Composition / All styles

*100 copies limited edition* Transparent duo, for 2 string instruments. On transparent paper. One set of pages indicates bowing. The second indicates the direction and length of mostly inaudible glissando. Players overlay pages and play any number of combinations. Field recordings were taken one morning and evening, in the summer of 2025 around Narrowsburg. "Through my music, I create situations for people to play and be together, to sustain a community, to share sounds and ideas in a welcoming …

** 2026 Stock ** Satie is the point where Erik Satie’s so‑called “furniture music” stops being background and becomes a way of listening to the world. In these recordings, Aldo Ciccolini approaches Satie not as a quirky footnote to Debussy and Ravel but as a composer who quietly rewired 20th‑century music from the inside. The repertoire typically centres on the iconic cycles - Trois Gymnopédies, Trois Gnossiennes and companion pieces like the Nocturnes and Trois morceaux en forme de poire - work…

On Pax, Arvo Pärt’s most emblematic pieces are gathered into a single, quietly radiant anthology, turning his tintinnabuli language into a long meditation on stillness, vulnerability, and the possibility of peace in a noisy, fractured world.

Unreleased material composed by Bernard Parmegiani in 1992

On Reich/Richter, Steve Reich joins Ensemble Intercontemporain and conductor George Jackson for a single 37‑minute arc of pulsed colour, a chamber‑orchestral score conceived in dialogue with Gerhard Richter’s moving stripes, where pattern, blur, and return become musical form.

On Black Angels, Kronos Quartet turns George Crumb’s Vietnam-era nightmare into the axis of a stark, haunted program, binding early music, American modernism and Shostakovich’s war-torn melancholy into one of the group’s darkest, most enduring statements.

On Kronos Quartet Performs Philip Glass, Kronos Quartet turns four string quartets into a self‑portrait of the composer, charting his path from theatre and film scores to music written directly for the group, all in a language of pulsed clarity and slowly deepening harmony.

A collection of writings with 2 CDs of sound examples, based on talks presented over several years, describing in some detail the compositional approaches and working methods involved in the production of many of Trevor Wishart's musical works. Includes a discussion of sound diffusion, and diffusion scores (with worked examples) for most of the electro-acoustics works. Sound Composition is a collection of writings with accompanying sound examples detailing the composition of musical works where …

Original 1991 LP edition! Stepping into the territory of Gavin Bryars is like coming home, so familiar are the morphemes with which he composes his musical language. One of the most significant recordings in the Bryars catalogue, this disc offers a fine condensation of his spirited and nostalgic sensibilities. After the Requiem dates from 1990 and follows his Cadman Requiem of the previous year. After completing the latter, which was written for the Hilliard Ensemble in memory of Bryars’s friend…

In the new work ''Shlimazl'' by the Swiss composer Michael Wertmüller, symphony orchestra and big band merge into a virtuoso, polymetric organism that not only transcends styles, but also a perceived linearity of time. In doing so, he explicitly takes up the rich tradition of the big band, and revitalises it within the symphonic context under new auspices and allows it to take off. All the soloists act like a picture within a picture within the big band, which oscillates between musical nucleus,…

Rand Steiger’s Introspective Trilogy is a series of string quartets with electronics composed over a period of eight years for the JACK Quartet. Reflecting on emotional states through musical expression, the quartets explore intense feelings of anger, frustration, and despair in response to alarming political developments in the U.S. and globally, from 2016 when the project began, to catastrophic recent developments. Steiger relates the resurgence of xenophobia and well-known elements of authori…

The pianistic writing of Giorgos Koumendakis represents a rare encounter of delicacy, intellectual concentration, and profound compositional coherence. It belongs to a free post-modernity, rooted in the continuity of certain Eastern European composers who developed an independent and original modernity. The cycle Mediterranean Desert, which forms the central axis of this album, is a work for piano consisting of 22 pieces inspired by Mediterranean flora and fauna. It offers a distinctive sound ma…

