New Arrivals
Musikaliszer Pinkos
This music was inspired by “Musikaliszer Pinkos” – a collection of more than two hundred Hebrew religious hymns and Chassidic songs compiled and published by Abraham Berenstein in the year 1927 in Wilna (nowadays Vilnius). The selection of songs from “Musikaliszer Pinkos” was used by Arturas Bumšteinas as a source of fragmentary pitch material and re-interpreted in a new context of electronic sound and cut-up composition. All music was recorded with the use of Soviet-era Russian synthesiz…
Borderland
Cilantro is the duo of multi-instrumentalists Angelica Castello on paetzold, ukulele, organ, tapes, & electronics, and Billy Roisz on electric bass, organ, tv, piezzo, computer & electronics, scrutinizing the activity in bordering areas between noise and silence, tenderness and rudeness, beat and drone, inner consciousness and outer awareness, control and freedom.
"Cilantro presents a world full of enigmas, labyrinths, sometimes abrasive, sometimes ecstatic, a complex and delicate subjec…
Kondens
This is a selection of previously unreleased tracks created at home by Enrico Serotti (fmember of Confusional Quartet and Stupid Set), without any purpose other than the fun of playing with new musical devices. The tracks date from 1983 to 1999. A pretty long time span, coinciding with the transition from analog to digital technology. Cover Art by Alessandro Pessoli.
Homemade Music Vol. II (1983-1999)
This is a selection of previously unreleased tracks created at home by Enrico Serotti (fmember of Confusional Quartet and Stupid Set), without any purpose other than the fun of playing with new musical devices. The tracks date from 1983 to 1999. A pretty long time span, coinciding with the transition from analog to digital technology. Cover Art by Alessandro Pessoli.
2 Hours Live - Fortune of Twelve
Jojo Hiroshige - known and feared throughout the world not only as a member of the legendary ‘‘Hijokaidan,’’ often referred as ‘‘King of Noise,’’ but also as the owner of the prestigious label “Alchemy Records,” which has released countless “Japanoise” masterpieces.
"Words are different to sounds in that the images they create are limited. They’re like a two-edged sword – sometimes they can be used effectively, but sometimes they restrict the range of the images employed. When I was young I read…
Mastic Boréal
Blick : voice and texts. Jean-Marc Foussat : AKS Synthi, voice. Recorded in 2016. Voice imprecation and electronic environement, both always in movement.
Débris d'orgueil
Christiane Bopp : trombone. Jean-Marc Foussat : Synthi AKS, voice. Jean-Luc Petit : contrabass clarinet & sopranino saxophone. Makoto Sato : drums. 2016
la nuit circonflexe
Benoît Kilian, horizontal big drum. Jean-Luc Petit, contrabass clarinet, alto and sopranino saxophones. Recorded by Antonin Rayon, 2016.
Dans les courbes
Xavier Camarasa : piano. Jean-Marc Foussat : AKS Synthi, voice. 2017.
