again with his Valley of Deep Shadow changing again direction and going into new unespected sonic territories. Will you walk through the darkest valley ? To be discovered.. Edition of 515 hand numbered copies.

Improvisation is the practice of making and creating in the moment and in response to the stimulus of one's immediate environment. Musical improvisation is the spontaneous creative process of making music while it is being performed. It's like speaking or having a conversation as opposed to reciting a written text. "Akoustikoriginem" is a marginal and exhausted resource for experimental diffusion of uncompromised acoustic sounds from the convergent beginnings. Maurizio Bianchi prevalently uses a…

This is the reissue of a CDR published by SILENTES a couple of years ago in only 120 copies. Now finally available on CD with restored artwork. DEAD COLOURS shows the more quite side of MB... with an incredible dark melanchonic tough in vein of David Lynch's atmospheres... Fantastic!

Decomposition instead that composition. De-structured music that instead structured music. Not to complex and articulated technologies forrecording, mixing of the parts and mastering; not to onesophisticated production and maniacal and defined participations correct in post-production... This the new "challenge" capacityto the extreme limit from Maurizio Bianchi, a new musical effort,"directed", "raw", immediate, absolutely uncompromising new, to outsideof every law and from every pre-constitute…

An unusual self-portrait of Maurizio Bianchi in a minimal and introspective version, "a discreet" sonic self-portrait, elaborated with soft and nearly abstract electronic sketches, cyclical waves, tangles of intersected sounds, stratified, continuously changing, manipulated and molded through uses of effects, filters, reverbs, choruses, delay... Expanded paces, rarefied and "apparently quiet" atmospheres, but at the same time always full of a constant sense of gravity and heaviness, of vulnerabi…

After more than 28 years the seminal contamination by Maurizio Bianchi / MB called "Sacher-Pelz" is finally back with dyslexic hollows in the hypertoxic forewarning of scrupulous connoisseurs: "In Hoc Urbia Miazi" is its irrational title, and you should take note of this for your survival ! Uncompromising & best quality old-school industrial-noise like in the very early "Come Organisation" times by this Italian Cult project! Scotomatous production subdivided in seven concrete evidences, realized…

The Industrious Tubal-Cain" which combines the old, harsh sound of M.B. to his newer, more experimental and often more minimal approach.

2006 release ** "'The 'elision' in the traditional music is a coercive and systematic dispositive necessary to assimilate two syllabic notes in one only. The 'elisionem', in the avant-gardist branch, is a sound absorbent course used amalgamate various sonorous elements into one. The main purpose is to generate an eclectic and axiomatic damping of the electroacoustic particles in order to proportion the achromatic fulfilment of modern concretism. And the final effect is phonographically disarming…

Subtitled "[An] Exasperating Sonata in Three Dissections for Enharmonic Pianoforte, Industrial Oscillations and Digital Emissions." Packaged in a hard cardboard sleeve, with disc envelope and inserts. Released in a limited edition of 100 hand-numbered copies.

3 long old school dark ambient industrial tracks from the italian cult project in the way of his old releases from the 80s. Subtitled "Based On Genesis Chapter 19, Verses 15-23". Released in a DVD case, in a limited editon of 500 copies.

New recordings from one of the true pioneers of noise music, Maurizio Bianchi. Two overwhelming, relentless, long-duration drone/noise compositions. Essential listening.

Based on the Holy book of Leviticus, chapter 15, verses 19-33. NIDDAH: Plasmatic symphony for electronic particles, erythrocyte frequencies and menarchal viola. EMMHNA: Hemolytic decomposition for neurologic piano, coagulant clangs and leucocyte sonances. The NIDDAH blood represents the life and the life is God's property, and He saves our lives through the EMMHNA blood. This globular realization dedicated to all the ransomed mankind.

The bran new album by MAURZIO BIACHI is the first in a series on SILENTES. M.I. NHEEM ALYSM is a decompositive triad for reverbarating piano and osmosized keyboards, idealized and carried out between the autumn 2003 and the spring 2004. Dedicatated to all the people they proclaim the liberation of the modest minimalistic sound. A true manifesto. M.I. NHEEM ALYSM is the first cd in SILENTES MINIMAL EDITION serie... Silentes Minimal Editions Packaged in a folding cardboard sleeve with insert.