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An extended work from Antoine Beuger and Michael Pisaro, defined by six stanzas written by Beuger, Anna Swir, Mei-Mei Berssenbrugger and Edmond Jabes, a subtle cycle on love and permanency realized in tone and voice.
"The work begins in very un-Wandelweiser fashion, with a strong note played on, I think, a harpsichord (prepared spinet?), quite forthrightly. After several identical notes, a recording of an interior space enters and a surprising sequence of chords occurs, four of them, very romantic in nature. Four more follow, belying the first quartet, somewhat sour, then three more, ambiguously between the first two sets in feeling.
So begins "this place/is love" a kind of quiet epic (76 minutes in length) that, as with much or Pisaro's recent work, resists easy encapsulation or structural grasp. I say "Pisaro" as I have the impression that the more strictly musical elements of the piece strike me as stemming more from him than Beuger, where the latter contributed the words, both his own and those from other authors (Anna Swir, Mei-Mei Berssenbrugge and Edmond Jabès) and perhaps the overall idea as well, I'm not sure. Blindfolded, I would have pegged this as Pisaro. Whatever the case, the composition is very expansive, the structures large enough to make glimpsing them in their entirety a task that's often beyond me. I'm told that in the first half or more of the piece, the elements repeat twice (some I can hear, some escape me) in waves, while in the latter portion elements are subtracted out; this last is apparent as sounds become far sparser in closing 20-odd minutes."