New Arrivals
Reality
Obscure prog rockers Second Hand began as the Next Collection, formed at a south London secondary school; engineer/manager Vic Keary scored them a contract with Polydor as the Moving Finger, but their legendary debut LP was credited to Second Hand, due to a rival Moving Finger. Channelling psych and spacey acid hues, there is blues-rock underpinning Bob Gibbons’ guitar and keyboardist Ken Elliott helps aim the sound towards deep space; this edition features rare tracks ‘James in the Basement’ an…
'83 & Extra Studio Works
*In process of stocking. 300 copies limited edition* After a first reissue, which seduced music lovers nearly 40 years after the group's disbanding, Le Backstore and On The Roof have repressed the works of IKO as a double vinyl set. »'83 & Extra Studio Works« includes the entirety of the »'83« album, plus four tracks recorded after its original release. The additional pieces reveal an outfit that pushes its own limits, gaining in intensity while straying away from the more abrasive sound of the …
I II III IIII
*In process of stocking. 200 copies limiteed edition* The four pieces on this CD were written during travels, moving between places or being on the move. The first rough sketches have been developed further in different situations until they reached the final shape that can be heard on the album. These formations came about after many mood swings and rethinkings. Sometimes, the way to the final results was long, depending o the mood in the very moment, while working on the music. The manifestati…
We Buy Records
We Buy Records is a podcast dedicated to vinyl record collecting (and sometimes selling). From cleaning tips to city buying reports interspersed with new vinyl reviews and vinyl stupidity, plus interviews with musicians and collectors from around the world. If you're a crate-digger, this is the show for you.... Tim runs a record shop with his partner in East Sussex. When not hunting for records he enjoys composing melancholy electronic music and watching reviews of obsolete technology on the int…
Vertical (2011/2021)
*In process of stocking. 50 copies limiteed edition* "Ten years of music, almost always published on the net. Transformation is what I can think of to write. Even the rock is mutable. We carry in our bodies the traumas, the suffering. Then there's the rest. Vertical is the ascent to the heavens, and more, as I read somewhere, what cannot be said is consigned to silence." - João Alegria
A work of anthological nature around the admirable work of João Alegria - guitar player almost always in the sh…
Love Is Fine
*In process of stocking* This record is dedicated to Mark Hollis. It was thought for a long time and realized in four days of April in Quarto Escuro, in Porto. Everything at the first take, recorded with a lot of love and an unbelievable group of people. It was supposed to be ambient, but it ended up being free. The name is stolen from "Come Mellow, Love is Fine", a beautiful twistedfreak loop.
Composed and produced by Sal Grosso. Performed by Sal Grosso (electronics, percussions and harmonica),…
Peak Bleak
*In process of stocking. 50 copies limiteed edition* Accidentally intended as the soundtrack to the digital post-apocalypse. All frequencies added together at once are heard, producing a noise which is to sound what white light is to light.‥ This is the komische that 2019 deserves. Composed, recorded, produced and mixed by Aires & Sal Grosso July 2019 @ Desterro, Lisbon
Music For Listening
*In process of stocking* Music For Listening, the sophomore album by Michael Scott Dawson. The album is comprised of twelve ambient works for guitar. It follows his 2020 debut Nowhere, Middle Of which was built around generative synths. Not wanting to repeat himself, Dawson entirely abandoned the synthesizer, his primary instrument, on Music For Listening. The resulting guitar pieces lean heavily on tape loops and manipulations, and are accompanied by field recordings and spare piano elements. T…
Tshona!
