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Keith Rowe explores the nagging questions that the field of visual arts began to interrogate in the 20th century, bringing them to the musical universe under the counter. These inquiries are about the ways we experience modifications to the notion of space in music, the preponderance of the role of listening in the resignification of sonic events, and the timbric exploration translated to the whole world, beginning with everyday life. (...) Keith ignores the disciplinary boundaries that separate the aural and visual orders. He exchanges and trades with different poetics, tracing a sound whose significance emerges from the way it visually operates. For Keith, nothing changes; he keeps painting with his guitar.