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the dale cooper quartet & the dictaphones - witxes

Split
€ 19.00
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the dale cooper quartet & the dictaphones - witxes - Split

the dale cooper quartet & the dictaphones - witxes

Split

€ 19.00

LABEL: DENOVALI RECORDS
GENRE: Experimental | FORMAT: LP | CATALOG N. den216 | YEAR. (2019)

Out of stock

This split constitutes an exciting collaboration of these two French experimental/avant-garde/dark jazz acts. In mutual respect and appreciation, both Dale Cooper Quartet and Witxes selected a track of their split companion and created a fundamental and independent rework of around 20 minutes length.

Based upon parts of Witxes' "The Apparel" -- from the last album "A Fabric of Beliefs" -- and afternoon summer recording sessions, the Dale Cooper Quartet's "Le Strategie Saint-Frusquin" contains the classic sounds of the Quartet: ambient soundscapes, lazy jazzy rhythms, drone and distorsion guitar and a deep saxophone breath. Being mostly instrumental, the deep tone of Ronan Mac Erlaine's voice comes to ease the stormy start of the music piece. A grainy and blissful track that resembles music coming through of a 50s radio speaker, letting dark jazz flooding the room.

"Pisces Analogue" is a new Witxes piece based on "Nourrain Quinquet", a track from "Quatorze pièces de menaces" by Dale Cooper Quartet & the Dictaphones. In five movements, the track explores the interstices and cracks of the dark, minimalist, lurking, cycle-evolving original piece. It offers to take a look at some of its nooks, focus on a few of its endless micro-universes and jump from one to another in a flash. Just like swimming in a puzzling dream. If there is anything in common with previous Witxes output, it is a strong sense of motion as well as narration to be seized by the listener. Though this piece uses heavily processed instruments takes from "Nourrain Quinquet" as well as a few typical Witxes field recordings, it is Witxes most synthetic work to date. It was written, recorded and mixed in 3 weeks during summer of 2014 in Lyon and co-produced by Michael Mysak.


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