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Steve Lacy

American musician and composer who, helped introduce a neglected instrument, the soprano saxophone, into modern jazz in the mid-1950s, creating simple, lyric melodies with an individualistic concept of solo form and giving the traditionally high, piping horn a personal warmth and range of expression. While many modal and free-jazz saxophonists followed in his footsteps, Lacy remained one of the rare soprano saxophonists to concentrate exclusively on that instrument.

American musician and composer who, helped introduce a neglected instrument, the soprano saxophone, into modern jazz in the mid-1950s, creating simple, lyric melodies with an individualistic concept of solo form and giving the traditionally high, piping horn a personal warmth and range of expression. While many modal and free-jazz saxophonists followed in his footsteps, Lacy remained one of the rare soprano saxophonists to concentrate exclusively on that instrument.

Coastline
*Contains printed inner sleeve with archival photos and extensive liner notes by two Italian soprano saxophone specialists Roberto Ottaviano and Eugenio Colombo, and pianist Martin Joseph himself* Recorded Live in Italy in October 1985 and mastered directly from the old dusty cassette, here's a previously unheard Steve Lacy recording from a rare duo appearance with pianist Martin Joseph, a little known yet fascinating British musician who had worked with Harry Beckett, John Surman, Ian Carr, Tub…
October Wind Vol. 1
*2023 stock* "The release of the two volumes of October Wind, on the tenth anniversary of Steve Lacy death, has a special meaning for me. Not only because it’s probably the last unreleased recording of this extraordinary trio, but also because I was working on it with my dearest friend Gilles Laheurte, who had been one of the best friend of the late Steve Lacy. Gilles was a scholar of Steve Lacy music and I had the privilege to have his liner notes on the previous re-discovered trio recording re…
October Wind Vol. 2
*2023 stock* "The release of the two volumes of October Wind, on the tenth anniversary of Steve Lacy death, has a special meaning for me. Not only because it’s probably the last unreleased recording of this extraordinary trio, but also because I was working on it with my dearest friend Gilles Laheurte, who had been one of the best friend of the late Steve Lacy. Gilles was a scholar of Steve Lacy music and I had the privilege to have his liner notes on the previous re-discovered trio recording re…
Scraps
*2023 stock* "Sometime an old box of tapes, overlooked for decades, could reserve nice surprises. This album is a collection of those surprises. In the years of my collaboration with Steve Lacy, we did a lot of recording and we selected what was the best for the short length of the vinyl LPs. So some tracks were edited leaving part of the improvisations out or discarded for a similarity with something already included in the albums. Thanks to the digital editing, I had the chance to reorganize t…
Tao
*2023 stock* "When I had asked Steve Lacy how he should intervene with the percussion behind Lacy’s thematic statements and subsequent improvisations; the enigmatic Lacy replied: “Play what you feel.” Since then, this has been the guiding principle behind each work of art and everyday action of my artistic life. Here you can hear what Steve Lacy did mean saying that. This CD is dedicated to his memory. Even if we spent just short periods together I always kept a great memory of him in my heart: …
Trio Live
*2023 stock* Originally issued in 1977 as the 5th entry in the Ictus catalog, Trio Live was recorded in 1976, only a handful of days after Steve Lacy and Andrea Centazzo’s Clangs was laid to tape, presumably capturing another moment on the same two-week tour that had rendered the recordings for its brilliant predecessor. This time, the pair - Lacy and Centazzo - is joined by the American bassist, Kent Carter, a sinfully under-appreciated artist who had worked extensively in Steve Lacy's group, p…
Lost In June
*2023 stock* "There are no coincidences in life. Everything responds to the principle of cause and effect. In all that exists, what often seems to be the result of “chance happening” always comes from a precise and definite source located “somewhere out there,” but that in fact rests deep within each one of us. Everything is linked. There is a reason for everything that we find on our path, even if we do not understand what its purpose really is at the time of its first manifestation. It is ofte…
Clangs
*2023 stock* "I have a vivid memory of the time I first met Steve Lacy in Milan: I had finally the opportunity not only to know but to perform with one of the myths of the avant-garde scene of the time. As hermetic and polite as his music, Steve was the man who, with his phrase 'play what you feel' tore down the curtain that separated my technique from my creativity. Clang swas the fruit of a number of concerts and two weeks we spent together, sometimes talking, sometimes just simply in silence,…
The Straight Horn Of Steve Lacy
Some of soprano saxophonist Steve Lacy's most interesting recordings are his earliest ones. After spending periods of time playing with Dixieland groups and then with Cecil Taylor (which was quite a jump), Lacy made several recordings that displayed his love of Thelonious Monk's music plus his varied experiences. On this particular set, Lacy's soprano contrasts well with Charles Davis' baritone (they are backed by bassist John Ore and drummer Roy Haynes) on three of the most difficult Monk tunes…
