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ECM Records

Silent, Listening
Silent, Listening is a major addition to ECM’s distinguished line of solo piano recordings, featuring one of the outstanding improvising pianists and jazz masters of our time: Fred Hersch. The album features seven original creations and a handful of well-chosen standards, including Billy Strayhorn’s “Star-Crossed Lovers”, Sigmund Romberg’s “Softly, As In A Morning Sunrise”, Alec Wilder’s “Winter Of My Discontent” and Russ Freeman’s “The Wind”, all played with the focus, sensitivity and gracefuln…
Gateway
With “daring and visionary spirit”, to quote a Downbeat review from the year of this album’s release, master improvisers John Abercrombie, Dave Holland and Jack DeJohnette forged a unique vision of trio interplay on their first joint effort under the Gateway moniker. The trio tackles Dave Holland and Jack DeJohnette originals with a visionary idea of what three-way conversations in jazz could sound like. As The Observer remarked in an article of the time, “the telepathic ensemble playing and per…
Angel Song
“Destined to go down in history as a jazz classic” was the verdict with which The Guardian greeted this album on its release in 1997, saying, “Wheeler’s compositions and four of the world’s greatest improvisers make for a tranquil set that rewards with every listening. This is beautiful, golden music.” Angel Song is among the apexes of the label’s catalogue, uniting four master-improvisers – each with a unique artistic identity – in an intimate, drummer-less quartet session. Kenny Wheeler is the…
A Passion For John Donne
*2024 stock* Ketil Bjørnstad’s passion for the English metaphysical poet John Donne (1572-1631) is a lifelong affair. His settings of Donne’s verse have led to recordings including The Shadow, Grace and the ECM album The Light. “After working with the texts of John Donne for more than twenty years, I still find new approaches to understanding what he wrote and I find music throughout. It is in the language, in the rhythm, in the silence between the sentences – a passionate quest for meaning and …
Lebroba
Andrew Cyrille’s title Lebroba is a contraction of Leland, Brooklyn and Baltimore, birthplaces of the protagonists of an album bringing together three of creative music’s independent thinkers.  Each of them made his first ECM appearance long ago: drummer Andrew Cyrille on Marion Brown’s Afternoon of a Georgia Faun (1970), trumpeter Wadada Leo Smith on his own classic Divine Love (1978), and guitarist Bill Frisell on Eberhard Weber’s Fluid Rustle (1979); these are, of course, players of enduring …
What Comes After
2024 stock. What Comes After introduced a new alliance with American bassist Barre Phillips whose freely creative arco playing is often the second lead voice (two of the compositions are also Barre’s). The unorthodox line-up includes contributions from powerhouse bass guitarist Sveinung Hovensjø, an important collaborator throughout the 70s (in the Odyssey band and other ensembles), and from classical oboist Erik Niord Larsen. Rypdal, Phillips and Christensen periodically played completely impro…
Azimuth
Recorded in 1977 and now reissued in ECM’s audiophile Luminessence vinyl series, the debut album of the Azimuth trio was truly ahead of its time. Formed by adding Canadian-born trumpeter Kenny Wheeler to the British duo of pianist John Taylor and vocalist Norma Winstone, the group’s futuristic musical palette embraced hypnotic, minimalistic pulse patterns, otherworldly synthesizer sounds, songs, collective improvisation and solo flights. In recent seasons, the number of listeners under Azimuth’s…
Strands (Live At The Danish Radio Concert Hall)
"When we walked out on stage it felt like a homecoming,” says Jakob Bro of this texturally spacious and emotionally charged live recording from Copenhagen, on which three of the defining protagonists of improvisation in Denmark, leading musicians from three generations of Danish jazz, come together. The concert, in February 2023, was particularly poignant since it marked a return to performance for trumpeter Palle Mikkelborg, who delivers some of his most thoughtful playing here. Repertoire, dra…
Afric Pepperbird
Recorded in Oslo in September 1970, Afric Pepperbird was released on New Year’s Day in 1971. Half a century later, it still conveys the freshness and excitement of discoveries being made. The album signalled the arrival of four Norwegian improvisers – Jan Garbarek, Terje Rypdal, Arild Andersen and Jon Christensen – at the fledgling ECM label. It was the start of a lifelong association with each of the musicians, whose influence was soon to reach far beyond the borders of their homeland. In exten…
Luminessence
Mysterious, dramatic and alluring, Luminessence comes from a peak period in the creative association between Keith Jarrett and Jan Garbarek, recorded in 1974, immediately after their vibrant Belonging album. Here, Jarrett creates shimmering orchestral frameworks to spur Garbarek to some of his most concentrated, impassioned and expressive playing. “The melodies that Jarrett writes sound like Garbarek improvisations, so great is the rapport between the two men,” wrote Ian Carr in his  Keith Jarre…
