Günter Schickert recorded that amazing piece of human greatness in 1974, using the media he had at the time, putting his brain at work to find the best way of taping everything he had to say. 'When I was recording Samtvogel in 1974 I had only two tape recorders. I played one track and while listening I added the second one. And so on. Four times. When I mixed all together I borrowed a third tape recorder. And still added the last track to the master. I had a small mixer with two stereo and one mono but it was possible to pan tracks. No equalization. It all came out of my still living G2000 Dynacord guitar amplifier, of course valve, with no master, even the voice recorded through it. If I made a mistake in 1 track I had to repeat it from the beginning. And if while mixing I was not fast enough in changing the tape I had to start again. So it took me more than 3 months to get ready.' Thanks to these three months of work, between June and September of 1974, Samtvogel was privately issued that same year. It would later be issued on the Brain label, with a small change in the artwork -- titles added to the front cover, which weren't on the original private pressing. Brain also reissued it on the label's Rock on Brain LP series, this time with a completely different sleeve. Samtvogel” loops, echoes, and rings through a variety of delay units, creating a tapestry of sound that flows fluidly, but is highly technical at the same time: the album contained two tracks on side one and just one on side two, and its sound has often been compared to the most explorative works of Syd Barret -- however it must be pointed out that Schickert did not need any mind spreading substances to allow his sounds to float out of his mind and soul, they just came out in the most natural way. It will also appeal to fans of the echoed atmospheric guitar work of other krautrock innovators such as Ash Ra Temple, Manuel Götsching or A.R. & The Machines, and some may find on the vocal passages certain resemblances to Damo Suzuki on Can's Tago Mago era.