One Day I Was So Sad That The Corners Of My Mouth Met & Everybody Thought I Was Whistling / Kühe In 1/2 Trauer / Distruct
This bundle includes the following three LPs recently re-issued by Sonoris:Bladder Flask "One Day I Was So Sad That the Corners of My Mouth Met & Everybody Thought I Was Whistling" (LP, 1981)P16.D4 "Kühe In 1/2 Trauer" (LP, 1984)P16.D4 "Distruct" (LP, 1984)Bladder Flask "One Day I Was So Sad That the Corners of My Mouth Met & Everybody Thought I Was Whistling" (LP, 1981)"A puzzlingly great album. Ah, the halcyon days of bungled Kurt Weill renditions, overactive splicing hands and tape-loops last…
Kühe In 1/2 Trauer / Distruct
This bundle includes the following LPs recently re-issued by Sonoris:P16.D4 "Kühe In 1/2 Trauer" (LP, 1984)P16.D4 "Distruct" (LP, 1984)P16.D4 "Kühe In 1/2 Trauer" (LP, 1984)“Though this German group started out as a the new wave band P.D., by the time of Kuhe in 1/2 Trauer, their first LP under the P16.D4 name from 1984, they had developed far beyond into extremely experimental music similar to other post-industrial artists working with abstract avant-garde soundscapes. There’s a bleak industria…
BERG (Music For A Film By Joke Olthaar)
*2023 stock. In process of stocking* This isn’t a regular ‘original film score’ album. After working on the sound design and music for Joke Olthaar’s slow-paced BERG film, Hugo Dijkstal and Rutger Zuydervelt (aka Machinefabriek) decided to re-arrange the sound into one long 30-minute piece. In the film, Hugo’s auditory magic is blended with Rutger’s minimalist drones to create an immersive bed for director Joke Olthaar and cinematographer André Scheuder’s striking black and white footage of the …
Our Arms Grew Together (Music For A Performance By Marta & Kim)
*2023 stock. In process of stocking* After 'As Much As It Is Worth' and 'Engel', Marta & Kim asked me to compose the music for yet another dance/circus performance, 'Our Arms Grew Together'. This release presents an edited version of that score, tailored to the album format.
The starting point of the 'Our Arms…' soundtrack was a series of home recordings that Marta and Kim made on my request. As the performance deals with their (romantic) relationship, it made sense to incorporate their daily li…
+
The plan for + arose from being a young parent, and dealing with the combination of working on music at the same time. Focusing on long-form music proofed challenging. So I came up with the idea to work on super short tracks that each could be made within a short span of time, and to do this with ‘a few’ collaborators. This concept worked out brilliantly (especially because of the enthousiastic responses from the artists I invited to join), and in no time the project grew a lot bigger than antic…
HD
*Limited edition of 500 copies.* "HD“ can be described as Atom™‘s electronic quintessence: a blend of pop, electronic abstraction and powerful grooves - an invention Atom™ stands for and which was popularized through previous releases, classics in the electronica genre, such as "Pop Artificielle“ and others.
Here is what the artist says:As so often I was asked to say and write something about the recording you are currently having in front of you: "HD“. To any musician this is no doubt a complic…
The Heaver
“I was going to be a neo-deconstructivist but mom wouldn't let me”. Writing about Grisha Shakhnes’s music is quite a difficult task. Grisha is involved with the independent music scene since 2008, at first under the name Mites and then with his real name. All these years, he is practicing on music composition, using mainly field recording, tapes and lo-fi electronics, keeping a beautiful balance between real time composition and experimentation. Grisha's sound work has a very personal character …
la nit és fosca, però estic bé
*In process of stocking. 100 copies limited edition* Primordial Void is proud to present the latest full-length release from Catalan artist Andreu G. Serra, better known as Ubaldo. ‘la nit es fosca, però estic bé’ consists of two 22-minute pieces for guitar, field recordings, and autotuned voice. Seriously gorgeous, melancholic stuff that recalls Godspeed You! Black Emperor’s more somber moments.