U.S.A. Concerts / The Bay / The Ictus Archives Vol. 1 / The Ictus Archives Vol. 2
**Back in stock, very last copies** Edition of 250 copies, remastered from the original master tapes.** Issued in limited editions of 250 copies, they stand among the most important and sinfully overlooked documents of the movement of global improvisation that unfurled during the 1970s, and can’t be missed.This bundle (with additional and exclusive dedicated tote bag) includes the following four LPs:- Andrea Centazzo "U.S.A. Concerts" (1978)- Andrea Centazzo, Rova Saxophone Quartet "The Bay" (19…
Steve Lacy - The Ictus Archives Vol. 2
Tip! The final two LPs in the latest Ictus batch, “The Ictus Archives Vol. 1” and “The Ictus Archives Vol. 2”,  both draw on the same period that the veteran saxophonist produced “Clangs” and “Trio Live”, both recorded in 1976 during of two weeks that he was touring Italy with Andrea Centazzo,  released in 1976 and 77 respectively, and reissued in 2021’s batch. Gathering four sides of material, issued as two individual LPs, we are offered an incredible insight into that moment’s striking collabo…
The Ictus Archives Vol. 1
Tip! The final two LPs in the latest Ictus batch, “The Ictus Archives Vol. 1” and “The Ictus Archives Vol. 2”,  both draw on the same period that the veteran saxophonist produced “Clangs” and “Trio Live”, both recorded in 1976 during of two weeks that he was touring Italy with Andrea Centazzo,  released in 1976 and 77 respectively, and reissued in 2021’s batch. Gathering four sides of material, issued as two individual LPs, we are offered an incredible insight into that moment’s striking collabo…
Apices
Long-awaited re-release at a middle price of this classic and popular album, the last collaboration of Steve Lacy, Masahiko Togashi, and Masahiko Sato. Year of recording: October 15, 2000 / Location: Fukaya Hall Egg Farm
Maledetti (Maudits) - Color LP
Temporary nicer price ** 500 copies, numbered edition. Clear Splatter Vinyl ** 1976 was a year of flux and change. For the recording of the fifth Area album, the core membership of Stratos, Fariselli, Tofani and Tavolazzi were present, but drummer Capiozzo only appears on about half of the album, replaced on various tracks by either Walter Calloni or Paul Lytton. Steve Lacy augments the band, as do several other studio musicians (including a string quartet). Perhaps it was the contributions of t…
Prayer
I think it's important and proper to play Steve Lacy's music today and that we have to take the risk. Keeping his example alive means to me every time to question the results achieved. My relationship with his music is not occasional. Steve is present in three tracks of my first album "trochus". Later I played his music alone and in various groups. I would like to remember at least the Fish Horn Quartet, with Fabio Martini, Jean Jaques Avenel and John Betsch, the sextet 5or6 Bones with Sebi Tram…
Chirps
Limited edition of 500 copies.* What could possibly happen when two ultimate masters of soprano saxophone square off for their only recording of duets? Chirps is the only place to find out. Steve Lacy – the one who planted the flag for soprano saxophone in the ground of modern jazz, who established its iconic status, who devoted himself to the axe with monkish devotion, who brought shakuhachi breath and stairstep melody into its upper-register antics. Evan Parker – arguably the one who pushed th…
Bird and Person Dyning / Microphone / Straws / La Maquina de Cantar / Tempo Furioso / Luna Cinese (6LP in bundle)
Special bundle of all six seminal Cramps albums re-issued by Dialogo. At long last, after decades out of print, the Milan based imprint, Dialogo, dives into the legendary catalog of Cramps, bringing forth vinyl reissues of six of the most singular and important experimental albums of the 1970s: Alvin Lucier's "Bird and Person Dyning", David Tudor's "Microphone", Steve Lacy's "Straws", Horacio Vaggione's "La Maquina de Cantar", Costin Miereanu's "Luna Cinese" and Martin Davorin Jagodić's "Tempo F…
Straws (LP)
At long last, after remaining out of print for decades, the Milan based imprint, Dialogo, dives into the legendary catalog of Cramps, bringing forth the first ever vinyl reissue of Steve Lacy’s LP, "Straws", issued as the sixth instalment of the label’s DIVerso series in 1977. Truly singular in the legendary American saxophonist’s discography - featuring stunning solo excursions and dialogs with himself - it remains one of the great documents of 1970s improvisation, and is as engrossing, creativ…
Event '76
Wonderfully varied Free Improv, with a nice balance of different elements to keep it interesting (and not overly self-indulgent). One of those elements is Demetrio Stratos' voice, which is put to good use as a wild instrument (complete with duck quacking). It's rare for a band, that features Steve Lacy and Paul Lytton, to pull off free improv so completely convincingly when it is not within their normal milieu, but this performance is a testament to their musicianship and their listening skills.…
Steve Lacy (Unfinished)
**478 page! Texts in English and French ** A polyphonic evocation of the American saxophonist through the testimonies of some forty international musicians. And you, how do you hear him? As we approach the twentieth anniversary of Steve Lacy' death (or the ninetieth anniversary of his birth), Guillaume Tarche asked the question, in English, in French, in Italian, to Steve Adams, Irene Aebi, Guillaume Belhomme, Etienne Brunet, Frank Carlberg, Kent Carter, Andrea Centazzo, Allan Chase, Alvin Curra…
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