We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

New Arrivals

Conversations about not eating meat
Sebastian Smolyn, e-trombone. Artur Smolyn, electronics. Oliver Steidle, drums. Peter Brötzmann, reeds.Sebastian Smolyn (trombone) and Artur Smolyn (electronics) are Defibrillator. They have committed themselves to improvised music and do enthralling performances full of energy and love of adventure. They have been educated in classical music in conservatories in Germany, France and Switzerland. They have played in numerous well-known orchestras and ensembles. Their experience is the matrix for …
The power of negative thinking
Kai Fagaschinski, clarinet. Michael Thieke, clarinet. Christian Weber, double-bass. Eric Schaefer, drums & percussion.In case it doesn’t ring a bell, The International Nothing is the psycho-acoustic clarinet duo of Mr. Thieke and Mr. Fagaschinski. Since 2000 the two clarinetists have been collectively composing multilayered sound sculptures using multiphonics, beat frequencies and difference tones as an integral part of their unique language. They have released three duo albums on the Japanese F…
Nécropolis
“Dreaming in Darkness” (2005), “Crystal Counterpoint” (2009), “ReVoiced” (2009), “Necropolis - City of the Dead” (2011).“Dreaming in Darkness is forged primarily from small sounds, spaced apart from one another. A chime, a chink or a clunk, and then silence before a scrape or a click or a bump. It’s fragmentary, the origins of the sounds unclear. Taking the question of what a person who cannot see dreams about, Parmerud explains that the piece is an attempt to create surrealistic fragments of a …
Daydreaming Nerves
Swedish drummer Peeter Uuskyla performs all alone on this double-LP. The opening track ”The Dream” features two takes of drumkit mixed with one take of his piano-playing. The triptych ”Nerves I-III” presents Peeter Uuskyla´s everyday rituals as a drumkit-concerto. His primal, natural, basic, archaic music is illustrated by Johannes Brander´s cover art. Peeter Uuskyla has played many years with legendary saxophonist Bengt Frippe Nordströms group in Sweden. He has worked and toured internationall…
Criminale vol.4 - Violenza!
2016 small repress. Pressed on 140-gram vinyl; includes CD. The decade from 1968 to 1978 had a pivotal importance in Italy's 20th-century history. It was a period of deep social and cultural transformation on the wings of the Berkeley youth protests and the May 1968 protests in France, which then developed in different directions due to the moral contradictions of one of the most conspiratorial countries of the western world. Years of high-tension events -- beginning with the tragic massac…
Manhattan Baby
Subsound Records is proud to present the first release of their new-born sub-label Sub Ost, concentrated on original soundtracks only. For the first time on vinyl is the complete original soundtrack to Lucio Fulci's Manhattan Baby, written in 1982 by Fabio Frizzi. Available in limited 180g vinyl. Comes with deluxe cover with a printed inner sleeve including original artwork.
Now’s the time / Solo Fripping
Same recordings as the bonus 7″ included with Winged Body but this comes in 50 copies with handmade covers. You better be quick on this one.
Close To The Noise Floor - Formative UK Electronica 1975 - 1984
Two years in the making, Close To The Noise Floor is a 4CD, 61-track set exploring the origins of electronica in the UK.  Featuring tracks from key figures on the cassette label underground alongside early releases by future stars of the movement, this is part primitive rave, part synthesiser porn and part history lesson.  Enthralled by the mysterious electronics of Pink Floyd, Hawkwind, Gong and German Kosmische artists such as Tangerine Dream, Harmonia and Cluster, and inspired by the DIY …
Criminale vol.3 - Colpo Gobbo
2016 small repress. Pressed on 140-gram vinyl; includes CD. The decade from 1968 to 1978 had a pivotal importance in Italy's 20th-century history. It was a period of deep social and cultural transformation on the wings of the Berkeley youth protests and the May 1968 protests in France, which then developed in different directions due to the moral contradictions of one of the most conspiratorial countries of the western world. Years of high-tension events -- beginning with the tragic massac…
Nothing to tell, only listen
Born in Brooklyn, New York in 1947, Charlemagne Palestine began by singing sacred Jewish music and studying accordion and piano. At the age of 12 he started playing backup conga and bongo drums for Alan Ginsberg, Gregory Corso, Kenneth Anger, and Tiny Tim. Throughout the seventies Palestine created records, videos, abstract expressionist visual scores and performed regularly in the company of his stuffed animals! This new release entitled Nothing to Tell, only Listen explores his unique soundsc…
Biologia Animale e Vegetale
Double CD box. Another breath-taking production library rarity getting its first ever commercial release via the reissue masters at Cinedelic making this set's one of the greatest Italian library of the 70s. Egisto Macchi has explored and experimented in the field of sound and music without ever forgetting about his moral and civil engagement. His compositional work takes shape from the idea that music and arts should be able to create a symbiotic contact between the creator (composer) a…
Kontakte
“Kontakte” (1959-60), Stockhausen’s first piece to use both electronics and traditional instruments together, marks a turning point in his career, when his music was beginning to show the influences of American avant-garde jazz and composers like John Cage. In “Kontakte” live musicians play alongside a tape recording of percussion sounds that have been altered by different electronic devices (i.e. a ring modulator or a reverberator). Stockhausen wanted the musicians to improvise over the prepare…
Studie I & II, Gesang Der Junglinge, Zyklus Fur Zwei Schlagzeuge
A collection of Stockhausen’ s most important works from the 1950s, particularly “Gesang der Jünglinge” (“Song of the Youths”) 1955-56, probably the most iconic piece of electronic music ever written. Only because of Stockhausen’s complete understanding of electronic equipment, along with his creative genius, was he able to produce this masterwork, the first piece of music to unify vocals and electronics.
