Pilgrimage
*Limited edition of 300 copies* A pilgrimage is a journey or search of moral or spiritual significance. Typically, it is a journey to a physical place of importance to a person's beliefs and faith, although sometimes it can be a metaphorical journey into someone's own beliefs. On this pilgrimage into humanity’s inner world [ówt krì] continues his exploration of contrasts and counterpoints. It is a journey through abstract spaces that digs deep into our psyche, a film for your inner vision. The s…
Tietoisen Siirtymän Oletettu Toiseus
Ilpo Väisänen (Pan Sonic), offers a deeply personal and emotional record that literally translates to “The Presumed Otherness Of The Conscious Transition”. An appropriate title for a very somber and serious listening.
Phlogiston
Elliott Sharps's release on Erototox Decodings is no different in terms of his ongoing homage to science, entitled 'Phlogiston', aptly named after a substance supposed by 18th-century chemists to exist in all combustible bodies, and to be released in combustion. It’s also his first purely electronic and synthesized record to date.
Blendwerk
Blendwerk is all about smoke & mirrors.„Potpourri" - as a track - is new, its components are old. One element per existing album by Strotter Inst. has been intertwined. The parts are old, the entirety is new. "Quodlibet" represents an impossibility, 23 loops are cut next to each other. The simultaneity - as the title suggests - is only conceivable.
An Un World
Andrew Liles offers little hope or joy on his meticulously crafted album An Un World. Over the course of the tracks comprised of various sound sources tweaked into dark ambient soundscapes, the producer carries you through an often fantastic, sometimes frightening world of sound, characterized by its tone more than its individual components. Every song features its own unique palette of sounds. For example, indecipherable voices murmur beneath a haunting wind-like buzz on "Over Before It Began,"…
Barricades
The story is that Vigroux spent most of the time on his tour constructing what would subsequently evolve into Barricades. Working indefatigably on new tracks in the morning and performing them live in the evening - that is basically how this excellent work was assembled. Recording everything in stereo, using only two tracks, Vigroux aimed to incorporate “the rawness of a ‘live’ recording”. Consequently, the sound here became unmistakably pure and expressive, somewhat reminiscent of artists such …
RA
Schneider TM & Jochen Arbeit of Einstürzende Neubauten release an album of ‘urban cosmic freeform music’ on the US label Erototox Decodings in cooperation with MWM featuring musical contributions by Julia Kent (cello), Lucio Capece (bass clarinet) & Claas Großzeit (cymbal). The album, which almost became a lost treasure, was already recorded in winter 2011/12 and stretches out it’s harmonic dissonances between heavy drones, strange noises, industrial-like metal percussion, feedback-ish flutes, …
LCM
"A mainstay of the Bay Area experimental music scene, Thomas Dimuzio played countless times at this comfortably carpeted venue, that kind of privately public space where it can be hard to properly tell the music apart from the community. Though ’LCM’ is technically a live album — two side-long suites, each built out of three continuous movements — it’s also been seamlessly composed from so many different nights that it represents an entire era, evoking the sites that allow music like this to com…
Matériaux
A physical release for ‘Matériaux’, the 2020 EP from French multimedia artist Franck Vigroux. Somewhere between a mini-album and a long EP, Vigroux expresses a range of different moods but in the same simple, musique concrète-influenced manner, driven by texture and harmony at the expense of melody.
The Wind In Kirtipur
"The Wind In Kirtipur is a piece in two parts using normal and treated location recordings, pitched Tibetan thigh bone horn and singing bowls. Recordings were made at the Bagh Bhairab Temple in Kirtipur, at the Swayambhunath Stupa in Kathmandu and inside the walls of the Kumari Ghar where the 'Kumari Devi' (Living Goddess) lives in Kathmandu, Nepal. The title is inspired by a text written by poet Ira Cohen as a foreword to a book of early texts/poems by Angus MacLise entitled 'The Map of Dusk': …
Live In Austin
Performed & recorded live on June 25th 2019 at Barracuda Club via Antumbrae Intermedia Events + Installations, Austin, Texas / USA
Les Vraies Richesses
Two concerts by improvising keyboardist and vocalist Jean-Marc Foussat, on the LP a recording at the Tout Rennes S'Emmerde event organized by From Town to Town, Capital Taboule, Consternation, L'Effroyable Association Western Soviets Satanist and Dream'in Noise, the 2nd a DVD of Foussat performing live on the beach as part of the 13th Farniente Festival.
