Musica Automata
From the composer, Leonardo Barbadoro, comes “Musica Automata”, an engrossing foray into the expressive possibilities of electronics and robotics implemented by an acoustic instrumentation, culminating as a genre-blurring excursion into the outer reaches of experimentalism. Created with entirely digital source material, rendered by the Gent based Logos association's orchestra of automated, robotic instruments - percussion, woodwind, brass, organ, and numerous unconventional instruments - this st…
Naturspil, Automatmusik, Syngeskål
New tape from Michael Mørkholt, made during his winter residency at Polychrome. "Naturspil, Automatmusik, Syngeskål". The pieces are performed on an acoustic singing bowl and a self-invented digital system, an electroacoustic composition principle for triads and rhythm in pure atmosphere. The principle is that the tonal relationships are mirrored in the rhythmic. A computer program with an amplitude-controlled trigger records a sound clip each time the singing bowl is struck. The sound clip is d…
The Works for Piano 11: Cheap Imitation
All of these works by Cage are influenced by Satie. Cage’s friend and colleague Morton Feldman made an arrangement of Cage’s solo piano “Cheap Imitation” for a trio of piano, flutes/piccolo and glockenspiel. Feldman’s admiration for the pianist Aki Takahashi caused him to gift this arrangement to her. And, full circle, we have the repertoire of this album. The major discovery is Feldman’s arrangement of Cheap Imitation for this very Feldmanesque instrumental ensemble. It is unknown why Feldman …
6 Chords
Guitarist Cristián Alvear was born in 1979 and lives in Santiago, Chile. Active on the international contemporary/experimental music scene, he has since 2010 released numerous recordings on labels in various countries. Musician and programmer Klaus Filip was born in 1963 and resides in Vienna, Austria. ppooll, the software he developed, is used regularly by many improvisers, including Filip himself.
This album is comprised of a single track of 40 min., 58 sec., divided into six parts. Klaus Fili…
The Works for Piano 10
"The Solo for Piano is part of the legendary Concert for Piano and Orchestra. It is an indeterminate work, consisting of 63 pages made of 84 different types of composition, each appearing as its own type of notation. The performer creates his own performance by choosing which pages to play and in which order; pages can also be omitted. John Cage began by choosing, using chance operations, a way of composing based on either his Music for Piano series – single notes, or on Winter Music – chords, o…
Darkroom
Tiny space... dimmed lights... little steps... circling... like abstract curving lines... round and round... repeat... Composition by Slobodan Kajkut. Personnel: Dejan Trkulja - clarinet; Christian Pollheimer - vibraphone; Slobodan Kajkut - sampler, programming.
H1KhH2WM (Du Seuil), a Five-letter Sufi Word
The third chapter in the Sufi Word's series. Jean-Luc Fafchamps
on the release: "The Sufi Letters is a vast project of 28 compositions
(for the 28 letters of the Arabic alphabet) undertaken in 2000 and still
ongoing. I am drawing inspiration from the symbolic charts found in
Sufi mysticism. Each Letter is a sonic meditation on the frontiers of
conscience and the paradoxes of time. Today's word, 'Du seuil' ('From
the threshold'), is the third word to be released by Sub Rosa. It is a
journe…
Freeman Etudes, Books One and Two
John Cage's Freeman Etudes are the modern equivalent of Paganini's virtuoso solo violin etudes. Each etude is completely notated down to the smallest detail, and the composer states "...are as intentionally as difficult as I can make them...So I think that this music, which is almost impossible, gives an instance of the practicality of the impossible." The detail and complexity of these etudes give them a unique and unusual spot in Cage's oeuvre.
These first two books (there are 8 etudes p…
One Line Two Views
One Line, Two Views features seven compositions for nine-piece
ensemble by Muhal Richard Abrams. Works range from the subtle textural
and tonal explorations of “Textures,” “Hydepth,” and the title track to
the hard bop revisitations of “11 over 4” and “The Prism 3.” The disc is
rounded out by an ebullient, joyous, and celebratory “Tribute to Julius
Hemphill and Don Pullen” and the blues-tinged “Ensemble Song.” Abrams
opts for unique instrumentation including violin, harp, and accordion.
…