All of your favorites, in one place.
Long on the Creel Pone radar has been this pair of LPs by French bandleader Philippe Doray, recorded in conjunction with the aid of his five "Asociaux Associés" & issued in 1977 & 1980, respectively, via Jean-Marc Patrat & José Serré's Gratte-Ciel & Invisible, the house-label of the inimitable Jacques Pasquier's Société Coopérative d'Ouvriers-Producteurs Artistiques. Centered around Doray's Synthi VCS3 playing & sprech-stimme vocal stylings, the selections here run the gamut from puerile, absurdist ad hoc rants, munged ring-modulated rhythm box experiments & general minimal-synth filigree, to straight up octave-pedal choogle, all laced with a particularly gallic sensibility. This is one of the more deconstructed and head-scratchingly odd entrants into the canon, with a similar studio-as-orchestra modus as Faust in spots, tethered by Doray's group of droogs, his "Asociaux Associés" who provide more traditional rhythm-section moves, only to disappear into voids of effects & Electronic treatments. One of the truly great, outsider statements from the late 70s Francophone Art / Punk / Damage milieu, on par with La Perversita, Ilitch, Pascal Comelade, Jac Berrocal, and Regrelh's formative work.