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The group's fourth album, from 1972, originally issued by United Artists. "The follow-up to Tago Mago is only lesser in terms of being shorter; otherwise the Can collective delivers its expected musical recombination act with the usual power and ability. Liebezeit, at once minimalist and utterly funky, provides another base of key beat action for everyone to go off on -- from the buried, lengthy solos by Karoli on 'Pinch' to the rhythm box/keyboard action on 'Spoon'. Liebezeit and Czukay's groove on 'One More Night', calling to mind a particularly cool nightclub at the end of the evening, shows that Stereolab didn't just take the brain-melting crunch side of Can as inspiration."