Look into Me
**300 copies** Look Into Me contains a combination of industrial grinding, modified guitar and electronics. Other tracks apply synthesizers and tape loops with far more sophistication and impact than on the earlier albums. Zoviet France cycle and recycle abstract noises into a constantly changing texture, composed of sonorous drones, grindings, scrapings, squeakings and so on. It's atmospheric without conjuring up any obvious imagery at all, thanks to the unreality of most of the sounds used. Oc…
Shadow, Thief of the Sun
**300 copies** Released just before a four-year layoff, Shadow, Thief of the Sun is both one of Zoviet France:'s better releases as well as one of its rarer albums (the label it was on, Death of Vinyl, had limited distribution and eventually went out of business). While :zoviet*france: often wanders out into fairly random soundscapes, most of the material here is grounded by a drone of some sort, with atmospheric chanting and other instrumentation designed to complement the drone. The drones are…
Collusion
**300 copies** Zoviet France's Collusion released on the short-lived Mute imprint The Grey Area, is a collection of pieces Zoviet France contributed to compilations between 1984 and 1990. While none of the tracks stands out, they collectively provide a reasonable précis of the band’s various approaches
Vienna 1990
**300 copies**One long, slowly-unfolding live track, Vienna 1990, originally released as a CD-R, is a single disc-length improvisation which explores the outer limits of ominous minimalism. These recordings are taken from two performances at Szene Wien, Austria, 9 and 10 November 1990 as part of the 'Ohrenschrauben' festival
What Is Not True
**300 copies** For a band which had performed only a handful of live shows during its first decade, the bulk of Zoviet France’s ’90s releases are performance documents. What Is Not True assembles three long tracks from shows in Sheffield and Nottingham into a work of album-like cohesion. The 54-minute closer “Cyclonic Sub Alien” is a masterpiece of shifting drones that develop slowly into an ungodly cavern of noise before ending with the ghostly floating voices of a distant broadcast. Magnificen…
Further Collusion
**300 copies** Constructed from an array of samples and environmental recordings plus plenty of feedback, Zoviet France's Collusion exudes a rare beauty for an album of such varied sounds (each track was originally released on a different compilation). A wide range of stylistic choices are on display, from the chilling account of the brutal murder/suicides from Jonestown on Ram to the surprisingly sedated and subtly beautiful Something This Beautiful, the album is a pretty great find for those l…
Dedicatorias
* 2020 stock * Dedicatorias is a series of 60 sound works each lasting 1 minute which were largely accomplished between 2013 and 2015. The list of dedications is neither exhaustive nor can it be. It is subjective art which comprises very different techniques, influences and materials: sound remnants, illuminated in their confrontation, metamorphosis and combination which bring up to date and question the bearer and media. Radio is the paramount reference.
In these miniatures, there is a place fo…
Great Events Are Coming
* Edition of 200 * Over time, different sound elements have settled, coming to constitute a heterogeneous but at the same time subly fascinating whole. The noise was compounded by infanticidely rhythmic timbres of toy instruments, rustling and crackling of old vintage radios have been joined by snippets of miniaturized voices from the web. The final work is a fil rouge that crosses all these elements joining them in an unconventional sound research hypothesis.
Overgrowth
* Edition of 200 * Overgrowth: We consider technology as a tool at our disposal, while it has become the environment around us and takes only care of efficiency.
So, nowadays, the technical apparatus became more important than men and their needs.
It has no purpose, or a vision for a better mankind future. It only "works".
Devotional LP
Devotional LP is a collection of darkly-beautiful prayers. A late-night walk through an ancient city center. Ceremonial bass-music. Alien-transmission crackle, whispered messages, and snippets of soulful vocals beamed from another dimension. An exotic melange of ambient, garage, pop, and techno. Ghosts of another time and place float in and out.
