Composed in 1978 and released over a decade later under the name McDullan, Love’N Addiction finds Airaksinen exploring the themes of sex and drugs, but omitting rock’n’roll altogether (although the title would have you think otherwise). The music here is cold and harsh, like listening to two dinosaur computers conversing or Perrey And Kingsley on a bad acid trip. If you enjoyed Pekka Airaksinen’s Vitamins, this is the closest thing he has done aesthetically (both were composed roughly at the same time). Interesting to hear the difference between the ”drug” songs (Good News From Columbia doesn’t leave much to the imagination) and the three ”sex” songs, all entitled Eros. Whereas the former are much more hyperactiv and cold, the latter are much warmer (but not cliche) and even include saxophone. The first Eros has this great drone in the background which gives the track this off-kilter vibe."

For the best part of his career, spanning some forty years, Pekka Airaksinen's music can be said to have been ahead of its time. His current plans, too, reach far into the future. In the 80's he initiated a series of albums and compositions, each of which is dedicated to one of the thousand Buddhas in the Buddhist mythology. Probably the most prolific recording artist in Finland, at the moment he is "only" about a hundred Buddhas down.

Airaksinen is still mainly known for the controversial underground/performance group The Sperm, formed in 1967. He was responsible for the musical side of things of the collective, whose recordings mostly resemble the noise and industrial music of some ten years later rather than any of their contemporaries or Airaksinen's influences - who were mostly the classics of 50's and 60's electronic music, such as Cage and Stockhausen. Much like the revolution-minded students all over Europe in the late 60's, members of The Sperm were eager to be influenced by American free jazz, underground rock, and anarchist elements of the counter-culture like Yippies. After The Sperm disbanded in 1970, Airaksinen continued making experimental music, but this time he stayed in his recording studio. Together with a few ex-Sperm members he also participated in the exhibitions of the artist group Elonkorjaajat ("The Harvesters") with his psychedelic paintings.