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A landmark album from Milton Nascimento – not only a set that really marked his growth as a singer, songwriter, and overall musical visionary – but also a record that really showcased the collaborative spirit that would be a part of his music for years to come! The album features Milton with his "corner club" – an elite group of musicians and songwriters from the early days of his career – including greats like Lo Borges and Wagner Tiso – who'd already contributed to his music, but really get a chance to stand in the spotlight here. Borges is particularly fantastic, and shines on the massively beautiful cut "Tudo Que Voce Podia Ser", which begins the album – and which is still one of the best Nascimento cuts all these many years later! The sound of the record is impossible to describe adequately – but it's got a fantastically soulful vibe, soaring and joyous, and really expanded through the participation of the other rich talents.
"A classic double LP recorded in 1972 by Milton Nascimento and Lô Borges, the album had orchestrations from Eumir Deodato and Wagner Tiso under the conduction of the renowned clarinetist/composer/orchestrator Paulo Moura. The title Clube da Esquina is related to the gang of mineiros (people from the Minas Gerais state) that populate this release, either singing compositions or vocal/instrumental performances, like Nascimento and Borges themselves: Wagner Tiso, Beto Guedes, Milton Guedes, Tavito, Toninho Horta, Márcio Borges, Ronaldo Bastos, and Fernando Brant, among others. The album covers a great number of Clube da Esquina hits, like "Tudo Que Você Podia Ser," "Cais," "O Trem Azul," "Caravo E Canela," "Um Girassol da Cor do Seu Cabelo," "San Vicente," "Clube da Esquina No. 2," and so many others, with the competent backing of some of the best musicians in Brazil, including bassist Luiz Alves and percussionist Robertinho Silva. A must-have." AMG