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eliane radigue

Vice - Versa, Etc. (Lp)
€ 19.90
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eliane radigue - Vice - Versa, Etc. (Lp)
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Women in Electronic Music

eliane radigue

Vice - Versa, Etc. (Lp)

€ 19.90

LABEL: ALGA MARGHEN
GENRE: Electronic | FORMAT: LP | CATALOG N. plana-RH alga041 | YEAR. (2018)

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**2018 small repress, edition of 300 copies only**. Alga Marghen very proudly presents a remastered version of Vice-Versa, Etc..., an LP originally included in the first 400 copies of Eliane Radigue's Feedback Works 2LP. Vice-Versa, Etc... was originally a small handmade box, signed and numbered and released on the occasion of a show at Lara Vincy's gallery in 1970. The box contained a reel of magnetic tape and the instructions for use. It indicates that all playback speeds are possible, forward or backward, as well as any combination of two channels, on several recorders, ad libitum. This LP presents two versions done by Emmanuel Hoelterbach following the indications of Eliane Radigue to the letter, respecting her composition methods. There is no doubt that Eliane Radigue's vocabulary is based on observing and entering into dialog with the fundamental behavior of sounds: pulsing, beating, sustained, very light, a subtle and delicate evolution. When she moved from feedback sounds to the ARP synthesizer, she naturally continued the same music -- a continuity where the original use of feedback sounds stands out for its cruder and more savage inner character. One could say that somehow it's the very texture of the sounds, which leads the form of her compositions. At the same time, this approach favors an intense sensuality in the listening.


Notes   Tracklisting

Limited to 300 copies Realized at the composer's studio in Paris. Premiered in 1970 at Galerie Lara Vincy in Paris, on the occasion of a group exibition. A reel-to-reel tape was published as a multiple in an edition of 10 numbered and signed copies which sold at the gallery.

Vice - Versa, Etc. was a work originally conceived as a sound installation, using several reeal-to-reel tape players controlled through a mixing desk.
The tapes could be played at different speed, either forward or backward, right channel only, left channel only or simultaneously.
The audience could create their own mix.



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