The album is divided into four acts. Serra began recording guitar parts for the album in the early s…
Autour De La Lune
*2023 reissue* Mark Richardson, Pitchfork: Biosphere's Geir Jenssen knows from cold. Residing as he does near the Arctic Circle in Norway, Jenssen understands the psychological implications of a sun that, like a lamented deadbeat parent, routinely disappears for months at a time, and the absence of that essential lifeforce takes an inevitable emotional toll that informs Jenssen's art. It's tempting to say that Biosphere's bleak music sounds as it does for the same reason countries of Norway's ap…
N-Plants
*2023 reissue* Early February 2011: Decided to make an album inspired by the Japanese post-war economic miracle. While searching for more information I found an old photo of the Mihama nuclear plant. The fact that this futuristic-looking plant was situated in such a beautiful spot so close to the sea made me curious. Are they safe when it comes to earthquakes and tsunamis? Further reading revealed that many of these plants are situated in earthquake-prone areas, some of them are even located nex…
The New Backwards
"The New Backwards" was conceived by Peter "Sleazy" Christopherson in 2007, revisiting stray tracks which hadn't seemed to gel with the material he had chosen for the more somber "Ape of Naples" from 2005, Coil's initial posthumous release, a sort of requiem and a kiss-goodbye to his then recently deceased partner John Balance. Significantly different to its sister release, this album collects the brilliantly chaotic and outrageously rhythmic material from the original sessions for the album tha…
One Day I Was So Sad That The Corners Of My Mouth Met & Everybody Thought I Was Whistling
"A puzzlingly great album. Ah, the halcyon days of bungled Kurt Weill renditions, overactive splicing hands and tape-loops lasting only a few seconds before being smudged by hyper fast-forwarding, like a random, operatic battle of thermopylae as re-created by members of NWW. Faced with omnipresent latter-day refined-aesthetic cognescenti, whose duty it is to remind one of the gravity of modern music, I find myself defending such gut-level joyous stupidity and its gung-ho determination to vertigi…
One Day I Was So Sad That The Corners Of My Mouth Met & Everybody Thought I Was Whistling
"A puzzlingly great album. Ah, the halcyon days of bungled Kurt Weill renditions, overactive splicing hands and tape-loops lasting only a few seconds before being smudged by hyper fast-forwarding, like a random, operatic battle of thermopylae as re-created by members of NWW. Faced with omnipresent latter-day refined-aesthetic cognescenti, whose duty it is to remind one of the gravity of modern music, I find myself defending such gut-level joyous stupidity and its gung-ho determination to vertigi…
35 Project
"Active from the late 1980s through to the present day Contrastate have released several critically acclaimed albums. Their early experiments in music were heavily influenced by the industrial and experimental music and art scene of the 70’s and 80’s. Contrastate’s idiosyncratic take on challenging, industrial tinged music has certainly changed and evolved through the years. Their current sound insinuates itself inside the dark ritual ambience of the electronic avant-garde shot through with a ve…
Majestic Noise Made in Beautiful Rotten Iran
It's an all electronic affair, harmonically maximalist, predominantly symphonic synthetic, requiring active listening. Some pieces function as challengers of musical structural habits, provoking the short attention span culture, others present
a problem-solution scenario, collectively via
a neoteric noise aesthetic and detailed melodic weaving. Ultimately, the objective was to engineer an assortment of works full of sound, euphonic and vivid in nature.
Demo Trance Discs
Tip! "Demo Trance Discs" is a four albums collection of unreleased Kösmonaut material coupled with the debut of RUFFINI, Patrick R. Pärk's new "Space Kraut Disco" project. Pulsing with cosmic disco and acid funk undertones, RUFFINI is a homage to Ernst & Oscar Ruffini, two legendary pioneer architect brothers that were active in the late 19th Century in the American south. They had tremendous influence not only on architectural design but also the professionalization of the vocation. If you've e…
Chaotic Affair
*In process of stocking* Titrate is a platform for the publication of experimental sonic pieces, set out on a path of continual research and exploration. TITR001 comes from hems, pressed to 180g vinyl housed in reverse board print.
Spread across five tracks, the release transits a number of spaces - from the post-inertia stirrings of "Chaotic Affair", to the cutting and more austere drone layout of "One". Cosmic tech broadcast "Beautiful weekend with friends" is a fizzing metamorphosis that mel…
Picture From Darkness
*2022 stock. 300 copies limited edition* All electronic music is composed and played by Sft, with Lucy Railton on the cello, and this was recorded by Lucy herself in Berlin on August 21st 2016. Heather Leigh plays laptop steel guitar, and this was recorded by Sft at her soundcheck in North London at the Café Oto on the 9th January 2016. The underground air conditioning unit was recorded at Birthdays London 3rd November 2014 during an interval for a concert by Klara Lewis. The rain storm and umbr…
Fictions - Made To Measure Vol. 47
*In process of stocking* Eight distinguished artists wrote and recorded original pieces for this album which joins some dots between vintage, experimental & new ambient, and pays tribute to the relaunched Made To Measure composers’ series Featuring, by order of appearance: Kaitlyn Aurelia Smith, the American modular synth wizard (US) Christina Vantzou, the Greek-American orchestral composer (US/GR) Stubbleman aka maverick ambient composer Pascal Gabriel (UK/BE), with Norwegian trumpet player Nil…
Pita / Friedl
Electronic music legend and head of Editions Mego, Peter Rehberg, teams up with zeitkratzer mastermind Reinhold Friedl. 3 side-long pieces melting electronic / contemporary avantgarde. Uncompromising.