Nouvelle Vague
This is the complete soundtrack – music, dialogue, sounds – of Jean-Luc Godard’s Nouvelle Vague, premiered at the Cannes Film Festival in 1990. "In making this film," Godard said at a press conference later that year, "I heard a great deal of music; music produced by Manfred Eicher. I can well imagine how musicians are inspired and influenced by these sounds. And I too have immersed myself in this music, and I have felt,in my work, like a musician." Interviewed at the Toronto Film Festival of 19…
Songs Of Ascension
“Songs of Ascension” is a major new recording from composer Meredith Monk and her vocal ensemble. Written in 2008, it is conceived as a continuous composition, a departure from Monk’s earlier collaged or episodic extended works. In recent years Meredith Monk’s been expanding into the worlds of orchestra and string quartet. On “Songs of Ascension” she teams up with a string quartet of New York players well versed in new music. With winds, percussion and two vocal groups added to her already extra…
Book Of Days
Meredith Monk is generally described as an avant-garde artist of many talents. Of her many talents there is no question, but what exactly makes her “avant-garde”? The Random House Dictionary defines the term as meaning “of or pertaining to the experimental treatment of artistic, musical, or literary material.” This raises another question: What does it mean to be experimental? The same dictionary gives us: “founded on…an act or operation for the purpose of discovering something unknown or of tes…
Words Unspoken
The album title – Words Unspoken – alludes to the instant musical understanding found by the members of this nimble quartet assembled by great British reedman John Surman. „My idea was to put together some musical ideas that would offer a collective sense of purpose but still be open enough to allow each of us to suggest other ways of developing the material together. Everything fell into place immediately. But I soon realized it wasn‘t so much the musical ideas that made it work, it was the mus…
Road To Saint Ives
*2024 stock. Deluxe packaging* "A gentle, introspective, yet adventurous solo work... The entire album is a one-man effort, from the composition to all of the instrumentation, with Surman building strata of sound over keyboard and percussion structures using bass clarinet and the soprano and bass saxophones he is known for. The resulting work communicates a unique vision and mood, unsullied by the conflicting interpretations of other performers." - Stacia Proefrock
Miserere
*2024 stock. Deluxe packaging* For reasons perhaps too numerous to list here in full, Arvo Pärt’s Miserere remains my most cherished of the Estonian composer’s ever-growing book of masterworks. Suffice it to say that its magic lies in its stillness. For such an expansive piece—scored as it is for choir, soloists, organ, and ensemble—it is remarkably introspective. Its opening invocation of Psalm 51 fleshes out a corpus of spoken language made melody. A statement from the clarinet follows every w…
Te Deum
*2024 stock. Deluxe packaging* "Te Deum employs Pärt's signature tintinnabuli compositional style. Tintinnabuli is often described as a minimalistic compositional technique, as its harmonic logic departs from that of the tonal tradition of Western classical music, creating its own distinct harmonic system. Tintinnabulation is a process in which a chosen triad encircles a melody, manifesting itself in specific positions in relation to the melody according to a predetermined scheme of adjacency. I…
Litany
*2024 stock. Deluxe packaging* The starting point for Litany was a commission received from the Oregon Bach Festival in Eugene, US. For this reason, Pärt selected an English text as the basis for his composition. Arvo Pärt: “The English language lacks plasticity which is brought to music with long words. Working with a text in English, I had to make new discoveries and use melodic constructions that I normally don’t use in my music, to extract material from words and sentences. The text for Lita…
A Hilliard Songbook - New Music For Voices
*2024 stock. Deluxe packaging* Although by now almost habitually referred to as Britain’s foremost early music vocal group, the Hilliard Ensemble (founded 1974) has long had an equal, and complementary, commitment to contemporary music. Its members have sought out new music that adapts itself to the group’s blend of voices and, where necessary, commissioned works from composers they admire. In their recitals, century-spanning leaps – from John Cage, say, to Josquin Deprez (or vice versa), from P…
Alina
*2024 stock. Deluxe packaging* There have been other recordings of "Für Alina" and "Spiegel im Spiegel" but none like those on this disc, realized with the participation of the composer. Here Pärt, aided by exceptional interpreters, revisits those seminally important compositions which marked the birth of a new, "prismatic" period in his work, establishing a link between compositions embodying the fundamental traits of the "tintinnabuli style." Three interpretations of the duet ‘Spiegel im Spieg…
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