We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Peter Brötzmann

Peter Brötzmann was a German jazz saxophonist and clarinetist regarded as a central and pioneering figure in European free jazz. He was one of the most prolific and enduring free jazz musicians to emerge from Europe during the 1960s. His fat, rough tone and emotively ferocious method of attack on saxophones, clarinet, and taragato, appeared on literally hundreds of recordings, from solo concerts to large ensemble studio dates and virtually every configuration in between

Peter Brötzmann was a German jazz saxophonist and clarinetist regarded as a central and pioneering figure in European free jazz. He was one of the most prolific and enduring free jazz musicians to emerge from Europe during the 1960s. His fat, rough tone and emotively ferocious method of attack on saxophones, clarinet, and taragato, appeared on literally hundreds of recordings, from solo concerts to large ensemble studio dates and virtually every configuration in between

Member of: Full Blast
Chicken Shit Bingo
Peter Brötzmann collaborated with many artists in his career, regularly adding new compatriots into the fold, and Norwegian drummer Paal Nilssen-Love became one of his staunchest allies after the percussionist joined the Chicago Tentet in 2004. They worked in various contexts, including this inexhaustible, hard-hitting duo. Most of the albums they’ve issued have captured live performances, but in 2015 they made this stunning studio recording. As Nilssen-Love says in the liner notes, “Peter had a…
Sketches And Ballads
*2023 stock. White vinyl edition* If you know the score, you might actually think of the piece's title as a bit of an understatement. After all, it is made of 50 densely-written pages, which might cause some interpreters to lose track of sight. For Michael Wertmüller's composition Sketches And Ballads is full of seemingly unplayable rhythms, which hail from his extensive experience as a percussionist: complex 256th parts and 512th parts are no exception in Wertmüller's work. Even the visual appe…
Triangle - Live at OHM, 1987
Stunning performance by tenor sax titan Peter Brotzmann and incredible drummer Sabu Toyozumi. Recorded live on December 4th, 1987 at OHM, Koiwa, Tokyo, Japan by Ohm Hirosh
Outspan No 2
Tip! Recorded a month after Outspan No 1, this album offers up four more sonic delights from the core trio of Brötzmann, Van Hove, and Bennink. Rarely has free jazz/Euro improv/circus music/[your identifier here] sounded so unfettered and delightful -- adventurous without seeming self-serious, silly yet not without gravity. A must for any fan of these three maestros.
Outspan No 1
Tip! It's hard to imagine how this record -- and it's mate, Outspan No 2 -- managed to remain more or less out of circulation from the CD era onward. Outspan No 1 is nothing less than an ideal distillation of the broad approach to sound creation utilized by the three-ring circus that is Brötzmann, Van Hove, and Bennink, here with the added bonus of Mangelsdorff. Two short numbers, two long, too perfect.
Left / Right (Book)
Peter Brötzmann's catalog for an exhibition held at Corbett vs. Dempsey July 27 – August 17, 2013  Includes an essay by Jim Dempsey
Globe Unity
*Limited edition of 500 copies.* In 1966, pianist Alexander von Schlippenbach assembled his first large ensemble to play his compositions “Globe Unity” and “Sun.” This 14-piece band, which brought together some of the leading figures in European improvised music, would eventually expand – incorporating not only Europeans but also American and Asian musicians – and assume its rightful name: Globe Unity Orchestra. In its nascent outing, beautifully recorded at Ariola Studio in Cologne, Schlippenba…
Jazz in der Kammer 1974
The first concert of Brötzmann / Van Hove / Bennink in East Germany – 4.11.1974, Deutsches Theater, Berlin recorded by the Radio for the series "Jazz in der Kammer" Nr 71. Linernotes by Bert Noglik, Translation by Jep Bishop.
Ultraman vs. Alien Metron
