Predictability Failure
Sergey Senchuk aka Tungu was born in Chernihiv, Ukraine in 1999. He started playing in the spontaneous-intuitive band Kollektiv, and in the hard core bands Remorse and Keepleer 18. He begun to record using the nickname Tungu with his first release "Opus Hereticus"in 2013. His idea was to make of Tungu a project that would contain field recordings, cut ups, samples and live instruments. Four albums were recorded since then : "Dense arrays" 2014, "Ilf and Petrov with us" 2016, "Burst of exsessive …
What We Talk About: FC GOA
What We Talk About When We Talk About Love: January 2022 — January 2023: A series of Swiss underground music making. 13 artists, 13 months, 13 records of previously unheard music – to be revealed every 13th of course.
What We Talk About: Carebender
What We Talk About When We Talk About Love: January 2022 — January 2023: A series of Swiss underground music making. 13 artists, 13 months, 13 records of previously unheard music – to be revealed every 13th of course.
Invisible Architecture
*2023 stock. 300 copies limited edition.* The acoustic architecture of a specific space are explored through its surrounding sounds, subtle acoustic phenomena and the human voice. Resonances and reverberations are emphasized and prolonged through vocal interaction with sound space and not-conventional different microphone techniques. In this project Galarreta & van der Putten want to make the acoustic reflections audible, more than the direct source that generate it. The frequencies, amplitude, …
A Cappella
"Beginning in 2022, I started to process those layered, dense, dry, and beyond-words matters in the form of a voice diary. Gradually, I gathered a collection of 100 modulated voice recordings that were sealed on 50 cassette players. In June, these cassette players were set in my solo exhibition "100 Shits"(一百天的訴辯) staged at Hallucination in Kaohsiung. It allowed the audience to select how they would like the tapes to play. The exhibition also included a musical work entitled "A Cappella," which …
Eye of the Sea
*300 copies limited edition* Recorded in correspondence throughout a calamitous and uncertain 2020, “Eye of the Sea" is a collaborative record made by Tom James Scott of the United Kingdom and Svitlana Nianio of Ukraine. Active since the late 1980s, Nianio has released a treasure trove of diverse and beguiling music under her own name, as a member of the legendary Ukrainian experimental unit Cukor Bila Smerť, and in collaboration with the late musician and instrument maker Oleksandr Yurchenko. F…
Lisova Kolekciya
*2023 repress. 300 copies limited edition.* Svitlana Nianio has been active in the Ukrainian and Polish underground music scenes since the early '90's both as a solo artist and a prominent member of the now disbanded avant-rock outfit Cukor Bila Smert (Sugar White Death). Her music draws on aspects of modern composition and traditional Slavic music, with songs and experiments from that early period culiminating in the 1999 album Kytytsi (Koka Records, Poland). Prior to that in 1995, Nianio recor…
Floating By
Anastassis Philippakopoulou - voiceAntoine Beuger - breath
recorded at home in 2022
mastered by Taku Unamipainting by Maria Philippakopouloudesign by Yuko Zamaproduced by Jon Abbey
JNNK
Tip! LP debut of the Dutch vocalist Janneke van der Putten. Her voice emerges from deeper grounds shaping the acoustic aura of architectural and natural spaces in endless mirrors, exploring the limits of vocal techniques through site-specific performances. Becoming siren, becoming storm, a rose of resonance for a new world. Music and performance by Janneke van der Putten, except where indicated. All tracks are one-take recordings without electronic effects or overdubs. Artwork design by Margarit…
Interzone
Nichola Scutton'Interzone (Nonclassical, 2023) takes inspiration in the state of in-betweenness: not awake or asleep, conscious or unconscious, and at the border between daytime and nighttime. Two defined elements emerge fromInterzone: a careful use of electronics, and Scrutton's experimental vocal practice. The album was recorded in two steps, first by the artist herself in her studio in Glasgow, using field recordings and archival materials, resulting in the series of four Interzones which con…
Brot und Ro-sen
*300 copies limited edition* Anna Schimkat's "Brot und Ro-sen" (Bread and Ro-ses) explores the connection between music, collective memory, and women's struggle for recognition through interviews with women from East and West Germany. The piece includes a score of sound and text fragments based on the interviewees' memories, which was first performed as a sound installation at the ODP Gallery in Leipzig, Germany. It was later performed live by young women at the Gallery for Contemporary Art Leip…
Radicor al flort, espert on'ill il erb, aor Raetia
Holy Similaun and Archipel dwell once again in the complex intersection of human memory, time and its perception with "Radicor al flort, espert on'ill il erb, aor Raetia".
The Litanies of Satan
Diamanda Galas' debut album "Litanies of Satan", originally released in 1982, reissued on the artist's own Intravenal Sound Operations label. The album has been meticulously remastered from the original Y Records analogue tapes and features the original classic artwork.
The Divine Punishment
Huge Tip! On June 30, 1986, the same day that Diamanda Galás's The Divine Punishment was released, the Supreme Court upheld the constitutionality of Georgia's so-called sodomy law in Bowers v. Hardwick, criminalizing consensual sex between men. At the time, about 15,000 people were known to have died of AIDS in the U.S. alone, with little government acknowledgement besides suggestions to quarantine homosexuals on island colonies. By the end of 2021, the number of AIDS deaths globally would excee…
Chromacolor
*300 copies limited edition* "Chromacolor" is one of those records that immediately feels like home even though it is hard to locate stylistically. Written and recorded by Hanno Leichtmann in Berlin and Madeira between 2020 and 2022, it draws on rhythmic minimalism as a guiding principle and might call to mind organic, instrument-based ambient music, but also incorporates jazzy moments as well as Annie Garlids multi-layered vocals that permeate through these nine pieces.
The foundation for Leich…
Mastice
*Edition of 100 numbered copies * Fabrizio Testa (Milan 1981) is an Italian musician and experimenter. His records are often a bizarre juxtaposition of different kinds chewed and vomited and finally transformed into "other" music. "Even the stylistic choice of the artwork - a precious and limited homemade cloth bag with a button and cd-r inside - speaks of a lateral approach to the already subterranean dynamics of reference. Stuff (almost) homemade for an intimate, careful, in-depth dimension of…
Vocal Studies #19
*50 copies limited edition* Volume 19 of Econore’s Vocal Studies series by Junko Hiroshige. Recorded in Tokyo November 2022.
Two Solos
"Futura Resistenza is pleased to present the latest release from the prolific, restlessly creative composer-performer Anthony Pateras, two side-long pieces – one performed by Callum G'Froerer on double-bell trumpet, the other sung by Clara La Licata – in which soloists are accompanied by numerous pre-recorded tracks of their own instrument or voice, creating acoustic halls of mirrors where the distinction between live performer and recorded accompaniment becomes difficult to perceive. Palimpsest…
Cantare la voce
* 500 copies, numbered edition. Clear Splatter Vinyl * Reissue of a 1978 LP out on Cramps Records. Demetrio Stratos's research into the field of phonetic and experimental poetry led to his freeing his voice every naturalistic restraint, restoring its depth and dimension. The result of this can be heard in the two recordings of his compositions "Metrodora" and "Cantare la Voce" where what sounds like an instrument is in fact his voice.
A Secret Code
*2022 stock.* Everyday experience is never far from Pamela Z’s musical world. Whether it be a typewriter, birdcall, checking in at the airport, or a mess on the street, her creatively quirky imagination transforms it into a moment of profound questioning and wonder. From sonic trifles to complex numbers, the works on A Secret Code – only her third solo album after Echolocation (1988), and A Delay is Better (2004) – span two decades of redefining song. As fellow composer Annea Lockwood writes in …