Red Bird/Anticredos & Voiceprints
ICR is proud to announce the re-release of a double CD of 2 seminal works of UK electroacoustic music by Trevor Wishart. "This Double Album brings together many of my major pieces from the last 40 years. "Red Bird" has been held up as a pioneering work, using both a "cinematic" approach to audio, and sound morphing, especially because it predates the use of computers but prefigures many of the techniques later used for making computer sound art. "Anticredos" brought together my research int…
...On What There Is...
Kallabris and Lepenik have been collaborating on an unnamed project for years. At one point, wasn't even sure that it will see the light of the day at all. But, never provoke with destiny! Different musical personalities but with many common musical points, offered extremely polarized piece of art, some kind of kaleidoscope of musical suprises and always on the edge of disintegration. A record that mixes a wide range of styles, opening with slow ambiesque vignettes, elegiac passages, continuing …
Willy Nilly
Composed in 2012 as a closed archive of sounds and actions to be recombined in different forms and then presented on various occasions during the first half of 2013. The version for this cd is the almost exact replica of the one diffused during a concert in Nantes, Cable festival, May 2013. thanks to Anne-Laure Lejosne, Christophe Havard and Will Guthrie. Edition of 200 copies in letterpress sleeve.
Luv / Kopfuberwelle
Sabine Vogel 'luv', and Chris Abrahams + Sabine Vogel 'kopfüberwelle'. Another split disc, presenting two aspects of the music of Berlin-based flautist - composer - improviser Sabine Vogel. The first half of the disc contains a solo composition created from recordings made by Sabine with Landscape Quartet, a group committed to improvisation in and with natural environments. The second half of the disc features an extended improvised performance by Sabine on flutes in duo with The Necks' Chris Ab…
Echoes
*2022 stock* "'Emerald Tablet' was recorded at the NHK electronic-music studio in 1978. It is made up of only the sonic ingredients of a tubular bell, cymbals, and 'kin,' a largish-sized bell used for Buddhist memorial services in Japan. The attack of the sound of each instrument was eliminated, and the work was taped through repeated overdubbing. This produced a variety of beautiful harmonics that otherwise could not be produced from a single instrument's sound, and the interference of harmonic…
Funakakushi (1963)
**2022 stock "Funakakushi" [1]: This electronic work was composed for the opening ceremony of the hotel "Funakakushi-en" in Kagawa prefecture in 1963. It was realized as a sound installation and used many speakers inside a built-in stone sculpture. They were designed by sculptor Mitsu-aki Sora (b. 1933) and were arranged here and there in the main garden of the hotel. The sound was made from a modified Japanese traditional instrument, biwa, as well as from a sea wave sound [2]. The engineer Juno…
LL
Three strange and wonderful pieces from the Chicago-based duo, making music from objects found in the basement of a local thrift store. Sleevenotes by Noé Cuéllar and Joseph Clayton Mills : In 2010 we were invited to participate in an exhibition of site-specific installations and performances at Pilsen Vintage and Thrift, a local second-hand store in Pilsen, a predominantly Hispanic neighbourhood in Chicago. The owner had agreed to make the store's warehouse and basement available for art shows…
Ossario Volume I and II
** Edition of 300 copies on opaque white vinyl in printed clear PVC sleeves ** This is a true sensation: a masterful album released as a double 12" (available separately) housed in a silk screened pvc sleeve, on white vinyl; a steely, scratchy looping expansion form the backbone, tension, haunting layers of undertones combined with dark, spectral murmurings...Outstanding! "Through the use of sound generated from modular synthesizer, tapes and samples Nicola Ratti Ossario is a collection of ten …
Lincoln Sea
Lincoln Sea is Robert Piotrowicz's second release in 2013 after the acclaimed When Snakeboy Is Dying. 'Snakeboy' opened windows with it's sophisticated weaving of guitar, piano and vibraphone, along with Piotrowicz's more recognisable modular synth work. Praised from the likes of Brian Olenwick (Just Outside), Massimo Ricci (Touching Extremes) 'Snakeboy' saw Piotrowicz take a confident leap into new realms of sound. With Lincoln Sea, the potential of Piotrowicz' vision is greatly expanded whilst…
Pointless Vanishing Point
** Edition of 200 copies ** Back on wax after a four-year hiatus, Claudio Rocchetti gives us a one-sider vinyl assembled at home - in Auerstr. 7, Berlin - with the inspiration of the work by Robert Smithson. Including a sample from Trilogie de la Mort by Eliane Radigue and some sounds provided on purpose by Al Doum, Von Tesla and Stefano Pilia, "Pointless Vanishing Point" is a three-parted journey into the recurring environment of awkward sounds and slow frequencies interrupted by a distant soun…
Physical Point
