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Relaxer follows up the eerie, floating vistas of 2022's "Force Field: A Guide for the Perplexed" with the mercurial, poetic descent "In Softening Air.” Combining spoken word with spacious, enveloping sound design, this album spelunks into moist, mossy, fleshy crevices of the psyche. We cannot help but to meet ourselves in dreams. Sorrows & lamentations, shit talking, punk rock, apps, phlegm, studies in depth psychology, rat piss - it's all here, presented in a gentle, loving tableau, and recited…
*2024 stock* Is there ever a final version of anything? By recombining the aliquot of an album does something new appear? Rather than simply asking questions The Mistys went in search of answers. Using only the master tapes of the ‘Detached Engagement’ album as source material The Mistys sliced, chopped, screwed, looped, effected and a whole host of other audio alchemy to create the ‘Detached Arrangement’ mixtape. The original album’s beats have been dropped allowing the hidden elements to rise …
Trio with Daunik Lazro on tenor sax, Benjamin Duboc on bass and Mathieu Bec on drums. The album is entitled Standards Combustion, 9 tracks, mostly jazz standards, 2 Ayler compositions, 2 by Coltrane, 1 by Lacy and 1 by Shorter…
Recorded at Les Instants Chavirés, Montreuil, France on November 17 and 18, 2022.
It’s Monk’s Time is probably the most appropriate title for a Thelonious Monk album. The fact that he was on the cover of Time Magazine in February of that year (1964) shows how important the jazz composer and pianist was. It is also an essential part of his discography with the impressive jazz classic “Stuffy Turkey” and the amazing interpretation of “Nice Work If You Can Get It”, originally composed by George Gershwin. Monk recorded the album together with Butch Warren, Ben Riley, Charlie Rous…
*100 copies limited edition* Melbourne/Naarm-based musician and curator Rama Parwata, known for being the backbone drummer in bands such as Kilat, Whitehorse and Rinuwat, releases his second major solo album titled ‘Ceases’ on Cassauna/Important Records. Parwata's gripping new electro-acoustic work is a sonic exploration within the realms of post-free-jazz and experimental electronics. At its core, ‘Ceases’ navigates the liminal spaces between rhythm and noise, structure and chaos. The album tra…
NM is thrilled to present the new album from Mulubinba/Newcastle's J. Campbell. 'Erosion Of Memory' is profound innervision - a dramatic sandstorm through near-beatless landscapes, mapping Campbell's intrinsic understanding of family, familiarity and the firmament surrounding him. Whilst welcomed with swells of distant sawmills, sub-bass and tree hollow synth pads on the titular opening track, Campbell bookends a variety of instrumentation with the blustering tonal constellations and cadenced pe…
After achieving some decent notoriety, and not only in Italy, as an electro-pop duo (thanks mainly to the single 'Short Wave, a small 'classic' in the early years of that decade), between January 1982 and March 1983 Ruins morphed into a new five members line-up. With this fresh option, Ruins restructured the previous repertoire and produced entirely new material. The original 4 track recording had remained largely unpublished at the time and seemed irretrievably lost. However, thanks to persist…
*2024 repress* One album into their career in 1969, Mutantes showed few signs of musical burnout after turning in one of the oddest LPs released in the '60s. Similar to its predecessor, Mutantes relies on an atmosphere of experimentation and continual musical collisions, walking a fine line between innovation and pointless genre exercises. The lead track ("Dom Quixote") has the same focus on stylistic cut-and-paste as their debut LP's first track ("Panis et Circenses"). Among the band's musical …
*2024 stock* "Between 1968 and 1970, the P.E. Hewitt Jazz Ensemble recorded three LPs. Self-released at the time in small runs (50 to 100) by teenaged bandleader, composer, pianist, and vibraphonist Phil Hewitt, they documented an enthralling and energetic — and somewhat outsider — vision rooted in post-bop modal jazz. Based in the San Francisco Bay Area, Hewitt was 16 when he made the first record. He was already a pilot and was also pursuing studies in the field of music as a healing agent. Al…