Tip! In the first years of its existence, starting in 1997, the Peter Brötzmann Chicago Tentet worked as a collective, inviting all and any of its participants to contribute compositions to the band's repertoire.  Eventually, the Tentet would jettison scores and pre-planned structures altogether, opting for free improvisation, but on their early tours and initial recordings they played pieces written by the various band members.  A marathon set of summer studio sessions in 2002, just off a U.S. …
Historic Music Past Tense Future
Black Editions presents “Historic Music Past Tense Future”, the first ever album to feature the meeting of Peter Brötzmann, Milford Graves and William Parker. Three of the towering figures in the history of Free Jazz forge an incredibly vital free music born from lifetimes of uncompromising, ceaseless artistry. “Historic Music Past Tense Future” is the inaugural release by Black Editions Archive and the first in a series of records that will present previously unreleased works featuring Milford …
M.A.N. – B.A.N.
* Edition of 300. Double lp in a gatefold sleeve is set to be released in a limited edition of 300 copies * Asked if they would be interested to perform at the Summer Bummer Festival in 2019 with reed player Peter Brötzmann, both bass player Farida Amadou and drummer Steve Noble replied with a quick and definite ‘yes’. The plans to join forces with this iconic player existed already and the Summer Bummer Festival would be ideal to meet on stage for the first time. To show the extreme musical div…
Fifty Years After... (Live at Lila Eule Bremen 26.05.2018)
For the celebration of the 50th anniversary of the legendary Machine Gun recordings at the Lila Eule in Bremen, Peter Brötzmann put together a trio with the Berlin pianist, composer Alexander von Schlippenbach and the percussionist Han Bennink, who already sat on the drums 50 years ago. They were so pleased with the music that they decided to release it and continue to play gigs as the trio. Machine Gun was originally recorded in May 1968 by an octet consisting of influential musicians of new ja…
Farewell Tonic
The recording of the last show ever in the legendary NYC club was only available in a limited run of semi-official cd-bootlegs. Now mastered for vinyl, screenprinted cover - design of course by Peter Brötzmann, handnumbered. Full Blast - with the precise and dynamic Swiss rhythm section of Marino Pliakas (electric bass) and Michael Wertmüller (drums) is the most consistent, the longest running. Recording by Bruno Soria, Ulrich Petereit. Mixed and mastered by Martin Siewert in Vienna. Artwork by …
14 Love Poems
A monument of post-free solo reeds playing and a stunning album in Peter Brötzmann's discography
I Surrender Dear
A long desire of extraordinaire saxophone player Peter Brötzmann was a studio recording of some of his favorite jazz tunes and his own music -- a grand bridge over the music important for his life and his musical career in the past and present. Trost invited him to Martin Siewert's studio in Vienna to do so in summer 2018. The result is intense, beautiful and touching. Features compositions by Harry Barris / Gordon Clifford, Sigmund Romberg / Oscar Hammerstein II, Herbie Nichols, Dizzy Gillespie…
Eklisia Sunday
2013 Release. Recorded live in front of a small audience on May 15th, 2011 at Eklisia - an old chapel built in the 17th century in Gümüşlük, a small village near Bodrum - this improvisation features the Konstrukt collective - which is Korhan Futacı (tenor & soprano saxophones), Umut Çağlar (electric guitar), Özün Usta (double bass, djembe, gong, bells), Korhan Argüden (drums) - incredibly enriched by the presence of Peter Brötzmann (on tenor), Hüseyin Ertunç (acoustic piano, küstüfon, gong), Doğ…
Risc
LP version. With all the projects Peter Brötzmann is currently working on, Full Blast -- with the precise and dynamic Swiss rhythm section of Marino Pliakas and Michael Wertmüller -- is the most consistent and the longest-running. Their fifth album finds the band in a studio again, with time and the desire to try something new. Seven compositions in the distinctive, strong Full Blast nature get an exciting electronic treatment by Michael Wertmüller (with electronics by Gerd Rische, recorded mont…
1