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Chris Abrahams

Placelessness
'Placelessness' by the trio of Oren Ambarchi on guitar, Chris Abrahams of the Necks on piano, and Robbie Avenaim on drums is a tribute to their seamless chemistry and has a free-flowing flood of sound
Fluid To The Influence
Restock 2023. CD version. Chris Abrahams returns with Fluid To The Influence. Building upon the foundation of his previous three editions for Room40, Abrahams charts out a divergent course through lilting piano flows, distended organ passages, thunderous electronic eruptions, and focused concrète explorations. Fluid To The Influence spans a huge spectrum of sound, each movement calling forward to the next in a flowing motion that demonstrates Abrahams's commitment to and interest in the album as…
Follower
Black Vinyl. For more than three decades now Sydney pianist and composer Chris Abrahams has developed a singularly iconic body of work. Known widely for his work with trio The Necks, Abrahams solo works have carved out an entirely otherworldly realm in sound. His explorations of organ, electronics, and piano capture a restless curiosity and timbral interrogation that only deepens with each of his releases. With Follower, his compositional language further expands. Melodies cascade with a cinemat…
Sink
It took 15 years since its foundation to release their first album. Sink was formed in Berlin in 2004. Though their music is improvised, Sink play, perform, sound and feel as a band with a distinct band sound. Their sound ranges from typically Berlin Echtzeitmusik related mixed electroacoustic and acoustic soundscapes which can, but need not, result in a minimalistic groove. Sink already appeared on “Echtzeitmusik Berlin” compilation we produced in 2012. Andrea Ermke is a sound artist from the s…
Music In Eight Octaves
A multi-octave delirium at the summit of sonic density. Recorded in 2005 in Melbourne, Chris Abrahams and Anthony Pateras multi-tracked 4 takes in each octave of the piano, superimposing them over each other to create a kaleidoscopic maelstrom pianistic energy in its purest form. Best known as the pianist from The Necks, this is a distinctly different outing for Abrahams, exploring a more maximalist energy and aesthetic than usual. As with all Immediata releases, Anthony Pateras interviews h…
A Heart That Responds to Schooling
"A Heart That Responds to Schooling" is the second album recorded by italian composer and performer Alessandro Bosetti and Australian pianist Chris Abrahams. The album is a chest of intimate and oblique sonic explorations that span both improvised fragments and original renditions of compositions like Steve Lacy’s Esteem (with Bosetti’s lyrics) and Milton Nascimento’s Bridges (Travessia) in the english version with Gene lee’s lyrics. It was Recorded in Berlin in November 2013, and is following t…
Luv / Kopfuberwelle
Sabine Vogel 'luv', and Chris Abrahams + Sabine Vogel 'kopfüberwelle'. Another split disc, presenting two aspects of the music of Berlin-based flautist - composer - improviser Sabine Vogel. The first half of the disc contains a solo composition created from recordings made by Sabine with Landscape Quartet, a group committed to improvisation in and with natural environments. The second half of the disc features an extended improvised performance by Sabine on flutes in duo with The Necks' Chris Ab…
Gardener
"Four hands on one piano" from the duo of pianist Chris Abrahams (The Necks) and Magda Mayas, both improvising in Berlin at the Vivaldi Saal performance space using their piano, harpsichord, and harmonium.
We Who Had Left
Necks pianist Chris Abrahams teams up with electronic artist and sound artist Alessandro Bosetti for six introspective and mysterious tracks that mix Necks like progress with ambient electronics and curious monologs, and one waltz.The piano recital format number one: a pompous italian tenor, his round belly almost exploding inside his tuxedo, stands beside the gigantic grand piano, holding a hand on it while protruding forwards. Outside the stage, an imaginary oceanic audience is seated on hundr…
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