Folk /
The Harry Smith B-Sides
**81 newly-remastered recordings on four CDs with a full-color, 144-page, cork-cover book in a cigar-style box. ** The Harry Smith B-Sides box set contains the flip side of every 78-rpm record that Harry Smith included on the Anthology of American Folk Music. In 1952, Folkways Records published the legendary six-LP series entitled the Anthology of American Folk Music, compiled by eccentric record collector, filmmaker, artist, and anthropologist Harry Smith. Many historians cite Smith's reissue, …
Strange Lights Over Garth Mountain
Welsh musician Gwenifer Raymond’s 2018 debut album, You Never Were Much of a Dancer, introduced a new voice on acoustic guitar, receiving 5 stars in The Guardian, big spreads in Mojo and Uncut, and airplay on multiple BBC programmes. This led to months of touring on the European festival circuit.
Her second album, Strange Lights Over Garth Mountain, finds Raymond ranging into unexplored experimental territory, drawing from her Welsh roots.
Rai Sidi Bel Abbes
A selection of 8 songs covering the period from 1979 to 1989 by one of Rai’s softest voices. Wah-Wah driven, mid-tempo guitar based early Rai from the city where Rai’s ‘harder’ form was conceived. Sad romantic songs about lost loves and other sorrowful tales.
Thank You For...
The English singer and guitarist Bridget St John was introduced to the London folk scene by guitarist John Martyn, her rich and unusually deep voice making John Peel one of her greatest champions, and when Peel formed the Dandelion label in 1969 with former Elektra record plugger Clive Selwood, the original intention was to issue St John’s music. Following debut album Ask Me No Questions and follow-up Songs For The Gentle Man, 1972’s Thank You For had Martyn’s stunning guitar on “Fly High” and a…
Song of the Avatars
Sold out at source, few copies availble. Robbie Basho (1940-1986) is widely regarded as one of the progenitors of what’s commonly known today as American Primitive guitar. Growing up in Maryland alongside neo-traditional guitar explorers John Fahey and Max Ochs, Basho’s path would take a decidedly different turn, bringing Hindi, Indian, Japanese and Native American musical traditions into his work. His albums for Takoma and Vanguard have left an indelible trail of influence across generations of…
Barry Dransfield
* Edition of 500. 140 gm Green Vinyl * Originally released in 1972, on Polydor’s Folk Mill imprint, Barry Dransfield's first solo album was an extraordinary debut, comprised of inspired original songs, traditional tunes, and some unexpected covers, including a legendaty version of Michael Hurley’s The Werewolf and a solo folk rendition of Procol Harum's Broken Barricades - it was also one of the rarest folk-style albums of the 1970s, vinyl copies changing hands for ridiculously large amounts of …
Pocket Moon
“Singer-songwriter” is a frustratingly confining term; to truly understand exactly just how confining, look no further than the recorded works of Simon Joyner, an artist whose work consistently transcends the narrow parameters of genre classifications and record shop bin cards. Though his music has always honored, reckoned with—wrestled with—the tradition set forth by his songwriting forebears (Cohen, Van Zandt, Ochs, Dylan, Reed to name a few), Joyner can always be counted on to defy expectatio…
Fretted and Indebted
* Edition of 300 * Alasdair Roberts is one of our more beloved folk singers of recent years (though he hates the term folk singer apparently). The Scottish musician here supplies another document of his fascinating interpretations of wild and rare traditional songs he's sourced from various parts of Scotland. Comes on a single sided 12".
I am indebted to my piping friend Donald Lindsay for The Blythsome Bridal, The Braes of Tulliemet and The Smith’s a Gallant Fireman, while Chief O’Neill’s Favou…
Electric Guitar Duets
Limited repress, last copies! LP reissue of Land And Sea's limited 2016 tape documenting a performance by guitarists Michael Morley and Bill Orcutt at the L&S gallery in Oakland."... Once regrettable antics were permanently affixed to the rearview mirror, the pair chauffeured across the bay to Land And Sea, the cozy gallery on San Pablo Avenue in Oakland and sobered up on vegan cocktail wieners and gummie vitamins. You may doubt, you may scoff -- have fun with it, champion, seriously -- but on J…
If I Could Remember My Name...