** Edition of 200 copies ** Lettera 22 is the duo of Matteo Castro and Riccardo Mazza, two main characters in the Italian noise and experimental scene, building incredible collages of field recordings and abused dynamics. The lucky few who attended their live set at the Dome in London for the Broken Flag 30th Anniversary - where they caused a speaker stack to fall over, almost setting fire to it - saw their potential unleashed and knows what we mean by saying that they have an incredible control…
White shadows in the south seas
It's difficult to know how to summurise the meandering journey that has been the life and times of Mike Cooper. Having just celebrated his 70th year of mischief making here's what we can tell you... A young Mike Cooper can be spotted playing a beatnik guitarist on an anti-nuclear march in London beat cult film 'That Kind Of Girl'. His first band The Blues Committee played with and supported blues legends such John Lee Hooker, Howlin Wolf and Jimmy Reed. Cooper was central in launching several o…
Reelin
Limited edition of 250 copies in a deluxe LP with embossed lettering and printed inner. Giuseppe Ielasi and Nicola Ratti reconvene their wonderfully enigmatic Bellows project with a ghostly album for Entr'acte. 'Reelin'' is the third document of their hardware-honed endeavours, and much like their eponymous debut on Kning Disk and celebrated side for Planam, we're left with little background info other than their equipment list. Navigating between a CDJ/Sony Walkman/Revox A77/Memory Man, they cr…
Fuzz_Galopp
During the work for Voice Crack duo Norbert Möslang was one of the pioneers in the field of sound installation techniques usage in live improvised music. His instruments are cracked everyday-electronics, but sounds themselves are delivered from the mechanical properties of these devices. This kind of approach seems to be similar to Peter Fischli and David Weiss practices in the visual arts’ fields. The comparison of the film documentaries - "The Way Things Go" (1987) about Fischli/Weiss activiti…
Live In Edinburgh
In April 2011 the two couples formed by Kommissar Hjuler & Mama Baer and Ninni Morgia & Silvia Kastel ventured for a tour in the UK; it was the first time they played together but their shared common visions, attitude and general craziness actually gave life to an inspired team. Every show was different; in Edinburgh, they decided to perform a piece originally written by Ninni Morgia & Silvia Kastel, Jericho, that Papa Baer liked. So before the show, the group pre-recorded a tape in a big …
Stupor Mundi
Part 14th in the ongoing re-release series of all early Asmus Tietchens Vinyl albums between 1980-1991. 'Stupor Mundi' (Discos Esplendor Geometrico EGD 018) was originally released in 1990. This re-release comes with another poster booklet and feat. 4 Bonus tracks of unreleased material from the same period. Joint release with Auf Abwegen. 600 copies. Asmus Tietchens about the album: 'The opener of the album cites: 'Gitarren spielen kann ich leider noch nicht...' ('Unfortunately I can't play any…
Consequenz
180 gram LP version. "Commercial Schnitzler? How quickly, how prematurely are opinions and judgements bandied about when an artist suddenly changes the form of his work. Conrad Schnitzler fell under such a cloud when, after 1978, his songs, for a time at least, did not exceed the catchy compactness of pop songs, while their harmonies and rhythms seemed to be drifting towards pop. Produced by Peter Baumann (Tangerine Dream) the Con (1978) album and the Auf dem schwarzen Kanal 12" EP (1980) u…
Deep Fried
Now this a strange one. I never would've thought I would be paired with Jaap Blonk... it seems an unlikely combination. But when Tijs van Trigt asked us to perform at his AMPsnacks event in Arnhem, we had such a blast that we decided to do some recording together. This cd is a selection of three hours of improvisation we recorded at STEIM in Amsterdam. Quite a rollercoaster I'd say!
Event '73
"From 1972 to 1973, I was based in New York for my creative activities and live performances. New York at this time was in its golden age of experimental music. Towards the end of my stay, I held a live performance entitled Event '73 to sum up my creative works in New York. The venue for the performance was The Kitchen of the Mercer Arts Center that provided spaces for innovative and emerging artists. This CD consists of a mixture of sounds that were created at a studio prior to the live …
Mother Rhythm Earth Memory
"NNF debut (after an EP on 100% SILK) by this Iowa City electronic maximalist. M.R.E.M. is the first purely solo Cuticle release, after working with a series of part-time collaborators, and it's freed him to let loose his wildest and weirdest impulses."