Fusion
*200 copies limited edition* “For the last 6 years, New York sampledelia and synthesis rhabdomants Nuke Watch, duo of Aaron Anderson and Chris Hontos, also known for alternative projects and spinoffs like Beat Detectives and Weird Shit U.S.A. 2, have consistently composed and released cerebral flows of psychedelic compositions bridging the gap between the post-hippy movement wastelands, the weirdest fringes of urban beatmaking subcultures, and the wild American DIY avant-garde and noise traditio…
Unit Of Time
*2026 stock* With Unit of Time, Hans Hulbækmo and Egil Kalman aim to show that we can experience the essence of time through rhythm. How can the perception of time—both for the listener and the performers—be turned completely on its head by rhythm? By zooming in on rhythms from traditional music from around the world, the hyper-focused interplay of free jazz, and the rhythmic structures of just-intoned drone music (which is essentially about resonant intervals built on polyrhythms), these gentle…
Double Amps
Double Amps emerged from a very specific situation. In early February 2025 a short tour through Belgium and the Netherlands took place with Dietrichs. For those concerts a dedicated stereo setup using two amplifiers was developed. Around that configuration a structured set with taishōgoto was built – a framework that allowed space for improvisation and for the sound to unfold freely on stage. A few weeks after the tour, circumstances created the opportunity for a concentrated week of recording. …
Rare
*2026 stock* “The interaction between the two musicians was quicksilver incisive, with not a false step.” Chamberlain, Mike. « All About Jazz », May 27, 2024
“[...] performance by veterans Sophie Agnel and John Butcher set a high bar for attention to detail and interplay while continually discovering new shapes.” Hill, Eric. « Indie Dependence », May 30, 2024
“These two musicians work together very well, exchanging ideas, creating a fascinating ongoing dialogue.” Gallanter, Bruce. « Downtown Mus…
Oresme
*300 copies limited edition* Percussionists Mika Kallio and Janne Tuomi have each spent decades at the edges of Finnish improvised music. Oresme, their debut duo on Mustik Motel, takes its name from the 14th-century philosopher who argued that all perceived motion depends entirely on where you stand. Nine tracks navigate that same double territory: outward into astronomical scale and inward toward something quieter and untranslated. Two percussion setups, one vibraphone, and a great deal of room…
Felix
The great master, improvisational pianist, and musical polymath Steve Beresford; John Edwards, one of the most important double bassists on the global free improv scene; and Mandhira de Saram, an exquisite violinist and former member of the renowned Ligetti Quartet, come together. “Felix” is the recording debut of this trio, which, since its formation a few years ago, has become a regularly performing ensemble. Recorded at London’s Vortex club in January of last year, the album demonstrates how …
Oblic
"Among all the paradoxes of communication, which improvisational musicians explore continuously as connoisseurs to create magic, there is the fact that they speak at the same time (something we are generally discouraged from doing). Not only that, but they have the quartering ability to listen and hear each other while speaking at the same time. Reversal of the situation for better sharing: to hear each other better, to hear everything better, it would really be better if we all got into the hab…
Bee Space
There aren’t many all-female vocal groups in the world of improvised music, even fewer of them are working bands, and there are very few projects that are anything more than that. VoiceACT, conceived by Anna Gadt, is exactly that. VoiceACT is, above all, a platform for artistic exploration, generally without specific stylistic characteristics, but operating according to the sacred principle of free creation, to which each invited artist contributes whatever resonates in their improvisational sou…
Serpentine
After the wild Afro-jazz fusion of Trancedance (reissued as BT118) and the meditative solo Christer Bothén Donso n’goni (BT133), legendary Swedish multi-instrumentalist Christer Bothén returns to Black Truffle as part of a dream quartet completed by the three members of Ghosted: Oren Ambarchi (guitar), Johan Berthling (bass) and Andreas Werliin (drums). Recorded at a rustic studio built by Werliin and Hans Fredriksson in the sylvan surrounds of Hamburgsund, Sweden across a few days in September …
Almost This
"There is a familiar species of experience. I believe it is nearly universal. Here’s the brief: we have not seen a person in a long time, someone with whom we were once close. For no good reason – no falling out, no unpleasantries at all – our paths have not crossed. Then, in an instant, we are together, thrown or brought or drawn. Circumstance has landed us proximate and here we are, face to face. Within seconds, we recognize the person. I mean really recognize them. Not just their external app…