An ocean of emotion to swim in. Sounds that trigger memories of incense and exotic flowers in bloom. Menacing tones tempered with overwhelming beauty an…
Anthology of Persian Experimental Music Vol. II
The second volume of the “Anthology Of Persian Experimental Music”, following the first released in 2019 by Unexplained Sounds Group, and a digital-only release in 2016, is testament to how the alternative, experimental and ambient music scene in Iran continues to be one of the most vital and creative in the world. By including new and unknown musicians, as well veterans, who weren’t present in the previous compilations, we have tried to give a wider picture of the contemporary and alternative m…
Kleine Krieg
The Legendary Pink Dots are an Anglo-Dutch experimental rock band formed in London in August 1980. In 1984 the band moved to Amsterdam, playing with rotating musicians and having, as core members, singer/songwriter/keyboardist Edward Ka-Spel and keyboardist Phil Knight aka The Silverman. The band was originally called "One Day..." but subsequently changed the name to The Legendary Pink Dots, apparently inspired by pink dots on certain keys of the band's main recording studio piano. In the 1980s …
500-Push-Up
CD digipack. From Mille Plateaux to Leaf, Staubgold, and Raster-Noton, ~scape, among others, or on his own label Ripatti, the Finnish artist Sasu Ripatti, aka Vladislav Delay, has been exploring various iterations of the "dub culture vs. electronica", since 1997. His sonic crafts and unique signature sound have been sought after by an eclectic range of bands and artists, ranging from Massive Attack, Hauschka, Black Dice, Autopoieses, Animal Collective, or AGF. Vladislav Delay met Sly Dunbar and …
Seventh Soviet Symphony
Konstruktivists was formed by Glenn Michael Wallis in 1982 out of the ashes of Heute, a kraut rock influenced trio using electronics as well as conventional guitars and bass. Around this time - in the late 70's/early 80's Glenn Michael Wallis was heavily involved with Throbbing Gristle, the U.K. pioneers of "Industrial".
The first Konstruktivists vinyl album "A Dissembly" was issued in 1983. This was quickly followed by their seminal LP "Psykho Genetika" after signing to the newly-formed Third M…
Raum 318
Asmus Tietchens is a sound artist and composer from Hamburg, Germany. He got interested in Musique Concrete by listening to a German radio program when he was 10 years old. In 1965, at the age of 18, Asmus started experimenting with tape loops and turned them into musical collages. Soon, the use of synthesizers was added. In 1980 his debut album Nachtstücke was released, produced by Peter Baumann of Tangerine Dream. This was soon followed by a series of albums of electronic pop music for the Sky…
Primal Forms
Written and produced by Sam Shackleton and Waclaw Zimpel. Electronics, sequencing, and programming by Sam Shackleton. Alto clarinet, violin, harmonium, e-piano, organ, frame drum, percussions, lira, and monochord by Waclaw Zimpel
Smegma
**Original edition of 100. About 20 copies left from the original pressing** The only Russian release for legendary Smegma!
Gateway Summer Sound: Abstracted Animal and Other Sounds
**2020 stock** Ann McMillan did not record prolifically, but she was at the vanguard of electronic composition in New York in the 1970s. A student of groundbreaking composer Edgard Varèse, McMillan’s primary medium was magnetic tape, which she manipulated to create surreal soundscapes. On Gateway Summer Sounds, her debut album released on Folkways in 1979 and recorded at the legendary Princeton-Columbia Electronic Music Center, she sources sounds from the natural world – frogs, insects, field re…
Towers of Silence
Stroom hold a light to the delicious Belgy dirge “pop” of Adult Fantasies, sifting Nico-meets-Coil and Jonnine-esque gems from their run of late ‘80s/early ‘90s LPs for Antler and Sub Rosa. This label is all nostalgia for shit we never knew existed but which we feel like we’ve known intimately before - same thing we always say - a kind of unheimlich fuckry that's pretty much a genre all of its own by this point. If that’s too vague, give this a listen if you’ve ever found yourself bawling to Mar…
Sadaam's Children
Long-time Muslimgauze fans with keen eyes and/or photographic memories may immediately notice something about the newly unearthed Sadaams Children album; with some slight orthographic differences, it just about shares a name with a short track from the classic Narcotic (Staalplaat, 1997; the similarity and the difference is pretty much expected from someone who both liked to reuse names and didn’t care for consistency in spelling as Bryn Jones did). While none of the four lengthy tracks found on…