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This is a psychedelic masterpiece, a stunning piece of work made mainly by synths from various kinds (VCS, Farfisas, Mellotron, etc), backed up occasionally with drums and other sounds. The tracks are mainly instrumental and takes the listener through a trip, like the gods of psychedelic music intended. "Think the Germans had the market cornered on dark-edged electronics in the 70s? Guess again, because this mid 70s gem from Frenchman Philippe Besombes easily rivals the most progressive work of the Kraut scene of the time! The album's a collaboration with Jean-Louis Rizet – and features both artists duetting on a variety of analogue electronics – sometimes in a melodic way, but often in more experimental modes that are quite textural at times – and which stand as a key link between initial German electronics in the 70s, and some of the murkier British uses of the instrument a few years later.
"This epic album just oozes sanctified mystery, psychic menace and playful insanity and exists in a timeless zone of tripped-out lysergicity all its own. I’ve never heard anything quite like it, nor quite as special for the kind of music that it is (and really, there’s not that much of this kind of thing, from then or now). Have you heard Achim Reichel’s ‘Echo’? That special – but quite different again, in another parallel sphere but just as exalted in my mind and heart. Psychedelic progressive synth-based music doesn’t get much better than this, in my opinion, though it’s clearly not for everyone – some people just find it cold, too weird, and occasionally too repetitive or slow and can’t get into it. It’s the kind of album with heaps of textural depth you need to give time and attention to, and I’d never put it on as background music. It demands to be taken seriously (though it occasionally has some strange fun) and I treat this album as a piece of sacramental music to be played only when all present are prepared to lay back quietly, shut their eyes and let it work its way inside for the next 75 minutes (maybe with a smoke break and breather in the middle!). Indeed, it’s ideal for thorough shamanic journeying without New Age namby-pambying, and after previewing some of the first track when a friend introduced it to me (the same friend and the same time I was introduced to Besombes’ ‘Libra’), I first listened to the whole album whilst tripping on mushrooms, and was utterly blown away. Those two albums changed my life, completely altered my perspective of what was possible on that mind-bending night. Likewise both are still potent aural experiences listened to without psychedelic boosting (and still never fail to impress me), but they are totally and authentically in their element with it – again, even more impressive given the lack of psychedelic experience of the modest genius from whose mind they sprang (although, certainly this collaborative album under review here must give equal credit to Rizet, I still believe most of the insane and often unpredictable creative madness to be heard here derives primarily from Besombes, but both men are brilliant at creating incredible, vivid and deeply psychically affecting synth textures). I can’t guarantee of course that you’ll embrace this stuff as warmly and completely as I have, as I’m a bit of a rarely rabid enthusiast for 70’s Besombes, but you should at least give it a listen to see how it grabs you if you haven’t heard it before and like vintage experimental synth rock. Spoiler alert: if you already think this might be up your alley and you want to listen to it tripping (where legal, of course ;-)), don’t over-familiarise yourself with the descriptions of the music. This is best when you’re not sure what’s coming next. Enjoy! " Julian Cope, Headheritage
Single LP edition curated by Philippe Besombes, with bonust track in the mp3 voucher