Synàntisi
"Autumn has always brought me bright thoughts and fruitful encounters. Barry and I, although we had known each other for many years — and although I had grown “into adulthood” musically through the influence of masters like him — had never had the chance to play and record together. Finally, October 2025 gave me this wonderful gift: an extraordinary meeting. Coming face to face with a champion of free improvisation placed me in a position where I had to draw upon all the creativity available — a…
foam & mesh
Recorded by Karl Winand and Markus Massinger at artacts – Festival for Jazz and Improvised Music, Alte Gerberei, St. Johann in Tirol, Austria. Mixed and mastered by John Butcher
Sophie Agnel - pianoJohn Butcher - saxophonesPascal Niggenkemper - double bassStåle Liavik Solberg - drums
Rhizoming
Chinese tradition tells the story of how one day, the Emperor decided to decorate the walls of his new palace. He summoned two of the most famous painters of the time and gave them two months to complete the paintings on the walls. One of the painters immediately got to work and spent two months diligently and meticulously sketching, applying colors, correcting, and perfecting his painting. The second painter arrived a day before the deadline and painted his painting in a single gesture, without…
Six or Seven Ways Towards Becoming Undone
The duo of Camila Nebbia and Chris Corsano brings together two fiercely creative voices from the international improvised music scene. Nebbia’s searching tenor saxophone lines meet Corsano’s explosive, highly textural percussion in a set of spontaneous exchanges of raw expression. Their music moves fluidly between delicate detail and surging intensity, driven by deep listening and fearless experimentation. The result is a striking dialogue where every gesture reshapes the sonic landscape in real…
Studio Recording
The new release by Ochibonoame captures the trio’s raw and searching approach. With Makoto Kawashima on alto saxophone, Louis Inage on bass, and Naoto Yamagishi on drums and percussion, the group navigates the volatile terrain of silence and eruptive energy. Their music unfolds as an intuitive dialogue, where fragility and abrasive sonic bursts collide in real time. The result is a deeply visceral document of spontaneous creation, rooted in the underground spirit of Japan’s improvised music scen…
Vi la pampa arder
The trio of Luciana Bass, Ezequiel Jaime, and Federico Isasti brings together three distinctive voices from Argentina's adventurous improvised music scene. Centered on Bass’s expressive sonic palette, their music is both volatile yet deeply attentive, fueled by Jaime’s exploratory playing and Isasti’s highly responsive drumming. They move freely between sparse textures and intricate collective energy. This release documents a trio deeply attuned to one another, forging form and intensity in the …
Distractions for Trumpet & Ajaeng
On Distractions for Trumpet & Ajaeng two radically distinct instrumental traditions converge in a study of texture, fragility, and focus. Kelley’s whisper-quiet trumpet tones and microscopic bursts of air intertwine with Kim’s bowed ajaeng, its coarse, resonant grain stretching and splintering in real time. The result is a taut, immersive dialogue that transforms subtle gestures into seismic events and invites listeners into a heightened space of deep listening and unpredictable detail.
Everyone I Love Is Sleeping And I Love Them So So Much
Yara Asmar’s new album, “everyone I love is sleeping and I love them so so much”, presents 11 pieces recorded over the past year between the small town of Alfred in upstate New York and Beirut. These sometimes fragile and tentative sound sketches reflect the times as Yara steps out, as if onto ice, into a new life on a new continent. She works with unfamiliar instruments, new materials and new sounds to build on her intimate style; homemade mechanical music boxes and a personal archive of family…
Live Critique of Judgement
Mitsuru Tabata began his musical career in 1982. Since then, he has played a key role in many of Japan’s most influential underground and experimental groups, including Noizunzuri, Boredoms, Leningrad Blues Machine, YBO2, Zeni Geva, Acid Mothers Temple, and Gaseneta, as well as projects related to tributes to The Stalin centered around Jun Inui. Alongside his work in these seminal bands, he has toured internationally, participated in numerous collaborative sessions, and released a series of home…
Lummernikt
Lummer is the Swedish name for the now protected family of vascular plants (Clubmoss/Lycopodiaceae). Lummer grows slowly and the spores with which it reproduces can take 12—20 years to develop. These spores, known as Nikt in Swedish, were once ground into an extremely flammable light yellow “old woman’s gunpowder” that was used for early theatrical pyrotechnics. Volatile and explosive, Lummernikt requires careful handling. There is something of the small scale dangerous in Finn Loxbo’s Lummernik…