Nouvelles
A vinyl reissue of improvising synth, vocalist and multi-instrumentalist Jean-Marc Foussat's 2001 Potlatch album, originally released as a CD-ROM and here with an accompanying DVD titled "Hope for Happiness" including 3 silent films, two of which relate to the album; performed with Francesco Pastorelli : voice, Louise Foussat : laughs, Marc Bohy : drums, Pascal Bouscailloux : bass, Jac Berrocal : trumpet, Jean-François Pauvros : guitars, Roger Turner : voice
Substunce Sans Scrupule
"Substunce Sans Scrupule" is a dream. A hazy dream born in the emptiness between the words of "Igitur ou La folie d'Elbehnon" by Stéphane Mallarmé. A dream that sought Marcel Proust's lost time and constituted the light and the black void between the single frame of Gregory Markopoulos. It is the birth and the destruction of the work of art, primitivism and science. "Substunce Sans Scrupule" is as much Georgios Karamanolaki's automatic writing on the work of Jean-Marc Foussat as Jean-Marc Foussa…
Incunabula
Incunabula, the debut full-length offering from Autechre finally made available again on vinyl, having been out of print on vinyl since 2001.
Monoliths
**200 copies limited edition** "The occasion of this double album is to present the two different practices in my music, live performance and studio work. Although phenomenally coming from a different place, it is a result of years of experimentations to bring a simple yet complete electroacoustic set up both on stage and in studio. The original idea was to compose or perform with acoustic instruments generating sustained sounds in a way that, although electronically manipulated, would retain al…
John Duncan / T.R. Kirstein
*Limited edition of 200 copies* "On May 31st, 2019, the day Roky Erickson from 13th Elevators died (I later found out), I woke up from a dream of sound and text. I dreamt that John Duncan kept repeating the words You Are Safe entangled with sine waves. So I instantly shot him a message asking if it was too weird to do exactly that. He replied: "not too weird". " -- Tobias R. Kirstein -- You Are Safe and Come To Me are the first two collaborative tracks by Danish composer/artist Tobias R. Kirstei…
Electronic Works & Voices 1961-1987
The complete works of one of the pioneers of Belgian early electronics. This 3CD set highlights Leo Kupper's earliest unique compositions produced during the '60s to the'90s when he was ardently seeking out structures distinctly applicable to purely electronic sounds. His GAME machine - Générateur Automatique de Musique Electronique (Automatic Generator of Electronic Music) was constructed during such period and spirit of renewal and technical exploration.
Less Is More
**200 copies limited edition** In August 2021 Moving Furniture Records curated a music program accompanying the minimal art exhibition 'Less is More', presented by Polderlicht at Factor-IJ, Amsterdam. On this occasion the Orphax performance was recorded live. This CD features the full set - no edits, no cuts. This live set merges Orphax's fascination for minimalist art and his idiosyncratic take on drone music, offering warm and organic atmospheres in which the listener drifts away, losing not o…
Could Change
"Alvin Lucier’s I Am Sitting In A Room was written over 50 years ago, and it’s about time somebody figured out what to do with it. Sure, you could upload and re-upload the same video until it washes out into a gurgle, and people have. But the result is always just less video and not more of something else. There’s no space, no Room, inside a digital stream to come forth. Here’s why: Lucier’s piece famously provides more thrills and chills the more patience you bring to it. And it works that way …