Gatefold 180 gram vinyl reissue, remastered and manufactured by Rhino. One word describes If I Could Only Remember My Name from David Crosby...awesome! A real acid folk masterpiece whose inclusion in this catalogue might surprise some of the soundohm website visitors, but here it is. Originally released at the pinnacle of CSNY’s fame—singer-songwriter David Crosby’s 1971 solo debut is a transcendent tour de force that allmusic.com calls, “among the finest splinter albums out of the CSNY diaspora…
Youthful Dementia
**Edition 200** Reissue of a cassette that Colby released on his own Laughable Recordings label in 2014. Mr. Nathan is based up in Maine, where he recorded Sophie Dickinson's Cucucanady LP (FTR 177LP). Greg is from Maine as well, and the pair got together for this session in late 2013, with Ralph White sitting in on one track. The sonics recall everyone from early Neil to something that sounds more like a small cabal of stoned American ex-pats singing for their scalps in Denmark in the summer of…
400 Miles from L.A. 1955-56
*2020 stock * Phoenix, Arizona 1955…a twenty-five year old disc jockey and fledgling songwriter, Lee Hazlewood, is trying to break into the music industry. He takes Greyhound bus trips to Los Angeles to pitch songs, only to be rejected each time. Undeterred, Lee starts a record label called Viv Records. Running the label out of his house, Lee finds the artists, writes the songs, produces the sessions, arranges the pressings of the records and handles distribution. Recently discovered tapes in th…
The Black Swan
* 2020 stock. Last Copies * Originally found on Jansch’s final album of the same name, The Black Swan is featured here on a 7” single, flanked by an early demo. The two songs are at parallels; where the demo shows the bare bones of the track (working title: ’Space Highway’), the finished article is something altogether more orchestral, with Helena Espvall’s (then of Espers) soaring cello providing a foil for Jansch’s supremely melodic refrain.
Fans will surely be intrigued to see the process inv…
Misty Flats
* 2020 stock * Barry Thomas Goldberg was 23 in 1974, the year his Minneapolis power pop group, The Batch, split up. Rudderless, he set about recording solo album Misty Flats, and though few would hear it in its day, he hit on something very special indeed.
“In 1974, the world was weary, the Vietnam War was ending, America was at this place where it didn’t know where it was heading, it was the fumes of Watergate days,” says Goldberg now. “I’d just left my band, and I didn’t know where I was headi…
U.F.O.
*2020 stock* In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.
By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-l…
If The Evening Were Dawn
*2020 stock* On March 4, 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost. Some think the mafia bumped him. Some even think he was abducted by aliens.
By coincidence–or perhaps not–Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost until Light In The Attic Records began a years-long quest to re-release it–and to solve the mystery of …
Jim Sullivan
*2020 stock* On March 4, 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost. Some think the mafia bumped him. Some even think he was abducted by aliens.
By coincidence–or perhaps not–Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost until Light In The Attic Records began a years-long quest to re-release it–and to solve the mystery of …
Duets
**Edition 200** Mind-blowing set of duo improvisations from a string player once known as the King of the Dobro, and the original drummer for Morphine. Long based in the Boston area, Lloyd Thayer is a master musician as well as a teacher, a street performer (retired, I think) and a collector of esoteric stringed instruments (many of which are played with a slide). We were introduced to his work by Glenn Jones, who more or less grabbed us by the collars and hauled us to see him down at the 1000 I…
Powers/Rolin Duo
Hot on the heels of last year's Matthew J. Rolin LP (FTR 502LP, 2019), here is a new duo recording featuring Rolin's acoustic twelve-string and the hammered-dulcimer of Jen Powers. They've had a couple previous cassettes, but I've never seen 'em! If you have, I can offer you something fine in trade. As with his first LP, Rolin's command of his guitar is quite wonderful to hear. He uses the whole breadth of the twelve-string's harmonic potential, which creates a wide surging stream of sound. Powe…
Long Time 'Til Tomorrow
**Edition of 300** First issue in the Drowned Lands series, assembled by Jason Meagher, is the debut duo recording by Wednesday Knudsen and Willie Lane. Long Time 'Til Tomorrow is a gorgeous instrumental collaboration by guitarist Lane and multi-instrumentalist Knudsen that will knock your Smartwool socks off. Recorded at Meagher's Black Dirt Studio, the album documents the first time the pair played together. They are, of course, well known to Feeding Tube fans. Willie's first three Cord Art LP…