Steve Lacy
American musician and composer who, helped introduce a neglected instrument, the soprano saxophone, into modern jazz in the mid-1950s, creating simple, lyric melodies with an individualistic concept of solo form and giving the traditionally high, piping horn a personal warmth and range of expression. While many modal and free-jazz saxophonists followed in his footsteps, Lacy remained one of the rare soprano saxophonists to concentrate exclusively on that instrument.
American musician and composer who, helped introduce a neglected instrument, the soprano saxophone, into modern jazz in the mid-1950s, creating simple, lyric melodies with an individualistic concept of solo form and giving the traditionally high, piping horn a personal warmth and range of expression. While many modal and free-jazz saxophonists followed in his footsteps, Lacy remained one of the rare soprano saxophonists to concentrate exclusively on that instrument.
Coastline
*Contains printed inner sleeve with archival photos and extensive liner notes by two Italian soprano saxophone specialists Roberto Ottaviano and Eugenio Colombo, and pianist Martin Joseph himself* Recorded Live in Italy in October 1985 and mastered directly from the old dusty cassette, here's a previously unheard Steve Lacy recording from a rare duo appearance with pianist Martin Joseph, a little known yet fascinating British musician who had worked with Harry Beckett, John Surman, Ian Carr, Tub…
October Wind Vol. 1
*2023 stock* "The release of the two volumes of October Wind, on the tenth anniversary of Steve Lacy death, has a special meaning for me. Not only because it’s probably the last unreleased recording of this extraordinary trio, but also because I was working on it with my dearest friend Gilles Laheurte, who had been one of the best friend of the late Steve Lacy. Gilles was a scholar of Steve Lacy music and I had the privilege to have his liner notes on the previous re-discovered trio recording re…
October Wind Vol. 2
*2023 stock* "The release of the two volumes of October Wind, on the tenth anniversary of Steve Lacy death, has a special meaning for me. Not only because it’s probably the last unreleased recording of this extraordinary trio, but also because I was working on it with my dearest friend Gilles Laheurte, who had been one of the best friend of the late Steve Lacy. Gilles was a scholar of Steve Lacy music and I had the privilege to have his liner notes on the previous re-discovered trio recording re…
Tao
*2023 stock* "When I had asked Steve Lacy how he should intervene with the percussion behind Lacy’s thematic statements and subsequent improvisations; the enigmatic Lacy replied: “Play what you feel.” Since then, this has been the guiding principle behind each work of art and everyday action of my artistic life. Here you can hear what Steve Lacy did mean saying that. This CD is dedicated to his memory. Even if we spent just short periods together I always kept a great memory of him in my heart: …
Trio Live
*2023 stock* Originally issued in 1977 as the 5th entry in the Ictus catalog, Trio Live was recorded in 1976, only a handful of days after Steve Lacy and Andrea Centazzo’s Clangs was laid to tape, presumably capturing another moment on the same two-week tour that had rendered the recordings for its brilliant predecessor. This time, the pair - Lacy and Centazzo - is joined by the American bassist, Kent Carter, a sinfully under-appreciated artist who had worked extensively in Steve Lacy's group, p…
Lost In June
*2023 stock* "There are no coincidences in life. Everything responds to the principle of cause and effect. In all that exists, what often seems to be the result of “chance happening” always comes from a precise and definite source located “somewhere out there,” but that in fact rests deep within each one of us. Everything is linked. There is a reason for everything that we find on our path, even if we do not understand what its purpose really is at the time of its first manifestation. It is ofte…
Clangs
*2023 stock* "I have a vivid memory of the time I first met Steve Lacy in Milan: I had finally the opportunity not only to know but to perform with one of the myths of the avant-garde scene of the time. As hermetic and polite as his music, Steve was the man who, with his phrase 'play what you feel' tore down the curtain that separated my technique from my creativity. Clang swas the fruit of a number of concerts and two weeks we spent together, sometimes talking, sometimes just simply in silence,…
Maledetti (Maudits) - Color LP
Temporary nicer price ** 500 copies, numbered edition. Clear Splatter Vinyl ** 1976 was a year of flux and change. For the recording of the fifth Area album, the core membership of Stratos, Fariselli, Tofani and Tavolazzi were present, but drummer Capiozzo only appears on about half of the album, replaced on various tracks by either Walter Calloni or Paul Lytton. Steve Lacy augments the band, as do several other studio musicians (including a string quartet). Perhaps it was the contributions of t…
