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Huge Tip! * Limited edition of 300 copies, Embossed cover, comes with insert and postcard * Killer record here! Three Italian heavyweights doing what they do best - radical improvisation that sits somewhere between electronics, silence, and pure Mediterranean mystery. This is the real deal. Nicola Ratti, Alessandra Novaga, and Enrico Malatesta - three names you need to know if you're serious about contemporary improvised music.
The sound? Imagine if AMM had been born in Southern Europe with lapt…
Tip! *100 copies limited edition* Russian modular synthesist Ilia Belorukov, now based in Serbia, and Alex Riva, a Zurich-based flutist, here focusing on woodwind recorders. The pair have performed with Notice Recordings alum Jason Kahn, and toured as a duo with the novel instrumentation they use here, presented on “Wrestling for Futility”. The pairing is not a combination we hear often, and Belorukov and Riva seem to relish in the obscurity and uniqueness of the timbres and textures conjured by…
Tip! Welcome to the 20th Century: "My point of departure for the octet was to treat the ensemble as a flock of clarinets and develop swarm-like scenarios. At the same time, I thought of the 8 players as a kind of acoustic 8-channel-installation with the musicians surrounding the audience. This could be seen as an expansion of the stereo analogy we sometimes work with in The International Nothing. While The Nothin’ is all about developing a very personal language of new sounds with self-invented …
Yara Asmar’s new album, “everyone I love is sleeping and I love them so so much”, presents 11 pieces recorded over the past year between the small town of Alfred in upstate New York and Beirut. These sometimes fragile and tentative sound sketches reflect the times as Yara steps out, as if onto ice, into a new life on a new continent. She works with unfamiliar instruments, new materials and new sounds to build on her intimate style; homemade mechanical music boxes and a personal archive of family…
Dark Kitchen, the latest collaboration from Tom Jackson and Daniel Thompson, emerges as a striking exploration of sound and emotion. Released through Confront Recordings, a label renowned for adventurous and boundary-pushing music, this album exemplifies the duo’s deep commitment to improvisation and sonic innovation. From haunting textures to dynamic interplay, Dark Kitchen offers listeners a richly layered experience that challenges the conventional boundaries of modern music. Jackson and Thom…
Confront Recordings proudly presents Towers of Silence, an evocative new album by acclaimed artists Don Malfon and Vasco Trilla. This release explores sonic landscapes that blur the boundaries between experimental jazz and ambient improvisation, inviting listeners into a deeply immersive auditory experience. On Towers of Silence, Malfon and Trilla weave intricate textures and haunting melodies, crafting a soundscape both intense and contemplative. Their masterful interplay demonstrates a profoun…
“Scratching at the Surface” is a new collaboration from Erin Rogers and Kelsey Mines. This collection of striking vignettes dives deep into sonic exploration, weaving together powerful low-end resonance and shimmering high tones. Inspired by the sea’s raw energy and quiet beauty, Rogers and Mines craft a mesmerizing soundscape of undulating rhythms, bold textures, and immersive mystery.
Redshifts marks the debut collaboration between artists Zeena Parkins and Cecilia Lopez. Recorded in January 2025, the album features a striking interplay between two singular instruments: Parkins’ self-invented electric harp and Lopez’s RED—a large-scale, handwoven electronic instrument made from speaker wire. This collection of pieces captures a vivid sonic dialogue between Parkins’ masterful, expressive performance and López’s sculptural approach to sound and instrument design. These are one-…
Friendships and musical ties that are born unpredictably and are woven through distance, allowed the fortuitous encounter of Tarabita Espiral. A trio made up of Colombian saxophonist and clarinetist Maria Valencia, Puerto Rican NY- based double bassist Brandon López and NY-based vibraphonist Matt Moran. These three vibrant artists eschew traditional roles to sculpt a musical landscape of restless motion and textural dissonance.
