All of your favorites, in one place.
2017 repress. Sensational reissue!!! In 1969, a French chanteuse, an Algerian multi-instrumentalist, and a Chicago jazz quartet undertook an experimental, exploratory, revolutionary musical voyage; a redrawing of musical parameters that, to this day, stands as a glittering beacon, glowing in the dark abyss of 'out' music. Featuring Areski Belkacem and Art Ensemble of Chicago, Comme a la Radio is the sophomore album in Brigitte Fontaine's prolific career. Four decades on, and Comme à la Radio still sounds magical: an alchemical experiment of fusing songform with avant-gardism that manages to sound both effortless and studied; a cross-cultural, cross-genre marriage that manages to transcend its naked ambitions and birth a new musical form with, seemingly, every single spin.
"The album's eight-minute title track sets the tone: a sparse bass line keeps time as Fontaine dances around stabs of flute and trumpet. On "Tanka II," named for a form of concise Japanese poetry, Areski (who provides percussion throughout) plays hand-drums atop flurries of bass as Fontaine coos and whispers pensively, gradually uttering controversial phrases. "L'Été L'Été" centers around a repeated motif with individual lines of high-pitched melody on a bed of muted horns. Each track is its own world, with Fontaine's incredible range, both in style and substance, acting as the glue between the immense talent involved. The overall effect is chilling, and it is no surprise that Comme À la Radio is often cited as Fontain's best known work."