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2014 release, edition of 300. “The three pieces of ‘Fahl’ are the results of a never ending recycling
(not remixing!) of one and the same structure recorded deep in the past.
That means recycling of recyclings of recyclings… With ‘Fahl’ the
series comes to a temporary end to be continued sometime. The idea
behind this esthetic strategy is the question: why further on creating
genuine music? Our recent digital and analog tools enable us to derive
nearly every sonic event from nearly every other sonic elements. But
that is the theory. Actually that tiny “nearly” constantly holds
unexpected aural surprises. To perceive these surprises is a question of
ear calibration. To be ready for active listening (opposite to passive
hearing) is the basic requirement for analytical perception.”
— Asmus Tietchens