This album is intended to be a retrospective view of Luigi Manfrin’s compositional journey. Rather than following a chronological order, it identifies loops that run through his musical production: recurrences, foldings and returns that never replicate the same pattern, but instead reactivate structural tensions in different contexts. At the core is the idea of sound as an immanent experience. The unity of the album lies not in the identity of its materials, but in the constant questioning of th…

*150 copies limited edition* Composer Vasco Mendonça presents his third album “Third Places”. The album brings together a collection of landmark performances and features some of the leading names in international contemporary music, including countertenor Iestyn Davies, mezzo-soprano Barbara Kozelj, the Porto Casa da Música Symphony Orchestra, the ensemble Het Muziek, and conductors Brad Lubman and Ernest Martínez Izquierdo. More than just a record, “Third Places” stands as a space for artistic…

Founded in 1997 by Cyril Secq and Yvan Ros as a guitar/drums duo, Astrïd subsequently expanded and settled around the violin player Vanina Andreani (1998), followed by the clarinet player Guillaume Wickel (2005). The core of the group is based in Nantes, France.  Astrïd’s instrumental and expansive music has been inspired by improvised music, folk, post-rock and jazz, as well as by classical and contemporary composers, from Ravel to Arvo Pärt. Their work has been released across a number of albu…

Apartment House presents seven works from John Cage's early period, before he began his systematic exploration of chance procedures. This repertoire captures a transitional moment when Cage had moved beyond traditional methods but before he devised new formal systems—a period when, as pianist Kerry Yong notes, he was "forced to be guided by their instincts and intuition" producing "extraordinary music." The program balances what Yong calls "simply gorgeous / gorgeously simple pieces like 'Dream'…

What happens when electroacoustic thought migrates into the physical realm of acoustic instruments? Visiting Cloud documents a three-year collaboration between Finnish composer Marja Ahti and Italian ensemble Blutwurst, where two of Ahti's electroacoustic works - Fluctuating Streams (from The Current Inside, 2019) and Chora (from Vegetal Negatives, 2018) - undergo radical transformation into acoustic versions that stretch, deepen, and reimagine their original forms. Initiated by Blutwurst in 202…

Morton Feldman's Intermission 6 (1953) is a sparse piano piece that typically lasts between 3 and 12 minutes in standard performances. Finnish experimental musician Antti Tolvi has created a radical 72-minute realization that extends the work's meditation on silence and resonance to an unprecedented duration. Tolvi discovered the piece through Philip Thomas's five-CD Feldman Piano box set on Another Timbre, becoming fascinated by Intermission 6 as "the piece which has the most silence in it, and…

James Opstad is probably better known as the double bassist with Apartment House than as a composer. But this should change with this release—the first CD of his music as a composer. Five beautiful pieces tracking the evolution of Opstad's work as it moves from textural electro-acoustic music to pieces exploring the layering of instruments playing at slightly different tempi. The album begins with "Nymphaea" (2020), performed by the GBSR Duo (Siwan Rhys, piano; George Barton, vibraphone), follow…

Ark Hive of A Live is a 4 CD set of recordings by Andrew Poppy, along with a 128 page book, including writing by Andrew Poppy; an introduction by Paul Morley; other writing by Leah Kardos, Nik Bärtsch and Rose English; and archival photographs.

The second part in a collection of stunning Persian-tuned piano pieces, cut from Iranian national radio broadcasts made for the Golha programmes between 1956 & 1965.

2026 Repress. Mega-Tip! Gavin Bryars was born in Yorkshire, England in 1943. His first musical forays were as a jazz bassist working in the early 1960s with improvisors Derek Bailey and Tony Oxley. Bryars later worked with composers John Cage and Cornelius Cardew, founded the Portsmouth Sinfonia and collaborated with Brian Eno on his famed Obscure imprint. The Sinking of the Titanic, Bryars' first major composition, was inspired by the tragic event of the British passenger liner's cross-Atlantic…

