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Italian-born multi-instrumentalist and architect, Nicola Ratti, presents his debut for Anticipate. Nicola's music can best be described as warm, subtractive rock, whereby he reduces guitar figures and piano passages into quiet explorations of the hidden corners of an otherwise familiar sound. Guitars twang with slight and spacious percussion and softly hushed (occasional) vocals and atmospheric twinkles congeal into a carefully-composed re-imagining of music. In terms of situating this album in the context of modern electroacoustic music, Nicola uses more natural effects treatments, shying away from fragmentation and processing, which obscures the inherent character of the instruments. Rather, he uses these processes to add depth and subtly tease out the hidden sonorities of his tools of choice, re-composing them and adding atmospherics along the way. By taking advantage of electronic production approaches, Nicola reworks something which is imminently accessible into an album which adds new levels of intangibility -- turning a classic and subdued sound into a future-minded extension, using the acoustics of field recordings and found sounds as instruments in their own right and allowing the harmonies between object and instrument to become more fully-realized. Dynamic and well-balanced, the album maneuvers through full, layered sequences into spare moments of near silence and back again with ease. It isn't a loud-quiet dichotomy, but rather, skillfully placed areas of intimacy. Nicola segues from droning strings and almost invisible vocals to subtly uplifting chords in an almost unnoticeable transition. From the Desert Came Saltwater is an album that sneaks up on the listener -- disappearing and also taking hold without missing a breath. With one solo album on Megaplomb, a handful of single tracks and remixes, and a recent collaboration with producer and engineer Giuseppe Ielasi, Nicola is defined by the excellence of his craft.