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![]() Quentin SIRJACQ La chambre claire Quentin Sirjacq, a native of Paris, is a young composer, best known in the free improvisation scene for his collaboration with Joëlle Léandre. The album aesthetic is reminiscent of 19th and 20th centuries’ French literature (Barthes, Baudelaire), American minimalists (Philip Glass, Steve Reich) and neoclassicism (Michael Nyman, Wim Mertens, Robert Haigh). Quentin Sirjacq’s ... ![]() Robert ASHLEY Atalanta (Acts Of God) Volume II Robert Ashley, Jacqueline Humbert, voices; Tom Hamilton, mixing and electronics. Three of the satellite songs from Ashley's opera Atalanta (Acts of God) - each inspired or revolving around one of the main characteris of the opera, Max, Willard and Bud. Atalanta (Acts of God) was written in the 1980s, begin while Ashley was still in production for the television opera, Perfect Lives. The m... ![]() Jean-Claude ELOY Shânti (1972-73) A massive, four side-long drone-epic masterpiece “Shânti” (1972-73) for electronic and concrete sounds, in a spectacular double CD digipack issue...“The term “meditation music” triggered many conflicting comments including positive ones (“... let us say that Shanti belongs to those very rare works that change you after listening to them. You are not exa... ![]() Jean-Claude ELOY Gaku-no-Michi (1977-78) “Gaku-no-michi”, Tao of music or Ways of music. Film without images for electronic and concrete sounds. Produced at the electronic music studio of NHK Radio, Tokyo 1977-78. “Jean-Claude Eloy is a French composer, born in 1938. He studied at the Paris National Superior Conservatory of Music, where he won First Prizes in Piano, Chamber Music, Counterpoint, Ondes Martenot, and s... ![]() BJ NILSEN - STILLUPPSTEYPA Space finale The follow up to the well received ‘Man From Deep River’ Space Finale is another surreal slice of heavy listening from these legendary north Europeans. The material included here was realised on analogue equipment, with a Revox 2-Channel tape machine as their main instrument. Maintaining the analogue spirit of the audio this release is now available as a double LP vinyl set, after ... ![]() APOTHECARY HYMNS Trowel And Era With a treasure trove of analogue, swirling effects, arch songcraft and a sweet yet assured vocal delivery, Trowel & Era brings to the table the epic debut long player by the one man band Apothecary Hymns (AKA Alex Stimmel). Stimmel has made a collection with one foot in kaleidoscopic coastal loner psych that floats on a musical bed of whimsical levity and another foot rooted firmly in t... ![]() KID 606 Songs About Fucking Steve Albini A collection of psychedelic love songs paying tribute to all things analog. Similar to older Kid606 releases like PS I Love You, GQ on the EQ, The Soccergirl EP and Why I Love Life. This album was carefully constructed to be the soundtrack for the peak 72 minutes of your next trip. The songs all linger on too long but just long enough, you hear voices you can't understand, but you will know... ![]() Giacinto SCELSI Complete Works For Clarinet Giacinto Scelsi was both reclusive and inexact in the way that he dated and named his compositions. This rendition of Tre Pezzi (a broad title Scelsi used numerous times for different pieces) focuses on narrow ranges in the B-flat clarinet, demonstrating the thin margin of tonal range between the phrases that come sometimes fast, sometimes slow. Kho Lho, on the other hand, pairs a clarinet a... ![]() Sven-Ake JOHANSSON Berlin Symphonie MND 1968 - 72 Legendary recordings by Johansson and friends, precursor of today´s minimalistic impro. Includes 30 minutes solo by sax player Frippe Nordström. CD I recorded at Club Litfass, Berlin, 1968; CD 2, track 1 recorded at SR, Stockholm, 1970; CD 2, tracks 2-4 recorded at Club 7, Oslo, 1972.Sven-Åke Johansson, drums, voice; Norbert Eisbrenner, guitar, alto saxophone, voice; Bengt Nordst&... ![]() TAIGA REMAINS Ribbons Of Dust In La Monte Young's formulation, drone music is built on the idea of vertical composition, moving away from developmental form towards "Vertical Hearing". The danger, of course, is that layers will be substituted for composition, resulting in dissonant monolithic roars. These have their place, but tread an easy route to some ambiguous transcendence. On the four extended meditations f... |
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