2025 repress. For five decades, Harold Budd stood on the forefront of the West Coast avant-garde. Born in Los Angeles, he studied with Schoenberg-pupil Gerald Strang and began teaching at CalArts in 1970. While searching for his own voice, he was influenced as much by abstract expressionist painters as by John Cage and Morton Feldman. In his work, Budd brought delicate, slowing-moving melodies to the foreground – creating a new musical language based on “eternally pretty music” and smooth surfac…

Many Many Women by Petr Kotík is a large-scale composition for voices and instruments from 1975-78 on the text of Gertrude Stein's novella of the same name. It was published in Paris in 1910 as part of the book G.M.P. - Gertrude, Matisse, Picasso. In 1972, the book was published again by Dick Higgins in his publishing venture Something Else Press. Kotík used the complete text, which determined the length of the piece. Inspired by his close collaboration with the composer and singer Julius Eastma…

**LP version. Individually hand numbered strictly limited edition 300 copies in premium white audiophile virgin vinyl** "Exclusive sleeve notes by Paul Roland, John Greaves, Michael Tanner and Max Marchini. Produced by Max Marchini. A decisive step forward, a new milestone in the extraordinary discography of Lino Capra Vaccina. An album of iridescent introspectivity; a mandala of unheard sounds, a new way for contemporary minimalism. My collaboration with Lino has led me to discover recesses, re…

*300 copies limited edition* "Keith was a dear friend firstly. He was a generous, wonderful person and, of couse, a genius, a true artist. We all owe so much to him for we started our label with his critically acclaimed piano solo “Mujician IV - Live in Piacenza”, way back in 2015. We welcome this album as a real blessing for the soul. So long dear Keith: your music shall live forever." - Max Marchini Music for Labyrinths is an open live project for a soundtracks of labyrinths around the world a…

**CD version. Individually hand numbered strictly limited edition 300 copies in golden audiophile cd** "Exclusive sleeve notes by Paul Roland, John Greaves, Michael Tanner and Max Marchini. Produced by Max Marchini. A decisive step forward, a new milestone in the extraordinary discography of Lino Capra Vaccina. An album of iridescent introspectivity; a mandala of unheard sounds, a new way for contemporary minimalism. My collaboration with Lino has led me to discover recesses, reflections and ref…

'When I first had the chance to listen at Markus Stockhausen performing live at Conservatorio Nicolini in Piacenza, some years ago, I immediately had the intuition of this musical meeting. I was sure that the poetry of Lino Capra Vaccina will melt with Markus’ one in a completely intuitive, spontaneous way, creating something really unusual, really new. When, some months later, I had the chance to produce then meet the great Santoor player Alireza Mortazavi for the album Hamdelaneh (with Markus,…

*2026 stock* For this collection of live performances, we approached Treatise not just as a score, but as a piece of visual art—an abstract landscape that drew us in with its raw graphic beauty. We felt compelled to translate it into sound using our instruments, while also engaging with the work on its own terms. In researching Cardew’s notes and his Treatise Handbook, it became clear that he didn’t intend the piece to be an open-ended free-for-all. Rather, he encouraged performers to develop a …

*300 copies limited edition* Combining the lyricism of chamber music, the raw tones of punk and metal, the clarity of post-rock, and the abstraction of electroacoustic music, Dionée offers a unique, cinematic musical journey. The trio, with its colorful instrumentation, delivers with Mille-feuilles an astonishing, orchestral‑sounding work in which oboe, accordion, and electric bass converse with a range of electronic instruments and effects.

