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Simon Scott produced one of the best records of 2009 with Navigare, an album whose shoegaze dronemusic was dotted with radioluminescent dream-pop numbers. It was hardly a surprise to us when we learned that he was the drummer of Slowdive way back when. Since then, Scott has produced a single for Immune and a collaboration with Jasper TX, both equally fantastic. For his second proper record, Scott makes a slight detour; but one that is well suited to everything else that's been released by the hauntologically leaning Miasmah records. The album opens with a languid series of smoke and mirror abstractions flickering above a nocturnal jazz rhythm that gives way to a Caretaker-esque melody of disembodied historicism amidst subterranean clatter and eerie scrapings. A walking bassline follows this as the only constant to the next track "Betty" whose distant cacophonous guitars slide into audibility through a dense fog of reverb, with a trip along the drumkit taking one tempestuous fill before succumbing to Scott's omnivorous reverb, sounding not all that far from Supersilent at their grooviest and some of those bleached Crescent instrumentals, if anybody remembers that Bristol outfit. With the breathtaking "Radiances," Scott relives his shoegaze past with a song directly out of the Slowdive playbook: a halo of guitar ambience brightens a classic Brit-pop maudlin rhythm section, where the droning slipperiness of the guitar is perfectly countered by the easy pace of the bassline. It really does sound like "Albatross" off of the Blue Day album by Slowdive, and we mean that as quite a high complement. Scott reprises this dream-pop sensibility on the equally deft "Drilla," with electro-static crackling and plenty of ephemeral drone-guitar work to fill in the blanks.(Aquarius)