New Arrivals / Last week
El Llamado (Der Aufruf)
On El Llamado (Der Aufruf), Mario de Vega distils a performative piece for dispersed voices and whistles into a stark, fixed composition, turning a global collection of wind instruments and a single outdoor activation into a study of call, place, and the politics of listening.
1978
The first ever official release by this legendary Melbourne post-punk band who only ever existed for a number of months in 1978, but who cast an important and influential light in Australian (and global!) music, influencing the likes of the Boys Next Door/Birthday Party and The Models, the group's membership and its diaspora reading like a who's-who of crucial Australian music of the past 50 years.
In the band was a young Rowland S. Howard, who would soon go onto join the BND/Birthday Party; Oll…
Studio/Live
Savvas Christodoulou was born in Cyprus in 1949 and moved to Melbourne in 1950 as part of the great wave of Greek immigration following WW2. His story is long, involved and fascinating, and the liner notes and interview contained within the LP's 4-page insert tells the whole story.
Perhaps more briefly, what you need to know is that he released the Savvas studio LP in 1974 in an edition of 300 copies, and enjoyed such a strong local following that he sold out the 2,000-seat-capacity Dallas Brook…
Theme Of Discontent
Never heard of Canberra's Samuel D. Rich, who rocked our nation's capital for approximately a mere 18 months circa 1973 - '74? No? That's OK. Up until about a year ago, nor had we. They - they were a band - played with a host of luminaries of the day - everyone from The Aztecs, Stevie Wright, Buffalo, Hush and Bakery to Mackenzie Theory and beyond, recorded this album then split up. Through a rather bizarre chain of events, these unreleased recordings landed in our lap from band member Geoff Ros…
Themes for Dreams
Themes For Dreams marks another left turn, finding Chicago-born and based musician, composer, and producer Will Miller at his most meditative, patient, and intentional. Across 13 gorgeous and strikingly cohesive tracks, the album eschews drums in favor of immersive melodies that float, dissipate, and linger. It's an album meant for rest, with arrangements so welcomely enveloping they feel like a warm blanket. While it's Miller's sparsest record yet, it still keeps his wildly collaborative ethos,…
Paddles
Uphill Game is an acoustic contemporary jazz quartet based in Bristol, UK, led by double-bassist & composer Riaan Vosloo. Uphill Game play open, dynamic, driving, delicate, exploratory, groove and melody focused music, inspired by the likes of the William Parker Quartet but with its own distinctive collective voice. Currently one of the UK's best-kept jazz secrets, the band is delighted to release its first album this spring, recorded live in the sumptuous acoustic of St George's Bristol.
Riaan …
Murmurations
*2026 stock* Murmurations is an interplay of sonic posibilities between flute and drum. Focused on subtle musical events that come from flute timbres that react on drum skin Taiga explores the realm of low volumes on their respective instruments and creates stories inspired by nature. As silence and calm are a big part of the creative process behind the making of this album, the concept of driving prepared drum with flute resonances, encouraged by feedback loops, is what makes this music uniqe a…
variable densities
Tip! *2026 stock* The klingt.collective is a viennese music group founded in 2022. it’s nine members are an essential part of Vienna’s experimental music scene and have been collaborating in various groups for many years. Previous collaborating projects include: the klingt.orgestra, Radian, sonic luz, TWIXT, The Vegetable Orchestra... The internet platform klingt.org has been a home for the musicians and many of those projects since the early 2000s – thus the name of the ensemble.
The nine music…
Reference: Miles Davis’ 3rd Quintet Bitches Brew Live 1969 in Europe
"The shock and awe that Bitches Brew produced within and without the jazz world on its release in March 1970 was largely unexpected, the result of the music’s uncompromising power and what many felt to be its perplexing, eccentric sound and structure. In retrospect, we know how Miles’ unconventional studio methodology and Teo Macero’s subsequent compositional editing of the voluminous taped material innovated the remarkable finished product. But what has only marginally been discussed is the ext…
Reference: Bix Beiderbecke With The Wolverines, Sioux City Six, His Rhythm Jugglers & Frank Trumbauer 1924 to 1928
Books have been written, recordings analyzed, colleagues questioned, and nevertheless Bix Beiderbecke remains as much an enigma today, ninety-five years after his death, as he was to friends and fellow musicians during his all-too-brief, personally and professionally erratic odyssey through the 1920s. The body of work he left behind both reveals and conceals crucial aspects of his creative reality and unfulfilled potential, while innovating a subtle, eloquent manner of expression that would sugg…
Rubber Band Music
*2026 stock*
"the most stunning album" Elizabeth Alker, Unclassified BBC radio 3.