*In process of stocking* As a member of the all-star Jazz Epistles in the late 1950s, saxophonist Kippie Moeketsi (also spelled Moketsi during his tenure with the As-Shams record label in the 1970s) was one of the pioneering forces of modern South African jazz. While Jazz Epistles bandmates Hugh Masekela and Abdullah Ibrahim would go on to build their careers in the United States in the 1970s, it was at home in South Africa that Moeketsi would leave his mark on the domestic jazz discography. Fro…
Alleycat
Definitely one of Nucleus' lesser known albums, Alleycat nonetheless maintains the exceptionally high standards that Ian Carr & Nucleus had set for themselves over the course of numerous albums before this one. It's true that there's little here which is a departure from any of their previous releases, but with a quality of of both songwriting and playing this high, who could blame them? Once again we have fast, intricate, melodic jazz-rock fusion, with moments of high energy interspersed with s…
Under The Sun
Under The Sun is the follow-up to the astonishing Roots and contains yet more absolutely essential Nucleus material. Originally released on Vertigo in 1974, Under The Sun was never re-pressed and of course those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this re-issue, shows off just why this deserves to be back in press. The bleak, rain-dappled cover matches the melancholic vibe of the record and has been restored as the finishing…
Orbit of Sound
“Orbit of Sound” is the new release from composer/double bassist Max Johnson’s newest trio, with Anna Webber on tenor saxophone/flute, and Michael Sarin on drumset. Formed in 2018, the trio traverses tightly knit composed music and patient, sprawling improvised textures, highlighting all three individual voices as improvisers. The trio completed their inaugural tour of Europe in February & March, having to cancel their final concert and subsequent recording due to the pandemic, delaying the reco…
Emergence
The music on this album was not preconceived or premeditated in any way whatsoever. The ensemble's method of collaboration has been to begin playing without any discussion of what is to be played or how the music should be approached. The group was formed after a number of informal, but fruitful sessions. It was unanimous among the group that the musical chemistry and dynamic we shared was fertile enough to merit further exploration. « We went into the recording studio after several years of enj…
Elevated Vegetation
'Well here is Max Johnson's picture, his snapshot of three men in a room making music, and as with any great composed shot, here would be his law of thirds for creating a great image.
First Law: Max Johnson (bass) has the ability to search out the best musicians to suit his current project. Ziv Ravitz (drums), drawing from his Israeli roots, contributes not only a solid and earthy foundation for the others to play over but also provides just enough world music flavor without making it old or tir…
The Invisible Trio
'The musical lineage within the small circle of bassist Max Johnson's trio is unquestionably among the finest in cutting-edge jazz. The leader has played with bassist William Parker, alto legend Anthony Braxton, trombonist Steve Swell and drummer Tyshawn Sorey. In the case of Johnson's current trio, his drummer, Ziv Ravitz, is also a member of the Lee Konitz Quartet and has performed with Joe Lovano, Tomasz Stanko, Aaron Parks and many others. Kirk Knuffke ranks as an equal to Rob Mazurek and Ta…
Unfolding to Be You
*In process of stocking* 15 self-portraits by Sebi Tramontana. The shortest is about 30 seconds and the longest is almost nine minutes.In these fifteen pieces the trombone is explored in multiple directions. There are techniques dear to the world of European improvised music as well as echoes of Duke Ellington's trombone masters, Italian accounting as well as the pure sound of the air. Tramontana is a northern wind but Tramontana comes from the south, they have met and through a tube they take u…
Songs and Poems
*In process of stocking* Songs and Poems is a project born from the necessity to explore, in a chamber dimension, the possibilities of the sound of the word. The quartet joins Blend 3 - the trio of Andrea Grossi with Manuel Caliumi and Michele Bonifati - to the voice of Beatrice Arrigoni and finds its personal dimension within a sound world generated by the fusion of 20th century European traditions, starting from improvised music and European jazz, passing through contemporary music until arriv…
Greenpeace
*In process of stocking* In 1997 and 1998, the late great Japanese composer, producer, and DJ Susumu Yokota released two of the most eclectic albums of his decades-long career, Fruits of The Room and Greenpeace. Recorded under his Stevia alias for Tokyo Techno pioneer DJ Miku’s Newstage Records/NS-COM, they were Yokota-san’s homage to the foundational days of club music in Japan.
This year, Glossy Mistakes are proud to present the first official vinyl editions of Fruits of The Room and Greenpeac…
Fuchs
Fuchs is a band that never was. It vanished as quickly as it appeared in the picture, much like the animal that can be seen on this album and after whom it was named. In 2005, Kante singer and guitarist Peter Thiessen travelled to Weilheim to visit Markus and Micha Acher in their studio, where they were joined, among others, by Notwist-affiliated musicians like Cico Beck, Robert Klinger, Carl Oesterhelt and Stefan Schreiber. Spirits were high, but schedules were full: after a week of improvised …
Hamburg 1968
*All tracks previously unreleased. Stereophonic sound. In process of stocking* Composer/bassist, Graham Collier’s career was littered with “firsts” – Britain’s first jazz graduate, first jazz musician to be awarded an Arts Council grant, founder of the first full-time jazz degree in the UK. More to the point for our purposes here, he was the first British musician to perform his own music at the Hamburg Jazz Workshop. Collier opened doors to opportunities for himself and other British musicians …