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"Ultimately, the best free improvisation performances—and the best films—are those that refuse to be bound by rigid formulas yet still adhere to a fundamental sense of logic and cohesion. They remind us that while structure is important, the real magic happens in the space between the rules." - Mark Corroto
"Speechless (2019) is an opera for 4 vocal soloists, bass orchestra and community choir, and is intended as a personal response to the plight of refugees worldwide. It inspired by the Australian Human Rights Commission report, ‘The Forgotten Children: National Inquiry into Children in Immigration Detention,’ overseen by Gillian Triggs. When this report was tabled in the Australian Parliament in 2014, I was overcome with the cruelty of the debate around the future of detained asylum seekers. Spee…
"Their differences intensify the soundscape. Francesca Gemmo provides a sensitive, contemplative, but deceptive lyricism, with memories of the wistful antique modes of Satie or Debussy’s impressionist palette twisted into shadowy subterranean echoes and knotted note clusters. Magda Mayas imaginatively extends Henry Cowell’s innovations of touch and timbre, alternately coaxing and attacking, releasing previously concealed phantom textures, percussive episodes, near-electronic hues, and micro-alte…
This CD is about quality not quantity - less than thirty minutes in total, but absolutely some of the most incredible music Zorn has ever composed. Dramatic, intense, mercurial, challenging, and endlessly virtuosic, Zorn’s writing for strings is amongst the most exciting ever achieved in the classical world. Here he expands the fabulous Jack Quartet to a quintet and sextet with the addition of two of the most accomplished musicians in the New York scene: Yura Lee and Michael Nicolas. Composed in…
The fourth CD in Zorn’s remarkable series of piano trio recordings exploring classical forms, Nocturnes is an absolute delight. Preceded by Suite for Piano (2022), Ballades (2024), and the Impromptus (2025), Nocturnes is Zorn’s personal take on the beautiful tradition of night music. Touching on Chopin, Scriabin, Debussy, Berg, and more, the music is a wonderland of subtlety—dreamy, drifting, and utterly compelling. Brian, Jorge, and Ches, three of Zorn’s closest and most trusted collaborators p…
Joseph Holbrooke was a legendary all-star ensemble from the mid Sixties dedicated to free improvisation. Comprising three of the most acclaimed virtuosos from the first generation of British improvisers—Bailey, Bryars, and Oxley—little has been released, but they briefly reformed in 1998 and the studio recordings from that period were made available in 2006 on Tzadik as The Moat Recordings. Last Live 2001 is exactly that—their last live concert ever! Recorded in Antwerp in January of 2001, the e…
London-based musician Luke Cowan delivers his most expansive work yet with ‘Six Places’, a quietly dazzling suite that renders memory, geography and imagination as sound. Across six extended pieces recorded in Ely, Cambridge, York and London, Cowan bends the borders between composition and improvisation, everyday resonance and ensemble interplay, to arrive at a music that feels porous, fragile and strangely luminous. Cowan calls it “a collection of impressions of places. Some are real and some i…
Having written and sung in five languages on 2020’s “Uva Ursi”, Urs Graf Consort return to Italian for “Fireproof Sweat”, a record of irresistible charm, innovation and existential lyricism. “Ten years ago, a fire took the lives of four of our friends on rue Myrha in Paris, just a few months after Urs Graf Consort was founded. One of them — Nicolas Millet, a magnificent bookseller and Félix Fénéon specialist — was meant to be our bassist. The title Fireproof Sweat, and the album as a whole, ques…
Web Wide World is proud to announce the release of Web Wide World 1.5 game OST, a new collaborative album by sound artist Aliyah Hussain and visual artist/musician John Powell-Jones. Expanding on the sonic universe first created for the Web Wide World project, this soundtrack immerses listeners in a hybrid world where experimental electronics, playful melodies, and immersive sound design converge.
Composed as the audio backdrop to the evolving Web Wide World game experience, the album shifts b…
Is it possible for an instrument to be cursed? Every sound on 'Horns of Death' comes from a replica fox-hunting horn bought online. The album is an open-ended investigation of this replica, exploring how a copy of a tool designed for a specific function could act as an instrument when misused and removed from its intended role. Recorded in a bedroom in a small flat in south-east London then squeezed into a computer, for some tracks the horn is (literally) pulled apart to find what other sound so…
London-based experimental sound artist picoFarad returns with Survival Techniques from the Old World Volume 2, the second chapter in a strikingly original body of work that explores the sonic artifacts, tools, and forgotten practices of bygone eras.
