We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Looong weekend sale 🎃 Special 10% discount on all in stock items until Sunday at midnight!

Circum-Disc

L’humeur Des Non Jours
Falter Bramnk, Philippe Lenglet (members of the Muzzix collective), and Samuel Bodart (Numero h.) have known each other for a long time, often crossing paths in various and diverse ensembles (always working with improvisation), but until now, never as a trio! A few years ago, they came together, and after a few concerts, they felt the desire to further develop their work and record it. For this project, they decided to blend plucked/struck strings (acoustic guitar surrounded and enhanced with a …
The Book of Pig
The Franco-Czech duo Kesherul Neg Pineg casts a spell on ritual reductionism, offering unsettling, even gloomy, psychedelic grooves. Frenzied attacks, atmospheric soundscapes, the music remains unpredictable but full of abundant energy and unexpected turns. The two musicians bewilder the senses, creating illusions and deceptions, diverting their instruments, extended trumpet, dizzying analog synthesis, prepared percussion… These two activists of improvised and experimental music met in Prague in…
Psychedelic Jelly
Toc loves encounters and saxophonists. Alongside saxophonist Paulina Owczarek, the trio crafts a music composed of desynchronized layers, a mille-feuille of raw energy where rhythms are both suggested and suggestive. By exploring autonomous temporalities, the musicians naturally converge, with the saxophone finding its place seamlessly within Toc’s improvised kraut maelstrom, where one might even glimpse a few psychedelic jellyfish, a flapjack octopus, or a harp sponge. Regularly crossing paths …
Hoo-Ha
Extraordinary, free, and expressive, the trio woo (Wodrascka Owczarek Orins) is the result of the moment and fortunate encounters. Paulina Owczarek and Peter Orins have been playing together for a few years, meeting in Berlin in Satoko Fujii’s orchestra, then venturing into a duo, producing music of subtle gestures, barely perceptible movements, but also of raw and liberated energy. Christine Wodrascka meets Peter Orins within the Franco-American ensemble Sangliers, with Dave Rempis, Keefe Jacks…
The Theory of Constraints
The Theory of Constraints (TOC) is a framework of interdisciplinary knowledge, methods, and management tools for organizations. It starts from the premise that imbalance is inevitable but also desirable. The flow management method of the Theory of Constraints, called Drum – Buffer – Rope, involves pacing the release of manufacturing orders to the pace of the bottleneck to avoid excess work in progress and reduce cycle times, while ensuring that parts arrive sufficiently early to never stop the s…
Hotel Spoj​á​r
The Czech and Slovak experimental/improv scene is currently experiencing a thriving renaissance. Numerous collectives, groups, and bands are emerging, and venues across both neighboring countries are eagerly hosting their live performances. Among these ensembles is Škvíry & Spoje, a CZ/SK quartet that has been an integral part of this enchanting music environment for the past ten years. Their first physical release, "Hotel Spojár," serves as a double vinyl celebration of their anniversary, featu…
Dead Dead Gang
Dead Dead Gang is a musical piece composed by drummer Peter Orins, inspired by the 2016 novel Jerusalem by British writer Alan Moore. The music is forged during a residency in 2022 with the Muzzix collective at La Malterie in Lille, and is nourished by the proposals and initiatives of Barbara Dang (piano), Maryline Pruvost (voice and Indian harmonium) and Gordon Pym (electronics and amplified objects).A true world-story, disproportionate and monumental in size and time, Alan Moore’s novel is an …
Did It Again
Toc Did It Again, and uses the celebration of fifteen years of sonic ebullition to add a tenth stone to its discographic edifice, a quadruple live album majestically underlined by the fineness of the line of the drawer Jérôme Minard and by the verb of the journalist Petr Slabý. The trio lives only by the confrontation with its public. After almost two years without being able to hit the road, the musicians are finally leaving in October 2020 for Central Europe for a dozen concerts that are wild …
Fu-rin-ka-zan
Furinkazan* ” Wind, forest, fire and mountain “, is a suite of pieces constituting in music a travel diary in Japan. The orchestration of this trio gives it an identity between jazz trio and percussion trio. The music, composed by Ludovic Montet, alternates between very written themes and large improvisation areas. It is meant to be evocative of this fascinating island that is Japan, where a great mystical breath and a striking modernity are mixed. The three musicians of this trio have used thei…
Sources
This almost acoustic duet is the result of instrumental introspection on both sides, over the long term, so that one day the encounter will happen. These two figures of improvised music, with contrasting backgrounds but common values, explore together the sound matter, and reveal the surprising complementarity of their playgrounds. Sakina Abdou and Raymond Boni give us to hear the spontaneity of a game cultivated with as much seriousness as casualness, in which the incarnation prevails to any fo…
Points Sans Surface
Points sans surface is a composition by Jean-Luc Guionnet for the Un Ensemble, a large ensemble created in 2012 under the direction of David Chiesa. The piece includes a sound system for 25 musicians and 8 speakers. It is also a visual experience generated by light. The general device consists of an acoustic and electroacoustic spatialization of sound. The audience is surrounded by musicians and speakers. Each instrumentalist is picked up by a microphone connected to a mixing console offering th…
Glassical Music
The project “Glassical Music” is born from an astonishing hearing sensation, barely perceptible, coming from returned glasses rinsed with hot water. The resulting phenomenon of condensation reveals, between water, air and glass, the presence of specific timbric textures and continuous rhythmic patterns, quite different according to the choice of containers (glasses, bottles, and by extension of the materials: plastic or metal). Glass and water vapour are thus the only sound materials used, and l…
Plugged Inclinations
“I work since 1993 to an experimental approach of the church organ (Pentes, Tirets) : 1) we control a machine 2) the organ is halfway between vehicle and artificial intelligence : it is a public transport : a ship, a barque, a boat, a building within a building 3) passing the machinery to the filter of listening, gesture and architecture 4) bringing the blast into the space : ventilate 5) make this organ sound not like this other one 6) express the organ as one says about lemon.The blast is endl…
Empty orchestras
Peter Orins project could be called an accompanied solo. The drummer has designed an electronic device autonomous enough to influence him in his play in an almost unpredictable way. Therefore a kind of dialogue is established between the musician and the electronics where the usual roles are reversed: the drummer offers an insistent and repetitive form, transformations and random treatments performed live cause the disorder conducive to improvisation. Magnified timbres or on the contrary disturb…
1