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'Flute' is an album of six pieces written by Slovak composer Adrián Demoč and performed by Italian flutist and multi-instrumentalist Manuel Zurria. Of the six pieces, "Zamat" is performed in two different versions. This is Demoč's second release on elsewhere music, following the 2024 release 'Piano', as well as Zurria's second appearance as the flutist, following the 2024 release Giuliano d’Angiolini - ')))((('. Demoč's compositions are often intended for open instrumentation or a "monochromatic…
Swiss-based German vocalist/composer Marianne Schuppe and Berlin-based Italian cellist Deborah Walker present two duo works: Aus dem Zeltbuch, co-composed by Schuppe and Walker; and Occam River XXIX, a piece by French composer Éliane Radigue.
Aus dem Zeltbuch (2022/23), based on a text-collage by Marianne Schuppe, reveals a surface of a word-sound texture on the edge of acoustic intelligibility. Aus dem Zeltbuch questions our perception of language in a musical context by creating bilingual area…
‘Monochromes II’ is a collection of thirteen solo piano pieces written and performed by Berlin-based composer/pianist Quentin Tolimieri between 2023 and 2025. This is Tolimieri’s second release on elsewhere music, following the 2022 triple album ‘Monochromes’ (elsewhere 022-3). In this new triple album, Tolimieri delves even deeper than in his earlier Monochrome pieces to explore the countless sonic possibilities and resonances that the piano can produce. Aiming to allow the inherently interesti…
Tying every symbol to an idea has made the world manageable, but also predictable. Suspending the pact, delaying to denominate, letting sound remain pre-conceptual for an instant leads to confusion; nameless, all things slip away, lose direction and blend in with the background noise. Here lies the danger of pure indifference where all things are indistinguishable and listening risks becoming pure perception. It is not a question of refuting meaning, but rather of embracing that latency where fo…
In Complete Works for Multiple Piano, Morton Feldman’s quietly radical writing for three or more hands is heard as a three‑hour continuum of hushed, hovering sonorities, where time dilates and the piano becomes a shared, breathing instrument.
*200 copies limited edition* Sixty-one + minutes of deep and powerful drone compositions recorded live at Epsilon Spires Church performed on organ, accordion, contrabass and cello by Richter, Mike Bullock and Laura Cetilia. Rich and meditative, arcing past, present and future.Sedimental’s first release for 2026 is a monumental document from avant-garde composer Ben Richter. It has been a pleasure to get to know Richter personally over the past five years as we live in close proximity to one anot…
Akira Kosemura’s Polaroid Piano is a record that is very close to my heart. In fact, it is Akira’s work that was one of the drivers for Someone Good, one of the Room40 sibling labels, to be founded. Polaroid Piano marks the beginning of what would later become known as felt piano music, an approach to the piano which was picked up by numerous artists across subsequent years. It captures an essential and intimate rendering of the piano at close proximity, but it does more than that, it allows the…
Rex is a solo cello record written and recorded while I’ve been living in the former home of Rex Brasher, a self-taught painter who created over 1,200 watercolors of North American birds. Composed for acoustic and electric cello, the record reflects the solitude and intensity that shaped both Brasher’s vision and my own process. Rex is not a portrait, but an echo—of a person, a place, and a way of seeing the world. Thank you to Matthew, Munawar, Cynthia & the RBA for the place, support, and gene…
Bonecrusher creates an immersive sonic landscape that captivates listeners, drawing them into a world where chords crackle, howl, and vibrate eerily. Founded in 2020 by trombonist and composer Matthias Muche in Cologne, the ensemble showcases its latest work through four innovative compositions. Each musician explores the trombone’s capabilities with meticulous detail, crafting evolving sonic states that morph fluidly, resembling a tightly woven net.
The ensemble faces a unique challenge; those …
With Figures of Glass (Piano Etudes – Edits), Vanessa Wagner offers a new listening perspective on Philip Glass’s Piano Études, shaping a curated selection of edited versions drawn from her acclaimed recording of the complete cycle. These edits do not alter the substance of the works; rather, they refine their temporal focus, revealing their emotional force with renewed clarity.
Conceived in parallel with Figures of Glass, a hybrid project developed with visual arts collective Scale, the release…
Scultohorp's superb 1965 orchestral composition accompanied by 1961's passionate piece for violin, percussion and string orchestra, backed with Le Gallienne's 1956 composition for string orchestra, woodwind and two horns, released on Odyssey's "Music Of Our Time" series directed by David Behrman.
Dissonant and dense requiem composed in 1983 and released on Amadeo's "Österreichische Musik Der Gegenwart" contemporary music series in 1985. With insert.
1948 celebrated chamber piece by Shoenberg's pupil backed with his 1965 partita for organ, released in 1983 on ORF's "Musikprotokoll" contemporary music series.
1978 2LP box set on EMI with one of the most acclaimed recordings of the monumental 1948 masterpiece for orchestra, ondes martenot, piano and a wild array of percussion. Powerful and marvellous.