*100 copies limited edition* Virginie Reid announces the release of Mille Soleils à l'oeil nu, a luminous new album that explores the delicate intersection of acoustic intimacy and boundless sonic imagination. Recorded with a keen ear for texture and a fearless commitment to improvisation, Mille Soleils à l'oeil nu invites listeners into a world where small gestures expand into vast, cinematic landscapes. Mille Soleils à l'oeil nu traces a journey through light and shadow. Reid's compositions ba…

Himorogi is the tenth album by Ironomi. Divining Japanese mythology and its relationship with nature, the new album is an aural pastorale that fosters deeper territory in the realm of spiritual searching through dreamy, drifting piano, 17-string koto (jūshichi-gensō) and new form electronic processing. ironomi’s desire to commune with mother Earth and its season’s colors has always served as a continual inspiration for their music. In himorogi, the duo delves into a more spiritual focus in their…

The sixth and final volume in Wergo's acclaimed series of recordings, Earle Brown - A Life in Music completes the label's reissue of the eighteen LPs of Earle Brown's legendary Contemporary Sound Series, recorded between 1960 and 1973. The first disc in the set contains works by John Cage and Christian Wolff from the early 1960s. Disc two presents violinist Paul Zukofsky accompanied by pianist Gilbert Kalish in works by Crumb, Yun, Wuorinen and Cage. The final disc contains works by South Americ…

Three discs, three distinct worlds - each one a landmark. Vol. 5 of Earle Brown's Contemporary Sound Series may be the most dramatically varied installment in the entire programme, arcing from the handmade electronic circuitry of four American mavericks to one of the great piano sonatas of the 20th century, and closing with the golden tone of the most celebrated flutist of the post-war avant-garde. The first disc is Electric Sound, the only album the Sonic Arts Union ever released as a group. Or…

"Wergo's reissues of the legendary Earle Brown Contemporary Sound Series have been a big hit with fans of contemporary music around the world. Each set is a treasure-trove of works by a wide range of composers, performed by some of the finest musicians of the time. The three CDs of volume four feature string quartets by Boulez, Scelsi and Earle Brown, works for chamber orchestra by Xenakis, Aldo Clementi, Bo Nilsson, Wlodzimierz Kotonski and Yuji Takahashi and works by Milko Kelemen, Niccolo Cas…

The voice as instrument, the temple bell as orchestra, the piano as detonator. Vol. 3 of Earle Brown's Contemporary Sound Series traces three radical propositions about sound and its sources - each originating from a different continent, each redefining what was possible within its medium. The first disc belongs to Cathy Berberian. Originally issued on Time Records in 1962, it captures the American mezzo-soprano - then based in Milan and married to Luciano Berio - at the height of her extraordin…

3-CD Set.  Recorded between 1960 and 1973, the original eighteen LPs that comprise Earle Brown's legendary Contemporary Sound Series have been highly sought after in the secondary market since 1978 when they were discontinued. These rare and historically important recordings of international avant-garde music have been carefully digitized and remastered by the Earle Brown Music Foundation. Volume two includes music by Nono (Polifonica-Monodia-Ritmica), Bruno Maderna (Serenata No. 2), Luciano Ber…

1999 release ** Both peculiar archaism and highest sensitivity characterize this quiet, while extremely tense sound landscapes of the Sicilian composer Salvatore Sciarrino. Salvatore Sciarrino’s music-theatre piece Luci mie traditrici (Oh my deceitful eyes) was originally based upon the colourful life of the composer Carlo Gesualdo, but when he discovered that Schnittke was also busy on an opera on the same subject, Sciarrino changed track and eliminated all references to the great madrigalist i…

*2022 stock* Performed by Julia Breuer (flutes), Matthias Engler (vibraphone, marimba, glockenspiel, tubular bells), Elmar Schrammel (piano, celesta). Recorded 2007. One of Feldman's classic long-term late works, written in 1984. Wergo is proud to present Morton Feldman's four-hour-long trio For Philip Guston, performed by the ensemble Breuer-Engler-Schrammel. Feldman disagreed with those who regarded his works since the 1970s as being too long. 'In music, it's very difficult to distinguish betw…

'Etudes Australes was composed specifically for Grete Sultan, so this album is among the definitive recordings. As an indeterminate piece for solo piano (okay, well, a "duet for two hands"), this sounds very similar to Music of Changes, Winter Music, etc. Here, though, Cage generates indeterminacy by turning once again to using star charts as tools of composition, as he did previously in the wonderful Atlas Eclipticalis. In a way, I find the piano to be more suited to star charts than almost any…