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If it's initially difficult to identify these two pieces as based on location recordings, you may just have to take David Daniell's word for it. But whether or not these pieces aurally signify the times and locations specified in their titles, they do speak to a steely-unto-meditative concentration and an obsession with the irreducibility of individual sound events—the non-identity of the similar. All of which moves... gradually, gracefully... to conclude in an earthy layer of strings. These are largely abstract landscapes in which space is a blessed given.- David Grubbs