Something Else!!!!
This 1958 debut recording by the Ornette Coleman Quintet, which featured Coleman on his trademark white plastic alto, Don Cherry on trumpet, Billy Higgins on drums, Walter Norris on piano, and Don Payne on bass, shook up the jazz world -- particularly those musicians and critics who had entered the hard bop era with such verve and were busy using the blues as a way of creating vast solo spaces inside tight and short melody lines. Something Else!!!! is anathema to that entire idea, and must have …
I wonder if you noticed
The remarkable series of releases from the trio of Keiji Haino, Jim O'Rourke, and Oren Ambarchi continues with I wonder if you noticed "I'm sorry" Is such a lovely sound It keeps things from getting worse, which presents the entirety of an 80-minute set performed at Tokyo's SuperDeluxe in March 2014. While the trio's 2012 performance was divided into two releases (BT 011LP (2014) and BT 012LP (2015)), the single extended performance presented here ranges widely over terrain both new and fam…
Too
LP version. Following her acclaimed 2014 debut, Ett (EMEGO 190LP), and the subsequent Msuic EP on Peder Mannerfelt's eponymous label (2014), Klara Lewis presents her second full-length, Too. Lewis's skill at sculpting the hermetic shines on Too as she twists her idiosyncratic vision into nine tracks of blurred rhythms and haunted backdrops. Too is a powerful statement in which the individual works tread a vast landscape as dour and aggressive elements rub shoulders with warmer, more optimistic…
The Salt Garden I
** special 10"+CD edition** The new EP from Fovea Hex is the first ever non-SW release on the Headphone Dust label, a testament to the unprecedented quality of the work. Steven has long been a fan of Fovea Hex, and in 2008 he invited singer / songwriter Clodagh Simonds to guest on his first solo record Insurgentes. Fovea Hex also counts the likes of David Lynch, Brian Eno and Underworld amongst its fans. You may also recognise Clodagh’s name from her vocals on early Mike Oldfield albums Hergest …
Concession Themes
Most dance music cuts up time like a log saw bearing down on a tied up lady. It’s dramatic and everything, sure. But you can always tell what’s going to happen way ahead of time. What if, instead, you threw all those beats and tempos at the ceiling and then just let the pieces fall wherever? Neil Young Cloaca makes whimsical, jiggling electronics that go from dry to juicy to unintelligible and morph again & again before you even figure them out. He has a pile of mysterious black boxes that wigg…
Throbbing Gristle’s Greatest Hits
2016 repress. If you're new to Throbbing Gristle then, well, shame on you; but don't worry, all's not lost, you can get up to speed with the help of the band's Greatest Hits, newly remastered. First released by Rough Trade in 1980 with the apt subtitle Entertainment Through Pain, it's an unbeatable summary of crucial material from Gen, Chris, Cosey and Sleazy's first three albums (Second Annual Report, DoA: The Third and Final Report and 20 Jazz Funk Greats), taking in the robo-fetish disco of '…
D.o.A. The Third And Final Report Of Throbbing Gristle
2016 repress. Throbbing Gristle's second album, remastered - making for markedly superior sound quality to some previous editions - and reissued on Industrial Records. This finds the band at their sleazy (no pun intended) and savage best, reaching an apogee of apoplectic rage on 'We Hate You (Little Girls)', and has to rank as one of the most brilliant British evocations of decay and dysfunction to appear in any art form, ever. For all the P.Orridge-helmed murk, you feel Chris Carter's presence …