Bryn Jones was not a practicing Muslim and never traveled to the Middle East. His recordings as Muslimgauze, however, qualified him as one of the Western artists most explicitly slanted in favor of the Palestinian liberation movement. Jones could have been a potentially controversial figure if his releases were available in anything except extremely limited editions—usually less than one thousand copies of each title. Despite their lack of prominence, Jones’s blend of found-sound Middle Eastern and South Asian atmospheres with heavily phased drones and colliding rhythm programs were among the most startling and unique in the noise and electronica underground. The Muslimgauze project ended tragically in 1999 when Jones died suddenly of a rare blood disease.