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A double LP drawn from the Columbia recordings of Miles Davis with John Coltrane between 1955 and 1961, from So What to Someday My Prince Will Come, with Cannonball Adderley, Bill Evans, Wynton Kelly and Jimmy Cobb. First time on vinyl.
The 2000 Grammy-winning box of the complete Columbia recordings by Miles Davis with John Coltrane, 58 tracks from 1955 to 1961, reissued as six CDs in individually designed minijackets with a 116-page book.
The 2000 Grammy-winning box of the complete Columbia recordings by Miles Davis with John Coltrane, 58 tracks from 1955 to 1961, on vinyl for the first time outside Mosaic: nine LPs cut from the analog tapes, in a slipcase with a 60-page book.
Joe Henderson's quintet live at the Lighthouse in Hermosa Beach in 1970, with Woody Shaw, George Cables, Ron McClure, Tony Waters and Lenny White. Deluxe 3LP edition with five unreleased tracks and new liner notes.
Montreux, 7 July 1973: Gary Bartz brings the NTU Troop on stage as a quartet and plays the first half of the concert as one unbroken suite. Langston Hughes turned into song, alto and soprano over electric piano and bass. First vinyl edition since 1975, cut AAA from the original tapes by Kevin Gray.
Jan Garbarek's 1998 double album with Rainer Bruninghaus, Eberhard Weber, Marilyn Mazur and Bugge Wesseltoft, on vinyl for the first time in ECM's Luminessence series: tip-on gatefold jacket with booklet.
Stanley Cowell's only ECM album, recorded in 1972 with Stanley Clarke on bass and Jimmy Hopps on drums. Reissued in the Luminessence series, tip-on gatefold jacket with new liner notes by Ethan Iverson.
Ahmad Jamal's 1973 album for 20th Century, his first on electric piano, with an orchestra arranged by Richard Evans and versions of Superstition and The World Is A Ghetto. Verve Vault reissue, all-analog, 180 gram.
The 2018 debut by Chicago saxophonist Isaiah Collier with The Chosen Few, recorded when he was 20: 66 minutes of spiritual jazz after Coltrane, between gospel, free improvisation and heavy rhythm. Japanese edition.
Rudolph Johnson's second album for Black Jazz, from 1973, with Kirk Lightsey, Kent Brinkley and Doug Sides: free, expressive playing in the wake of Coltrane, with little of the fusion of its time. Real Gone reissue on black vinyl.
Rudolph Johnson's 1971 debut for Black Jazz, a quartet date with John Barnes, Reggie Johnson and Raymond Pounds moving between bebop, soul jazz and Coltrane-like tenor. Real Gone reissue on black vinyl, remastered.
** Limited first pressing with Japanese obi strip ** One of the most unique albums on the Strata East label – and that's saying a heck of a lot, given the creative energies flowing through that legendary jazz outlet! Descendents Of Mike & Phoebe is a righteous little project put together by Spike Lee's father, Bill Lee, and his brothers and sisters (Cliff Lee, Grace Lee Mims, and Consuela Lee Moorhead) – working here in a group named after their slave ancestors, who are paid tribute in a beautif…
Four years have passed since the release of Jon Collin's majestic Bridge Variations on Discreet Music, arguably one of the most defining and well-received releases on the label. Works is the first LP under the Early Music artist name - first the title of a 2015 solo LP, then a name for a label before being used for a couple of recent cassette releases - and was recorded in Stockholm over a nine-month period last year. The main instrumentation is again the keyed fiddle - a traditional Swedish fol…
By the end of the 1960s, Charles Lloyd was one of the biggest names in jazz. His quartet with Keith Jarrett, Cecil McBee and Jack DeJohnette reached far beyond the usual jazz audience, while Forest Flower became one of the first jazz recordings to sell a million copies. In 1970, at the height of his career, Lloyd disbanded the quartet and withdrew to Big Sur. He continued to make records from time to time, but largely disappeared from the jazz scene while following a more inward and spiritual pa…
Plush shag carpeting, jazz flutes, analogue synths, funk grooves, exotica, and sultry, Italian-style vocalising: Erotica 70 is the new album from Larry Manteca, known for their inventive, tongue-in-cheek reimaginings of classic Italian soundtrack aesthetics. This time around, the Milanese collective sets its sights on the distinct sonic landscape of 1970s commedia sexy—a film genre that, for better or worse, defined an era and fed richly into the cinematic education of Larry Manteca’s members.
T…
The latest instalment in Whitefield's Temple Jazz series brings you an enhanced collective improvisation inspired by the meditative styles of Pharaoh Sanders, Alice Coltrane and Sun Ra. An aural approach to soothe ones soul in overly hectic environments.
Analog Africa proudly presents Dur-Dur Band – Volume 3 (1988) & Volume 4 (1989), a stunning double-vinyl collection celebrating one of the most distinctive and influential sounds to emerge from the Horn of Africa. Originally recorded during the late 1980s, these two volumes capture the Dur-Dur Band at the height of their powers: vibrant, rhythmic and irresistibly danceable. Driven by hypnotic basslines, propulsive percussion, swirling keyboards, expressive guitar work and unforgettable vocals, t…
Tip! This is raw, unfiltered ceremonial gong ensemble music recorded on location by Laurent Jeanneau in Ratanakiri, Cambodia’s northeastern province, bordering Laos and Vietnam. Along with Mondolkiri to the south, it was once home to many of the country’s ethnic minority communities. During the colonial period, the French failed to establish full control over the region. After independence, the Khmer state also struggled to govern it, while Khmer Rouge rebels hid in its forests in the 1960s amid…
Tip! Mekong Shellac is an extremely rare collection of classical and popular styles of Khmer music from the 1930s to the 1950s. Restored from the few original remaining copies, this compilation reveals a remarkable world of early 20th-century Cambodian folk music previously lost in time through war, cultural shifts, and modernization. These recordings were selected for their distinctive musical qualities, the physical condition of the 78 rpm records from which they were sourced, and the circumst…
**First ever reissue! Audio remaster from original master tapes.** The Thinking Fellers’ third LP, the second released on vinyl, the first released on Matador Records, the first to include former Glorious Din guitarist and World of Pooh drummer Jay Paget (if only on the opening track), the first to showcase Mark Davies’ baritone horn and Brian Hageman’s viola, and the first where the band’s live and recorded sound sharply diverged, Lovelyville is transitional in just about every sense and yet so…