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Finland's Augustus Pablo strikes again! The fourth album by this Nordic melodica wizard delivers deep authentic roots reggae the way it should be done - heavy instrumental vibes, skillful melodica playing and compelling organ work wrapped in a classic rockers manner. Lightman does it ALL himself - writing, arranging, playing, producing, recording, mixing and mastering. One-man roots army! Cover art by Arsi Keva, silkscreened on recycled old LP sleeves - each copy unique. Ultraääni Records contin…
300 copies. Rural psych-jazz improvisations by Finnish bastard sons of Arbete & Fritid! This sextet - featuring Toni Laakso, Janne Martinkauppi, Sami Pekkola, Daniel Stolle, Erno Taipale and Ilkka Vekka - delivers some serious countryside free music madness. If you know Pekkola, Taipale and Vekka from their brutal Ho Chi Moon trio (also on Ultraääni), you know what to expect: freedom music with no compromises! But here it gets even wilder - six heads exploring the zones where Swedish progg, Finn…
Tip! 2025 Stock. In the early 1960s, while Robert Moog was still perfecting his voltage-controlled synthesizers in upstate New York, a young Finnish physicist named Erkki Kurenniemi was building an entirely different future in a basement studio at the University of Helsinki. Working with digital control technology years before the rest of the world caught on, Kurenniemi created instruments that seemed to arrive from a parallel timeline - synthesizers played with electronic pens, machines that tr…
Huge Tip! *2025 repress* Basta Now: Women, Trans & Non-binary in Experimental Music is a non-academic essay by French poet, novelist and music enthusiast Fanny Chiarello. It’s also the first book to be published by Permanent Draft, an all-female record label and micro-press founded by musician Valentina Magaletti and writer Fanny Chiarello, dedicated to promoting contemporary female, non-binary and transgender artists. Basta Now is essentially a huge (yet admittedly not definitive) overview of 2…
The life and work of Maryanne Amacher are as vast as they are as yet unknown. A heterodox and idiosyncratic selection of largely unpublished documents spanning the bandwidth of the still unprocessed contents of the Amacher archive.
The collection of previously unpublished interviews and extended versions of Alan Licht's famous conversations with figures in the American art and music scene.
Huge tip! Following her 2025 minimalist/ambient album ‘just like any other day (어느날): background music for your mundane activities’ on Shelter Press, Okkyung Lee moves in another direction with London’s Explore Ensemble. Flung is proud to present Signals, a release that eludes categorisation while shifting between electronics, acoustic composition, and improvisation. It places Lee’s improvisational language in dialogue with the instrumentalists of Explore Ensemble’s sextet, whom together become …
Drummer/composer Booker Stardrum delivers a new powerful solo album Close-up On The Outside (27th Feb 2026), his first for We Jazz Records. The new record sees Stardrum (also a member of SML) doubling down on the earthy tactility of human sound and communication while also exploring rich, electroacoustic landscapes. The album, released on LP and digitally, involves Stardrum's close collaborators Anna Butterss, Jeremiah Chiu, Chris Williams, Lester St. Louis, Logan Hone and Michael Coleman.
While…
*200 copies limited edition* Paperbark is the ambient project of Jon Mulville, who has been shaping rhythmic and textural soundscapes since 2016. His music is rooted in memory, as a way to process emotional fragments. Guided by time spent in nature and created in response to a culture that often feels lacking empathy, his work aims to create space for reflection. He has released eight albums, primarily on Seil Records. "Light Behind Me" marks his first CD release and only his second appearance o…
DINTE mint their short run book publishing imprint, The End books, with this vast collection of flyers for dances, clashes and blues parties in the Caribbean soundsystem tradition from across the UK between the early 1970s and mid 1990s. Comes complete with introduction by David Katz (People Funny Boy: The Genius of Lee 'Scratch' Perry, Solid Foundation: An Oral History of Reggae) and outroduction by Kevin Le Gendre (Don't Stop the Carnival: Black British Music, Children of the Ghetto: Black Mus…
Psyché is an eclectic project rooted in the Neapolitan music scene. Conceived in 2018, the project includes Marcello Giannini (Nu Genea Live Band, Guru, Bassolino, La Famiglia), Andrea De Fazio (Nu Genea Live Band, Parbleu, The Funkin Machine), and Paolo Petrella (Nu Genea Live Band, Fratelli Malibu). They were recently joined by Roberto Porzio (Parbleu, Fitness Forever, 24 Grana, The Funkin Machine). “Hurriya (We Must Resist)” is a sonic bridge crossing the Mare Nostrum, connecting the shores o…
*25 copies limited edition* The second release on Many Chants Records is a solo EP, Guitar (For Loren), dedicated to Loren Connors. It was recorded in April 2025 on 2 guitars after playing/recording taishogoto for two years non-stop. It’s my personal take on the idiom of Loren’s music.
I first came in touch with his music in the nineties through his connection with Thurston Moore and Sonic Youth. Our first encounter came in 2017 when I visited Loren at his appartment for a documentary I proposed…
*2026 repress* Reissue of a soundtrack, originally released 1978. Yuji Ohno, is a Japanese jazz musician born in 1941. He's principally known for his musical scoring of Japanese animated television series, of which 'Lupin III' and the feature film 'The Castle Of Cagliostro' are his best known works. Ohno is also well-known as a member of the jazz trio which he forms with bassist Miroslav Vitous and drummer Lenny White. 'Captain Future' is a legendary soundtrack performed by Yuji Ohno and his You…
Other Minds is pleased to present Ratchet Attach It by the Bay Area composer and impresario Charles Amirkhanian. Commissioned by Errollyn Wallen, the UK’s Royal Composer, for the 2021 Spitalfields Festival in London, Ratchet Attach It continues—and crowns—Amirkhanian's career-long fascination with the noisiest of percussion instruments: the ratchet. "The sound up close of a concert orchestral ratchet can be hair-raising," Amirkhanian writes in his composer's notes. "Also, full of bird-chirping-l…
Two works by Netherlands-based Argentine composer Claudio F Baroni where recorded speech is set against acoustic and electronic pitched sounds. The instrumental material emerges entirely from digitally aided speech analysis, which identifies occurrences of Western scale pitches within the natural intonations of speech.From these pitches, Baroni selects and assigns certain tones to instruments and electronics. The scores consist of the written speech text paired with musical notes, precisely alig…
*2025 repress* 2014's »Sea Island« was recorded over two years. While many of these compositions were performed live extensively prior to recording, others were constructed in the studio and are being heard for the first time here. Musically, the album represents a range of compositional approaches. Murky, densely textured depths of sound are explored with subtle pulses and pings woven within, contrasted with composed or improvised moments of acoustic instrumentation making a move into the foreg…
*150 copies limited edition* Beautiful edition of glass mastered CDs with hand painted covers by Tim Bradley on full color 400g offset print card stock in thick PVC sleeves that we think really compliments the, at times radical, combination of sounds and textures in the music. The works are "over painted photographs", directly inspired by Gerhard Richter's series of the same title (Übermalte Fotografien). Bradley says: "To paint over a photograph is to admit that truth is always blurred—each ges…
»Is This The Land I Wish Death To Find Me« was recorded on June 26, 2024 at the Tank Center for Sonic Arts in Rangely, Colorado. The recording is based on a slowly shifting set of ascending just minor thirds: 6:5, 7:6, and 13:11. Magnetic geophones were attached directly to the Tank’s steel exterior, allowing the performance to be captured through the physical resonance of the structure itself. Only a minimal amount of the microphones inside the building were mixed in for clarity. The work draws…