Reissues
Taking Drugs To Make Music To Take Drugs To
In the swirl of kaleidoscopic recordings that is Spacemen 3's discography, Taking Drugs To Make Music To Take Drugs To occupies a pivotal position – one at the nexus between their garage beginnings and expansionist future. Spacemen 3 capture the inspired spark of mid-'80s psychedelia, offering a distinct variation on high pop through layered feedback, a formidable rhythm section and shining vocals. Taking Drugs features the legendary Northampton demos, which secured the band's first record deal …
Recurring
2022 Repress 1990's Recurring, the fourth and final studio album by Spacemen 3, is often considered the introduction of two brilliant solo projects (Spectrum and Spiritualized) rather than the work of a functioning band. While Spacemen 3's departing statement surely reveals a deep divide within the S3 camp -- each side of the LP was written by Sonic Boom and Jason Pierce separately and, unlike previous releases, the two do not play on each other's songs -- Recurring maintains a cohesive, dream…
Playing With Fire
Spacemen 3 began assembling their third album, 1988's Playing With Fire, at perhaps the freest, most confident point in their career. Recording began with the band road-tested and rugged, even amidst the functional volatility that famously motivated their course. The sessions' first offering came in the form of 'Revolution,' a single of heroic Stooges-devotion and the most commercially successful release the group had to date. High expectations for the album were soon exceeded, as Playing With …
Dreamweapon
"August 1988, Spacemen 3 embark on one of the strangest events in the band's already strange history. Billed as 'An Evening Of Contemporary Sitar Music' (although consciously omitting the sitar), the group would play in the foyer of Watermans Arts Centre in Brentford, Middlesex to a largely unsuspecting and unsympathetic audience waiting to take their seats for Wim Wenders' film Wings Of Desire. Spacemen 3's proceeding set, forty-five minutes of repetitive drone-like guitar riffs, could be seen …
Four Organs/Phase Patterns
** 2022 Repress ** Steve Reich remains one of the most important figures in 20th century music. Though he studied at the prestigious arts institutions Julliard and Mills College, by the mid-1960s Reich set about dismantling the very orthodoxy that he had been trained in. Forming a new musical language based on repetitive processes, Reich became established as part of the so-called "Big Four" of New York minimalists (along with La Monte Young, Terry Riley and Philip Glass). Reich's influence can …
Nation Time
2022 Repress. "Joe McPhee's solo album, Tenor literally changed my life. The recording (one of his first for Hat Hut, in September 1976) displayed his unique ability to integrate unconventional sounds and extended techniques with pure melodicism, and it permanently altered my perspective on what the saxophone could do and what music could be. Nation Time was recorded six years earlier, but ideas regarding the integration of means and methods were already at the forefront of McPhee's approach to …
Jackson C. Frank
2022 Repress Jackson C. Frank’s eponymous album is the embodiment of folk legend. Issued in late 1965 on the UK Columbia label, it was for many years more famous for its producer (Paul Simon) and the musicians who would go on to cover its songs (Nick Drake, Bert Jansch, Sandy Denny) than for the hauntingly beautiful music contained inside. Frank’s backstory certainly adds to the legacy: born in Buffalo, New York, he used the settlement from a childhood accident to sail to London where he quickly…
River of Revenge: Brazilian Country Music 1929-1961, Vol. 1
Tip! Death Is Not The End present the first volume in a survey of a form of Brazilian country music known as música caipira ("hillbilly music") - a stripped-back forerunner to música sertaneja, the Brazilian equivalent to US country & western which in it's contemporary form has come to dominate the domestic music industry in recent decades. This collection covers some of the earliest recordings made by the pioneering folklorist Cornélio Pires at the end of the 1920s, through to records from the…
Não Fale Com Paredes
Módulo 1000 were not messing around when they made 'Não Fale Com Paredes’. It holds its own, not just as a raw, heavy, experimental “Brazilian” psychedelic rock album, but as a raw, heavy, experimental psychedelic rock album, full-stop!
Against The Dark Trees Beyond
They were interesting times, the early eighties. Against a backdrop of cold war and economic crises, the DIY attitude of the earlier punk movement had spawned near countless new genres where artists and bands broke the three-chord guitar mould and experimented with new content matter, singular song structures and – in many cases – new instruments. Synthesizers became affordable and were no longer the sole privilege of rock millionaires. All around the globe, musical creativity boomed as never be…
Movietone
World Of Echo are proud to announce the long-awaited reissue, on 17th February, of the self-titled debut album by Bristol’s Movietone. Originally released in 1995 by Planet Records and reissued on CD in 2003 by The Pastels’ Geographic Music imprint, this is the first time Movietone has been reissued on vinyl.
