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*Limited to 60 hand-numbered copies* "Ali Robertson used to be an improviser but he's not anymore. Ask him for the score for this tape so that you can play along at home." - Sound Holes
*Limited to 100 hand-numbered copies* "This is the first recording in 10 years after a hiatus of activities asBurried Machine, and also be the first release under my real name, Shin Chida. This is a collaboration release with Tom Karlsson who is a Swedish artist and also experimental musician, for the second time since my last release as Burried Machine in 2013, Stoned Mirror." - Shin Chida
The second part of Matador’s reissues of the essential early records by Texas’s Butthole Surfers continues with three of their most insane slabs -- 1985’s ‘Cream Corn from the Socket of Davis,’ 1987’s ‘Locust Abortion Technician’ and 1988’s ‘Hairway to Steven.’ The period during which these records were first issued parallels the Buttholes’ transition from being weirdo Texas outcasts to becoming internationally recognized smut-kings of the American underground. In 1985 they were still the sole p…
This tape is a weird one. We’re calling it a “covers album”, which in our fried brains it is, but you might disagree. When our first two gigs in 15 years landed on our calendar we wanted to do something unexpected, a ‘live one night only’ kind of thing. We're always improvising everything, but as OOP1 may (or may not) have demonstrated we usually go into our live sets with some kind of plan — a set of moves, themes, approaches, ideas, structures or feelings that we call “songs” but that probably…
Getting back to playing was a whole thing. Neither of us had been playing much music and weren't sure how we'd get back to it since we live pretty far apart and had opted in to playing shows. We always leaned on improvisation in our sets and our last few years were entirely improvisational, so we decided we'd create a few frameworks for playing our live gigs to give us something to lean on. In a sense, "songs" but VERRRRY loose. So here's a tape documenting two very different versions of one of …
Tip! "It seems that this morning the moon has swapped its pale coldness for an acid yellow: the journey begins as the night draws to a close. Bodies writhe, given over to some mystical revelation: would have we forgotten that the day was going to rise? Chaos stands there in rare purity, like a farewell to all hesitation. Black celebration. After the introduction, the title track ‘les orvets’ sets the tone: powerful and synthetic waves, like a trip, the rhythm is tenuous and the sounds so thick …
It is a sincere honor and a privilege for Full Spectrum Records to announce the release of ‘Layers: 1975-2004,’ a retrospective collection of recordings from Texas abstract music legends Onions. An unsung and mostly hidden collective who paved the way for so much of Texas’ sprawling free and experimental music lineages, Onions is the ‘nom de guerre’ of a network of musicians and artists centered around its primary exponent, Dan Clark AKA Lienad Kralc and his musical partner Greg Cain aka Gerg Ni…
*Limited edition in tin can with attached razor blade* "For reasons not of general interest, I re-discovered Vivenza’s music last year or so when I got some of the old vinyl and a CD again, and I played these with much enjoyment. I don’t know why Jean-Marc Vivenza never released any new music beyond 1994, but I am sure he has his reasons (a study in esoteric and philosophic movements may be the answer). The exciting aspect of his music was his recordings of machines, which he didn’t link to the …
*50 copies limited edition* Incoherent Hypnosis, recorded live at Down The Hill 2023, was my last solo guitar set before turning to Taishogoto. The music here was one of the final aspirations I had with the elctric guitar at that time. The structure for this set I had been playing for a while and even recording some seperate parts for an album, which never happened. I would like to thank the organisation of Down The Hill for taking a big leap that year in offering a more experimental section in …
*40 copies limited edition* Grubenwehr Freiburg / attenuation circuit ° GFAC 1005 ° 2024. church of hate: thanks to dany snov for recording and mastering.PKWST: All music by Parker Weston. No virtually-generated sounds were used in this recording.Listen to more: Butoh Sonics, Dummy RIfle, The Ɔrinkles, THE IDE OF EARTH, Schadenhaus, Wretch and Reel, and Sugar Pills Bone
*25 copies limited edition* Aalfang mit Pferdekopf & EMERGE - Die Kosmische Zygote + Pausenmusik- C90 Tape in Snapbox with J-Card. With cards that contains Art by Mirko Uhlig and a wooden art-Egg, sprankled with spray-paint (ltd.25)
Visionary guitarist and composer Henrik Olsson presents Hand of Benediction II, a follow-up album to the critically acclaimed 2019 release “Hand of Benediction”.
There is an imaginary line crossing the surface of the earth shaping a circle around the globe. Crossing this line in the winter you leave all daylight behind you, and in the summer you leave darkness, and enter constant light. This you might call outer land - in a similar language as when you talk about outer space. Remote and far away from the roads that mankind usually travels on, and the hectic metropoles where most people are cluttered together. Ytterlandet means this: a land far away, an o…
"It´s inhumanly human noise. (...) It's a record for those who are curious, without prejudice. It's dangerous and thrilling." - Niels Overgård for Jazznyt
"While the Cave might still be creaking open, the grey memories of the two sessions from the 19-tape run of the Grave Prog sub-series, from which “Open Cave Mouth” lurked, are fading fast. A couple of standout points from that period include: Ferndale Life, the first Woodland House after the move from Lansing, right next to where Meg from Gories' brother lived. Transition from Dunn Blueprinting on Eight Mile (where the cover images for both tapes were drawn and printed on the clock) to an uber-s…
If there's one musician in the last decade that you may hear in wildly diverse musical contexts it is Belgian electric bassist and sound sculptor Farida Amadou. Not only can you enjoy the unerringly skillful command she has over her instrument but also the transformative power to reinterpret and expand her material in spontaneous and unconventional ways. Amadou is self-taught and radically aware of her idiosyncratic relationship with the bass guitar. She neither emulates the virtuosos of the ele…