The renowned and widely acclaimed music label Intuition, well known since the 1980s, is proud to announce the release of its most important and successful back-catalogue titles on vinyl under the name 'Intuition Master Series'. The American trumpeter and multi-instrumentalist Jon Hassell (March 22, 1937-June 26, 2021) was an international legend despite never having managed a popular breakthrough. Hassell was a musical visionary and pioneer, one who was inspired by ambient sounds and new music. …
*2024 stock* A truly astounding piece of work that towers on its own in the history Krautrock and Kosmische, reissue of Between's 1972 masterstroke, "And the Waters Opened", levels the playing-field and melts the mind with its sounds. First released in Vertigo in 1972 and often regarded as Between's most exotic and beautiful opus, it is a huge droning masterpiece with oriental nuances that might recall Popol Vuh, Fripp and Eno or Taj Mahal Travellers. A classic album from the early German 1970s …
*2024 stock* Released in 1976, Eternity was Alice Coltrane's first album for Warner Bros. after eight wondrous records on Impulse! Combining the drones and textures of India, the gospel and R&B of her Detroit youth and the dissonance of modern classical composition, Coltrane's music in the '70s would become increasingly difficult to categorize. Having moved a few years earlier to California (where she founded the Vedantic Center, an Ashram for spiritual studies), Coltrane stretches out on Eterni…
*2024 stock* This recording was made on the day of the fortieth anniversary of saxophonist Mario Schiano's first jazz concert. He is joined by longtime collaborators, trombonist Giancarlo Schiaffini and bassist Bruno Tommaso, all of whom engage in nine free excursions of the highest order. Schiano sounds as fresh as ever, his revolutionary fervor never diminishing. Performing on both soprano and alto saxophones, his bittersweet tone and focused flights of fancy mesh brilliantly with Schiaffini's…
*2024 stock* This concert was recorded live on November 29th, 1975, during "New Trends in Italian Jazz", a series of concerts held at the State University, Milan, and has never been released before.
*2024 stock* “‘Blanton Ravine’ begins with the metallic debris of a noisy sound collage work before slowly ascending into a songform that pulls in rhythmic edits, soulful vocals, and horn arrangements. This happens throughout the first album by Public Speaking, the project of Brooklyn artist Jason Anthony Harris, but it gets no less thrilling as the record eventually runs past the hour mark… That this is Harris’ debut full-length is most surprising: he crafts coherent songs out of abstract proce…
**7-Color heavy "tip-on" jacket w/ textured paper and fold-out poster insert. ** 75 Dollar Bill, a project by Che Chen and Rick Brown present Wood/Metal/Plastic/Pattern/Rhythm/Rock. "Che's interest in the Arabic modes of Mauritanian music has marked our sound quite a bit but I have brought some things, too. The plywood crate I play is a big factor, defining, by its positive qualities (a nice warm 'boom' sound) as well as by its simplicity, what we're likely to do in the percussion realm. Wood/Me…
On the evening of July 13th, 2023, I trekked up to Arnold Hall for a very special performance at The Stone. I sat in the front row and took out my notebook then turned to my right and looked around the space. The dimly lit room buzzed with quiet activity and conversation. After a few more minutes, the lights went even lower and out walked three shadowy figures. Each clicked on a small bulb that lit their individual music stands. This was my third time seeing the Jessica Pavone String Ensemble. T…
A long-lost Japanese acid folk gem, Niningashi’s 1974 private press debut Heavy Way shimmers with originality, deft song writing and a dream-like groove.
lll人 = Daichi Yoshikawa + Paul Abbott + Seymour Wright. lll人 came from London in 2012, and played there, and internationally: Berlin, Bratislava, Budapest, Dala Floda, Glasgow, Hong Kong, Ljublana, Paris, and Tokyo. With lll人 the tools are familiar, the listening is not. VICTOR is a 2-CD for lll人's friend Victor Schonfield (1940-2022).