Prayer
I think it's important and proper to play Steve Lacy's music today and that we have to take the risk. Keeping his example alive means to me every time to question the results achieved. My relationship with his music is not occasional. Steve is present in three tracks of my first album "trochus". Later I played his music alone and in various groups. I would like to remember at least the Fish Horn Quartet, with Fabio Martini, Jean Jaques Avenel and John Betsch, the sextet 5or6 Bones with Sebi Tram…
Straws (LP)
At long last, after remaining out of print for decades, the Milan based imprint, Dialogo, dives into the legendary catalog of Cramps, bringing forth the first ever vinyl reissue of Steve Lacy’s LP, "Straws", issued as the sixth instalment of the label’s DIVerso series in 1977. Truly singular in the legendary American saxophonist’s discography - featuring stunning solo excursions and dialogs with himself - it remains one of the great documents of 1970s improvisation, and is as engrossing, creativ…
Event '76
Wonderfully varied Free Improv, with a nice balance of different elements to keep it interesting (and not overly self-indulgent). One of those elements is Demetrio Stratos' voice, which is put to good use as a wild instrument (complete with duck quacking). It's rare for a band, that features Steve Lacy and Paul Lytton, to pull off free improv so completely convincingly when it is not within their normal milieu, but this performance is a testament to their musicianship and their listening skills.…
Live In Montreal
This live concert is perhaps one of the last recordings from soprano saxophone legend Steve Lacy. Lacy and percussionist John Heward first met in Paris in 1975. Though they remained in regular contact through the years, they did not actually play together until this concert in Montreal on 20 June 2003. Two months later Lacy was diagnosed with cancer, and died in June 2004.Lacy suggested to Heward that he wanted to end this improvisation with the motif Recessional for Oliver Johnson, as a tribute…
Situations
My relationship with Steve Lacy’s music is not occasional. It was for me the “door”. Since 2009, titled So Long!, I have presented several times a program with his compositions on bass clarinet. In the summer of 2013, on the mountains, I recorded the solo using the Bb clarinet, finding a bare, naked and raw dimension that marks an important point in my personal process with the music of Steve. “I try to be empty and to see what sounds” (Tom Raworth) Giancarlo nino LocatelliLacy’s tunes are devis…
Il Bestiario
** Temporary super offer, very last copies ** There was never anyone like Maria Monti – and this album is a true testament to her genius! Il Bestiario might be best understood next to albums by artists like Brigitte Fontaine, Scott Walker, and Catherine Ribeiro, all of whom began their careers within the saccharine confines of popular music, before embarking on some of the most revolutionary recordings of the era. It enlisted the radical poet Aldo Braibanti (a man defined “the lone true Italian…
Avignon and after - Volume 2
In 2012, Emanem released Avignon and After Volume 1 which consisted of re-released and previously unreleased tracks from the late great soprano saxophonist Steve Lacy's first solo concerts, at Avignon in 1972, plus previously unreleased tracks recorded live in Berlin in 1974. It was an excellent and valuable addition to the Lacy discography. Teasingly, its sleeve notes hinted that there was still enough unreleased Lacy material for another volume. Now, to confirm that, here is that second vo…
Avignon and after - Volume 1
The 1972 Avignon concerts were Steve Lacy’s very first solo concerts, although he did make an excellent overdubbed solo record for Saravah the year before. (For ‘solo’ read ‘alone’ or ‘unaccompanied’ rather than the usual music business meaning of ‘very accompanied’.) Thanks to an introduction by John Stevens, I first met Lacy when he visited London in 1973. He brought with him some of the Avignon tapes in order to try and interest a record producer to issue this music. However, record producers…
The Rest
In June of 1977, Steve Lacy and Joe McPhee shared a double bill in Basel, Switzerland. Lacy invited McPhee to join him for a duet to close his set, for which McPhee elected to bring out his own soprano saxophone. The main part of Lacy’s performance was issued on the classic Clinkers LP; after 36 years, here is The Rest. This one-sided, limited LP marks the first and only time that these two master musicians played together, but the simpatico meshing of their distinctly individual voice…