Gruppo di Improvvisazione Nuova Consonanza
Gruppo di Improvvisazione Nuova Consonanza (also known as The Group or Il Gruppo) was an avant-garde free improvisation group considered the first experimental composers collective.
Gruppo di Improvvisazione Nuova Consonanza (also known as The Group or Il Gruppo) was an avant-garde free improvisation group considered the first experimental composers collective.
Member of: Ennio Morricone
I due evasi di Sing Sing
Edition of 500. Quartet proudly announces the first CD edition of Ennio Morricone's soundtrack to the film "I due evasi di Sing Sing " from 1964, directed by the legendary Lucio Fulci and starring the famed Italian comedy characters Franco Franchi and Ciccio Ingrassia. The label presents a pseudo unreleased gem by the greatest all-time composer at the beginning of his career. The album was originally released on an impossible-to-find promo-only library release in the late '60s with different tit…
Morricone (Complete Film Music Discography) - book
368 pages, simply titled Morricone, a sprawling — and rather massive looking — catalogue raisonné centered on the Ennio Morricone extensive discography, this is actually the first comprehensive publication dedicated to his film music, which was able to take shape thanks to the boundless archive of the great cinema expert Maurizio Baroni. A volume that collects many things together: the path of his exceptional career as a film composer through texts and images of which many unpublished, the testi…
Arpe Eolie
2026 stock One of the most adventurous composers and performers of the Italian avant garde scene, member of the Gruppo di Improvvisazione Nuova Consonanza, the CD presents the complete selection of his compositions for aeolian objects, from 1973 to more recent days.
Sonatas and Interludes
This landmark recording of John Cage’s prepared piano works performed by Mario Bertoncini was recorded back in December 1991. The sonatas are divided into four groups, each divided by the less overtly structured, rhapsodic interlude pieces. Bertoncini sensitivity to the displaced sonic characteristics of the piano is remarkable and suggests a rigorous dedication to Cage’s work.