We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
play
Out of stock
Best of 2017

Sarah Davachi

All My Circles Run

Label: Students of Decay

Format: LP

Genre: Electronic

Out of stock

All My Circles Run is the fourth full length release by Montreal-based electro-acoustic composer Sarah Davachi and her second outing for Students of Decay. In a move which may surprise followers of her previous output, the five compositions on this record eschew synthesizer entirely, each focusing on a different instrument, including strings, voice, organ and piano. What remains consistent however is the striking attention to detail and commitment to investigating tonal possibility that characterizes all of her work. The sinewy “For Strings” opens the album, with keening overtones stretching out in all directions to form a mass of slow moving, radiant sound. The results will ring true with anyone who has heard her previous releases, whilst also offering another perspective on her tonal ontology, pin-pointing her acute feel for pealing, plangent overtones in For Strings, which opens out with a raw beauty and scale reaching heights strikingly similar to Áine O’Dwyer’s recent LPs - as much as Ellen Fullman’s works for long stringed instruments - or by Charlemagne Palestine for that matter, whereas For Voice is a deeply sober, sombre piece again precisely focussed on those fluttering points where consonance/dissonance are near indistinguishable.The stunning, melancholic “For Piano” closes the record and is something of a high watermark in Davachi’s oeuvre to date, with plaintive piano figures nestled atop a shimmering string drone to create a richly emotive, reverent atmosphere. Ultimately, All My Circles Run is a confident step forward from an exciting artist whose compositional and aesthetic tendencies steer her steadfastly towards both the subjunctive and the sublime.

Details
Cat. number: SOD115 LP
Year: 2017