Spectral Arrows : Venice
Spectral Arrows is an ongoing series of long-duration performances for guitar and electronics by Marco Fusinato. In Spectral Arrows, Fusinato arrives at the venue when it opens for business, sets up his equipment facing a wall and proceeds to play for the whole day until the end of business hours. Fusinato presents himself here in the guise of a worker, clocking on and unceremoniously clocking off at the end of his 8-hour day, refusing to allow the behind-the-scenes mystery of rehearsals and pre…
Endless Sky
Music makes my mind drift uncontrollably. When I saw John Chantler and Johs Lunds perform at Copenhagen’s Mayhem venue I had a vision: I awake suddenly to discover that I have been sleeping on a beach. It’s a rainy early morning and I’m laying on my back in the open on the sand, the hood of my jacket blinding my peripheral vision. I have no idea how I got there and only see grey clouds above and hear the waves and wind. I stare into the sky blinking from light speckles of falling rain, my m…
Nox
Daniel Menche is a prolific musician whose work in the fields of noise and experimentalism displays both savage tactile expressionism and masterful studio manipulations. Aaron Turner is an equally prolific artist whose output veers from violent guitar architectures to textural meditations. Consequently, their collaborative album Nox could have been a brutish exercise in punishing frequencies and aural assaults. Instead, Nox is what Turner describes as “a combo of Daniel’s more free-flowing form …
Asakusa Follies
Asakusa Follies is a luminous scene of interplay between melody, breath, and the shakuhachi flute. Following on from the initial triptych of electro-acoustic releases on the Cuspeditions imprint, Clive Bell’s Asakusa Follies shifts the listener away from the studio and toward the player himself. Breath is a central theme in the album where a punctuation of purring, spitting, flicking and gasping intersects the tones, overtones and noise of the shakuhachi. The opening composition Ultramodern Vari…
Several Circles
Richard Scott’s ‘Several Circles’ is a seamless blend of improvised performances and forensically detailed electronic music that bristles, writhes and grows like some mutated living organism. Recorded between 2013 and 2015 in both Manchester and Berlin, this vital new album is a combination of instant, improvised performances and highly structured acousmatic compositions that have been, in Richard’s own words, “microscopically edited, constructed, layered and mixed over many hours in the studio.…
Hiera picra Hellébores (Collection 2011-2016) 2Cd
Christophe Guiraud uses old instruments such as the Hotteterre flute, the viola da gamba or the viola bass, combining them with electronics. Born in Toulouse (south of France) mid-seventies, he lives between Brussels and Paris. His early works come from alternative rock, free jazz and harsh noise (Tellemake, 2 records on Angström Records). His more recent pieces mixed the beauty of the polyphonies of Ars Nova (XIVè century) and noise. This nonesuch hybridation creates a music easily recognizable…
Frühe Jahre
Frühe Jahre is the first time reissue of C-Schulz's early work from late 1980s and early '90s. Schulz's first LP, 10. Hose Horn, was introduced alongside other debut LPs from Jim O'Rourke and Frank Dommert on Dommert's Entenpfuhl label in 1991. Combining the cathartic sounds of industrial, early techno, and innovative pop with inspiration from acousmatic, New Music, and Dada, Schulz's music is a prime example of the Cologne experimental music scene of the time. Rhythmic delights, outlandish juxt…
Not A Bird / Transcarnation One
Thomas Müller (b. 1970 in Munich) is a Berlin-based video artist, experimental musician, painter, and photographer. For an exhibition in 2005, he burned three of his oil paintings and displayed the resulting pile of ashes as a sculpture entitled "three of my favourite pictures". These particular ashes were reused in new paintings, some of which have again been burned to produce further ashes for further paintings. Thus began a cycle of ash-based works entitled "not a bird", ranging from large ca…
Mother Ode
2014 release. In July 2013, a few months after the passing of his mother, cornetist Rob Mazurekperformed solo at the Corbett Vs. Dempsey gallery in Chicago. Mazurek is one of the highest profile figures in contemporary creative music, leading bands like the Exploding Star Orchestra, Skull Sessions Octet, and Starlicker. On this occasion, he brought a box filled with various implements -- his cornet, naturally, but flutes, bells, books, maracas, apples, and little electronics. This box became an …
The Loneliest Woman
2012 release. In 1981, Joe McPhee culled together one of his greatest bands to record Topology (1981), his classic outing for Hat Hut Records. Featuring an expanded version of Po Music, his ensemble with saxophonist André Jaume, guitarist Raymond Boni, and bassist François Mechali, the group included pianist Irene Schweizer, percussionist Pierre Favre, baritone saxophonist Daniel Bourquin, cellist Michael Overhage, and trombonist Radu Malfatti. One of the tracks left on the cutting room floor wa…
Variations On A Blue Line / 'Round Midnight
2012 release. A reissue of Joe McPhee's Variations On A Blue Line / 'Round Midnight, originally released on Hat Hut Records in 1979. Variations On A Blue Line / 'Round Midnight was recorded in October, 1977, during a highly significant period in Poughkeespie, New York, multi-instrumentalist Joe McPhee's work, as he was pioneering the transatlantic, collaborative spirit that has helped to define the last three decades of his career. Blue Line comes from a concert in Rouen, France, when McPhee pla…