"If you are an inquisitive talented improviser like her you can use those [rubber band boxes] to conjure up some sonic riches" Verity Sharp, Late Junction, BBC Radio 3.
bright lines stretched thin,spring back and creak,little slingshot.a temporary bundle.these desk-bound daydreams,of rubber trees and sap.let's snap and break.
Experiments with building and playing rubber-band noise boxes.
Ghost Artery
*2026 stock* A sonic investigation of the history and decline of Nottingham's River Trent in two acts. In 1938 when the River Trent was being dredged by the Trent Navigation Company, workers encountered obstructions in the form of wooden stakes driven into the riverbed. Following an investigation by archaeologists it was concluded that the site was part of a Bronze Age ‘pile settlement’ formed of houses on stilts 3000 years ago. Now dislodged and disturbed the remains of this settlement began bu…
Buzz
*2026 stock* “So...what are we doing?” ask [something's happening] in Turn, and it is a difficult question to answer. Somewhere near the centre of France an event was cancelled. Over the course of five days conversations were translated from French to English, mangled, remoulded and repeated aloud. Field recordings were taken and rebroadcast. From these overlapping text and sound processes this strange and unpredictable album emerged. Buzz is generated from open- ended protocols where processes …
Organelles
*2026 stock* What goes on inside a cell? What might it sound like? Inspired by tiny processes and interactions Organelles presents a sonic imaginary of intracellular operations. Cells are busy: folding proteins, exchanging gases, creating energy, growing, dividing, mutating and communicating. Likened to minute factories or warehouses, organelles are the entities which perform the specialised tasks which enable cellular life.
So often explored visually, this album offers one version of what the a…
Garry Kasparov vs Deep Blue
For the players, chess is a game of competition. Defeat the opponent by surpassing their strategic prowess. A neutral spectator is able to embrace the kinetic serenity of what the players create together. The game unfolds as a slow pendulum swing, the players trading tiny motions between calculative stretches of silence, the black and white pieces intermingling and thinning over the axis of time. Heery's album hinges on a dialogue between two synthesised elements - a patient electronic surge and…
Punctum
What does a venue sound like? One might approach this question by assessing the technicalities of how it handles sound: the room acoustics, the quality of the PA etc. Instead, this trio seek answers by enlivening those loose inanimates strewn silently around the venue’s edges – whatever the players could find throughout the backrooms and corners. Pots, pans, dud domestic appliances and old bicycles are hauled up from the groundfloor basement of Punctum in Prague, along with a few stones and tree…
Building Instruments
"The primary instrument here is an empty industrial workspace, which funnels the sounds of the outside through a process of grand refraction. The offhand trills of tiny birds are gathered and stretched into the stirrings of an imaginary orchestra, while the murmurs of distant crowds are recast as choral hums that seep out of the building’s surfaces. Contact mics are attached to the walls, floors and windows – a process through which Vickridge inverts the typical depiction of industrial spaces as…
Stratigraphy
*2026 stock* A churn of electronic noise is flung into dialogue with the smeared and manipulated bleats of a seagull horn, the former like the grind of agricultural machinery, the latter like prolonged saxophone missives or doppler-arced racetrack noise. We encounter many moments like this throughout Stratigraphy: gushes of clashing colour, sudden illuminations of jagged edges. This is how Kate Carr and Cath Roberts resist the absolute fusion of their respective sound worlds, rekindling our awar…
Magneto Mori: Brussels
*2026 stock* "One way to interpret Vernon’s evocation of Brussels is as a patchwork of interdependent absences. We hear numerous spoken stories, yet none of them in full; details are lost to magnetic erasure, to the truncations of compositional editing, to the recollective limits of fallible minds. A voice hesitates as it recounts an early memory of falling. Another falters into damaged tape as it describes a trip into the forest, words sunken irretrievably under disruptive plosives. Into these …
Soundwalkscapes (Vol 2)
*2026 stock* In the rural terrain of Prespes, Greece, Viv Corringham emits a croak that mimics both a passing bee and the clucking of a distant chicken, straddling their sonic similarities, drawing both animals into unexpected kinship. In Muenster, Germany, she traces the undulation of air billowing through a train station, suddenly dragging the rhythm to the foreground of our attention. As with the first instalment of Soundwalkscapes, her voice is used to revive a “lost river”, this time focusi…