Valencia’s reeds seethe and spiral, channeling both fractured lyrici…
Tip! On this striking new CD, Joe Morris wields his guitar with deliberate restraint, building deep layers that breathe around Brad Barrett’s cello — its bowed lines resonating with both plaintive lyricism and edgy percussive accents. Beth Ann Jones anchors the trio with a sculptural bass, her tone rich and propulsive, providing an essential counterpoint to Morris' explorations. It's a beautifully measured session—each player deep-listening, unfolding subtle dialogues, and seamlessly shifting be…
Ada Rave and Marta Warelis, two luminaries of Amsterdam’s improvised music scene, unite on Peel/Mondo to craft a compelling dialogue between saxophone and piano. Rave, an Argentinian saxophonist renowned for her bold tenor sound and innovative techniques, joins forces with Warelis, a Polish pianist celebrated for her sonic versatility and explorations of the piano’s timbral possibilities.
This double album was recorded on the night of June 3, 2014, at Saint-Merry Church, in the heart of Paris. Beyond its architectural beauty, Saint-Merry possesses an extraordinary acoustic quality, which has shaped countless sonic experiences and left its mark on this recording. It was in this inspiring setting that we had the privilege of recording this music with Michel Doneda, in a moment of deep immersion, carried by the unique resonance of the space. The talented Augustin Muller masterfully …
kÖök continues their journey into the unknown and invites vocalist Sarah Camille and folk musician, Harding fiddler and harpist Tuva Færden into their musical universe. Over a few days in the studio, the four musicians have played and experimented with sound and interplay, and the result is a unique soundscape consisting of poetry, improvised Norwegian folk tunes and extended use of instruments, voice and space.
The music and song titles paint a picture of a gloomy world, but with hope for a bri…
French cellist Martine Altenburger and British guitarist John Russell recorded this live performance at the Musique en Mouvement Festival in Jarny, France in November 2008. Altenburger, Toulouse-based and conservatory-trained, moves between performances of Cage and Scelsi and improvisation with sound explorers like Michel Doneda and Lê Quan Ninh (who mastered this session). Russell, a London hardcore improviser, brings decades of experience to this encounter.
One reviewer describes listening to …
2025 stock 1992 release. Frank-O-Fest is a loose grouping of Milwaukee old-timers led & directed by John Frankovic, who recorded this in one cloudy session in a church in 1992. Utilizing percussion, sitar, bouzouki, trombone, pipe organ, jews harp, didgeridoo, bass, cello, bamboo & clay flutes & more, this is a long, form-defying floatation exercise in space-out improvisation.
Bassist and composer Joseph Franklin returns to NM for a wildstyle heat exchange, actioned live in collaboration with synthesist, composer and improviser Ben Carey. Modestly, this one does what it says on the box, however ‘a thousand tiny mutinies live’ revises motifs and prompts from Franklin’s solo bass and extended technique LP for NM in 2024 with spectacular license, captured in stunning high resolution audio.
Surrounded by an encircling audience, Franklin’s fragmented acoustic cycles issued…
Culmus (Latin for "stalk") marks the latest chapter in an ongoing collaboration that began in September 2023 and continues to evolve. As co-inhabitants of a shared ecological and mental space, Franki Wals and Chang Deng-yao navigate a sonic continuum that bridges the human and the non-human, creating a piece where electroacoustic improvisation productively meets the indeterminate resonances of wind-activated plant matter. These materials intertwine and form a subtly layered aural tapestry, where…
Duo improvisations for shakuhachi and ney recorded in Ealing, west London, July and October 2007. Clive Bell (shakuhachi) and Bechir Saade (ney) - two deeply committed improvisers working at the intersection of traditional practice and contemporary exploration - unite for their first recording as a duo. An entirely acoustic affair. Both instruments are made of plants from the same grass family - the shakuhachi from bamboo, the ney from reeds - and share fundamental similarities in timbre, breath…
Melophobia spins tension out of spontaneous contact - Dave Tucker (guitar) and Pierpaolo Martino (double bass and electronics) improvise with sharp attention to rhythm, fracture, and digital manipulation, conjuring environments that threaten – and then dissolve – melodic order.
Semiotic Drift is a living conversation - Maggie Nicols uses voice as a map to possibility, Matilda Rolfsson provides creaking, insistent percussion, and Mark Wastell frames everything in the deep resonance of amplified tam-tam. The work rides the edge between storytelling and pure abstraction.