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Terreng a constitution of an open-ended landscape of contrasts defining space both in time and depth. a set of structuring elements forming by its positionally interaction a common platform created through its dimensional properties.
The drums and electronics on Terreng trade off each other at times creating a sense of improvised space, but also comes together in parts to form a narrative structure of almost concrete sensibilities. Where the instrumental identities gradually bleed into each other to form a flowing texture of sonically defined terrain.
The multi-layered structure of the two tracks presented here draws upon a well of material, sources and references. Pandi and Wesseltoft build up a detailed and idiosyncratic work by the use of their constructive material. In parts quiet and open. In other parts chocked with information and intensity. Beautiful and fractured. Chaotic and meditative. Terreng is a highly dynamic blend of improvisation, and a narrowly constructed electro-acoustic narrative.
Balazs Pandi is a versatile drummer with an almost encyclopaedic level of experience ranging from improvised music and modern jazz, to metal, noise and experimental electronics. Here he at times performs the role of improvising drummer trading off the collaborator, and at other times creates an almost ritually constructed sense of rhythmic space perfectly embedded within the overall structure.
Jon Wesseltoft is a musician and composer with a long history of work within the often overlapping fields of improvisation, sound-art, noise and electro-acoustics. He has a longstanding interest in musical systems and its concepts of representation, and psycho-acoustics and the phenomenology of sound and its narrative power. He has explored this interest in various forms ranging from solo work to various collaborations and projects to larger ensemble work.