Recordings 1987-1991, Vol. 1
Tip! **Repress. 300 copies limited edition** "Historically informed violin player, prize-winning street musician, new age experimentalist, chamber ensemble performer and conservatoire deviant. The career of Valentina Goncharova (b. Kyiv 1953) shares parallels with those associated with the broader new music movement of the 20th century and the dissemination of home recording technologies. Valentina’s was a youth spent immersed in the world of classical music study under soviet rule, first in Kyi…
Recordings 1987-1991 Vol. 2
Following the unpublished works of the Ukrainian/Estonian musician Valentina Goncharova, Volume 2 of Shukai’s archival project completes Shukai’s dive into the sound world of an important yet overlooked artist working within Soviet era electroacoustics.
Sleep Patterns of The Discontent
*50 copies limited edition. In process of stocking* One can be a discontent – that is, an insurgent or a revolutionary – but there is also that more literal, personal meaning of the word which may be in most cases equally applicable to those to which we refer here and, in either case, there is a sort of disruption implicit, as in a hypnopompic state.» A non–linear mix by Michael Anderson / Drekka, with portrait interludes by Mark Trecka. Performed and mixed live 21 October 2015 at The Artifex Gu…
Prairie Spells, A Ribbon Wove
*50 copies limited edition. In process of stocking* Originally released as a double cassette boxset in March 2021, reissued as a single cassette. A long distance, cross continental collaboration between Lightning White Bison (Adam Parks of Timber Rattle) and Drekka, recorded 2018 - 2020. "Prairie spells, a ribbon wove" is the outcome of a long-distance collaboration. The four 11-minute tracks are a sonic document of the exploration and reconciliation of geographic disparity, the distance betwee…
Songs of Reunion
*50 copies limited edition. In process of stocking* "Drekka’s contribution, "Songs of Reunion" is comprised of two 18-minute sound palindromes sourced from Anderson’s archive of ensemble recordings made in the early 2000s. Anderson says that these sound pieces are an expression of his “love for drone and gathering together players to meditate on one idea for extended durations of time.” These pieces are meditations on recurrence and thought as sound. It is a sonic wax and wane, an endless, minut…
Ancestral Cave Sequence
*50 copies limited edition. In process of stocking* This album was originally released on Digitalis Industries as a beautiful cassette in an edition of 80 copies, in November 2009. It is a collection of live recordings made at the opening of a sculpture/film installation by my friend Andrew Perry Davis, entitled 'Clan of the Cave Mouse' . Accompanying the sculptures was a 12 minute film by Andrew and Nathan Vollmar and for the opening reception, Drekka performed a series of 12 evolving soundtrac…
If I Don't Let Myself Be Happy Now Then When?
*300 copies limited edition* Forged alone in a cave on the island of Java, and recorded in a fortress in Poland, Antonina Nowacka’s “Lamunan” is an intimate exploration of a mysterious darkness and the earliest of musical forms. Nowacka has co-created raw electronics and audiovisuals as half of WIDT and the enigmatic Mentos Gulgendo, but her solo practice focuses solely on the voice’s inherent connection to mental states, its ability to speak wordlessly, and the apparatus of speech itself – lead…
Lamunan
*300 copies limited edition* Forged alone in a cave on the island of Java, and recorded in a fortress in Poland, Antonina Nowacka’s “Lamunan” is an intimate exploration of a mysterious darkness and the earliest of musical forms. Nowacka has co-created raw electronics and audiovisuals as half of WIDT and the enigmatic Mentos Gulgendo, but her solo practice focuses solely on the voice’s inherent connection to mental states, its ability to speak wordlessly, and the apparatus of speech itself – lead…
Ouba
*2022 stock* Canadian rarity from 1968, recorded under the influence of hallucinogenic substances by a bunch of underground musicians: Michel Pagliaro, Tony Roman, Denis Lepage and Andy Shorter. The album consists of just one long freak-out jam divided in two sides: raw basement sound, acid guitar, stoned vocals, keyboards and loud drums, similar to early Soft Machine, Pink Floyd at their most free-form phase, or Can. Newly-remastered sound, insert with photos and liner notes.