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spectre

Ruff Kutz
€ 23.90
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spectre - Ruff Kutz
  Included in
THE WIRE'S BEST OF 2015

spectre

Ruff Kutz

€ 23.90

LABEL: PAN
GENRE: Electronic | FORMAT: LPx2 | CATALOG N. PAN58 | YEAR. (2017)

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Rawest, illest hip hop/dub mixtape from '98 by Wordsound capo, Skiz Fernando Jr a.k.a. Spectre, feat contributions from sometime Madteo collaborator Sensational, Kevin ‘The Bug’ Martin’s Techno Animal alias, Bill Laswell’s Dubadelic project, Godflesh’s Ted Parsons and more. This is a fine history lesson for many yungers, and a red-eyed flashback for many heads who came thru in the '90s. Originally released on cassette in edition of only 100 copies, it documents late night sessions recorded in New York during the formative era of abstract and experimental beats - a natural progression from more gangsta and hardcore styles to someplace more esoteric, smoked-out, and featuring contributions by non-rhyming MC Sensational, the earliest iterations of Kevin Martin (The Bug) as Techno Animal, and The Jungle Brothers. In the parlance of the day; it's a trip, boy. Most of the tracks were produced or "reduced & jinxed" by Spectre, including a number of on-the-fly basslines and drum loops lending it a really frayed and lop-sided quality that producers have tried to recreate since, and definitely sounds leagues away from the last half decade or so of trap trills. But it's also weird for the inclusion of pitched-down, spoken word intros for each cut, framing it closer to a radio show than typical mixtape. Ultimately it's a heady shot-to-the-dome from late '90s New York, which sounds like a different world altogether from our 2015 perch. RIYL vintage Mo'wax, DJ Screw, Company Flow!

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"This mixtape from the outer reaches of hiphop, compiled by Skiz Fernando of the WordSound label and reissued for the first time on vinyl, carried no tracklistings. Instead, 1990s luminaries such as Bill Laswell, Kevin Martin’s Techno Animal, Sensational and The Jungle Brothers loomed out of the mix. Joe Muggs said: “It has flashes of sounding dated, but just as often sounds strikingly prescient. There are breakbeats, for example, that are triphop to the bone, and whole sections where the starkness and bass pressure sound like a blueprint for early DMZ­era dubstep.”  TheWire Best Albums of 2015


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