Where Volume 1 mapped the terrain with sparse textures and fractured forms, this new installment dives deeper into the resonance of memory, decay, and invention. Layering found sounds, analogue signals, voice fragments, and electronic interference,…
Here is 'rely', a new album by Eric Wong & yan jun. They use voice, breath, sine tones and noise. For those of you who have attended one of their performances, or heard 'dichotomic language' the sounds may appear familiar, but to me the space and interplay between them on 'rely' feels very different. In March and April of this year I saw yan jun perform three times, for the first time, and it has changed how I hear the record. I was initially struck by how close everything sounded, and now I hav…
'Engine Songs' is the latest album of improvisations by the duo of Tara Cunningham & Caius Williams, after the release of 'Demo's' in 2022. The album is rich with the harmonics and fluttering oscillations of detuned strings, layered over sprawling textural effects that poke out at moments and shift focus in an instant. They're able to move between tones and dynamics in a way I'd quite happily listen to endlessly - It's exciting to listen to. The album was recorded and mixed by Caius Williams and…
Artist, composer and researcher Max Syedtollan arrives on bison with 34 minutes of merrie-making madness, written for a parade-performance by basketmaker Lewis Prosser and informed by the tradition of masked mummer’s theatre. Written to be blasted off the back of a lorry, ‘Prynhawn Da!’ accompanied a troupe of huge wicker figures - Parsnabler o Grog, Vogum Gertlin, The Woman with The Big Head and Goyle Cornett - as they paraded down the streets of Newtown, Swansea, Cardiff and Caernarfon as part…
This bundle includes the following releases:Marja Ahti "Touch This Fragrant Surface of Earth" LPMarja Ahti / Manja Ristić "Touch This Fragrant Surface of Earth" CD
Marja Ahti "Touch This Fragrant Surface of Earth" LP
Marja Ahti is a Swedish artist living in Turku, Finland. She works with found sounds, objects and electronics, creating auditory assemblages that reveal a profound sensitivity to sound’s tactile potential. This new record sees her palette expand to include more recognisable acoustic…
Tip! Yoshiaki Ochi's "Natural Sonic" from 1990 from one of the Japanese leading environmental music label "Newsic". Magical sound & ensemble of the mother nature, perfectly melting in with the electronics. Released on Wacoal Art Center’s Newsic label, Yoshiaki Ochi’s Natural Sonic shares some of the same magic heard in the music of fellow roster mates Yoshio Ojima, Motohiko Hamase, and Mich Live. This time the aural trick would be one of the most simple of them all. Largely composed, conceived, …
“Vox Flora Vox Fauna” is an invocation in which Ece Canli channels the voice of Earth itself. A ritual of breath, rebirth, bone, and buried memory. Like the most transcendent moments of Dead Can Dance, the soundscapes are primitive, tribal, atmospheric, and utterly cathartic: echoes of a wounded planet, mourning and resisting at once. They unleash the raw force of Gaia, vibrating through ancient rhythms and spectral chants that seem to rise from the soil itself. In an age of collapse, this is mu…
Animistic Resonance marks a new stage for Mexican artist and electronic musician Leslie García (currently based in Berlin through the DAAD Artists Program), as it is her first album under her own name, following several releases as Microhm and her parallel work as founder of the contemporary art studio Interspecifics, where she has developed an extensive body of sonic projects presented in major museums and programs worldwide. The album is the culmination of a profound and extended exploration o…
Uzed is the fourth album by Belgian band Univers Zero. It was released three years after 'Ceux du Dehors', due to a change in line-up and a new repertoire, although the EP 'Crawling Wind' had been released in the meantime. The album marked a turning point for the band. Univers Zero explored new electric colors, giving it a more rock feel with the addition of new musicians such as Jean-Luc Plouvier, who introduced the synthesizer, guitarist Michel Delory, who played a memorable solo in 'Célesta (…