New Arrivals / Last week
The Cliffhanger Session
Tip! This new acoustic trio is consisting of three of the most iconic players of todays European jazz, improvisation and experimental music scene. This line-up took a long birth phase, but was a logical step and basically came out of juggling the possibilities and attempts of combining the effort of two high energy noise + electro-acoustic duos: Ignaz Schick/Oliver Steidle (Ilog) and Ingebrigt-Håker-Flaten/Ignaz Schick. Both duos started in 2013 (Ilog) and 2015 (Håker Flaten/schick) and have a l…
Broadsides
In 2023, sound artist and composer Weston Olencki toured across the American South. Beginning in their hometown in South Carolina, they snaked a circuitous path from the mountains of West Virginia to the banks of the Mississippi River. As the miles accumulated, so did the initial seeds of new work. Instruments and artifacts they acquired hitched a ride in the backseat, while songs and sounds filled their portable recorder: water in its various states, the familiar insectoid buzz of those summer …
Inaudible Works 1994-2008
What have we here? 16 pieces of hard-to-classify music, created during the period 1994-2008, a cornucopia of playful, intelligent, questing and eminently listenable electronic music from Osaka-born artist Hyu, who released two albums on Nobukazu Takemura's Childisc label, in 1999 and 2002. Although a member of the turn-of-the-century generation of artists subsumed under the rather vague term "electronica", his work stands apart in many ways, particularly in his unique exploration of microtonalit…
Is Noise Vol. 1
TAKAAT (pronounced tuh-cot), meaning “noise” in the Tuareg language Tamashek, is the trio of Ahmoudou Madassane, Mikey Coltun, and Souleymane Ibrahim, also known as the rhythm section of Mdou Moctar. TAKAAT is sonic chaos, improvisation, freedom of exploration, and the punk styles of bands such as Fugazi and Unwound, all mixed together with the guitar music from the Sahel.
TAKAAT started during soundchecks while on the road with Mdou Moctar when the trio indulged their shared love for amps crank…
Batch #6 - Party
40girls by Ya Tosiba: Rooted in folk music’s storytelling spirit the album introduces a dynamic conversation between generational memory and progressive innovation. It is crafting a soundscape that feels feminine, elusive and powerfully transformative. The album opens with delicate samples of the Şüştər and Rahab makams with its soft and ethereal textures intertwining with subtle, noisy experimentation. Kita Koun Kan by Sabou-Gnouman De Kita: Kita, a small town in the West of Mali was once consi…
Throwing Shapes
*300 copies limited edition* From the innovative visionaries Méabh McKenna, Ross Chaney, and WRWTFWW mainstay Gareth Quinn Redmond emerges Throwing Shapes—the self-titled debut album of a genre-defying new project set to captivate listeners worldwide. Throwing Shapes is a mesmerising, sonically rich exploration that artfully blends tradition with experimentation.
At the heart of the album lies the evocative timbre of the Irish wire-strung harp, masterfully played and reimagined within modern con…
Safari
WRWTFWW Records is extremely happy to present the official reissue of Safari's self-titled album from 1984. The Japanese jazz-fusion super gem is available now as a limited-edition transparent vinyl LP housed in a heavyweight sleeve with obi.
L'Empire Des Sons
An elusive cult gem resurfaces through Glossy Mistakes. Originally released in 1986, L'Empire Des Sons is an otherworldly blend of synth pop, folk experimentation, and cinematic percussive layers-dreamlike, poetic, and wildly ahead of its time. L'Empire Des Sons was a fleeting yet powerful transmission from the fringes of the French underground-an album that blurred genre lines and evaded easy classification. Fusing experimental folk, lo-fi synth pop, and avant-garde textures, the record exists …
Music for "Cyber Café"
In 1991, Yuji Takahashi and Mamoru Fujieda collaborated in staging a sound installation at the Sezon Museum of Art in Tokyo, making extensive use of the new artistic possibilities provided by the advent of personal computers. In this installation, a culmination of their investigations into the aesthetic use of new technology, these two renowned leaders of Japanese experimental music used sensors and transducers on objects and in the space itself, via MIDI conversion, to trigger pianos, synthesiz…
Anti-Matter Alma Mater
2025 stock Vinylization of the superb oddball cassette originally issued by the Potlatch, I Gather tape label in 2008. Ambergris is more or less the solo project of visual artist Matthew Thurber (1-800 MICE, etc.), although he is aided in this instance by Rebecca Bird. The suite of songs presented here is something like a theatrical recreation of one of Thurber's bizarre-world comics. Using voices, Casio, various Garage Band inventions and his own surreal imagination, Thurber takes us to a 10,00…
Mirage
2025 Stock. Limited to 500 copies, hand-numbered. Gatefold cover, textured sleeve + printed inner. This album comes with a bonus DVD featuring an audiovisual live performance at OUT OFF, Milan 1976. Milestone reissue! This work was realized in 1976; Cramps Records would have to publish it, but "Mirage" sank into the oblivion for 36 years. It's visionary as always; it has got a psychedelic attitude and an electronic expressive form. Thanks to its sensitiveness, its creativity, and its very good a…
Monochrome Electronic Music (Two pieces for Coupigny Synthesizer)
*100 copies limited edition* A « monochrome » approach to composition implies working within a restricted aural palette and, in this particular case, using fixed pitches. It focuses on developing interactions between these parallel elements in a time dominion. Establishing a dialogue devoid of structural repetitions and, most importantly, free from any hierarchy of notes. Such coexistence gives way to a particular environment of musical democracy where unevolving sounds lose their individual imp…
Extrapolation
“Extrapolation,” the debut solo album by visionary guitarist John McLaughlin, continues to stand as a landmark in the evolution of jazz fusion. Recorded in London before McLaughlin’s legendary collaborations with Miles Davis and the formation of the Mahavishnu Orchestra, this 1969 classic exemplifies a bold new direction for British jazz.
A pioneering force in modern music, McLaughlin brought together an extraordinary group of musicians for “Extrapolation”: John Surman (baritone and soprano saxo…
Mountain In The Clouds
Originally released in 1972, bassist Miroslav Vitouš’s acclaimed album Mountain in the Clouds returns to the spotlight as a remixed, expanded edition of his influential 1970 debut, Infinite Search. Widely celebrated as a seminal document in the birth of jazz-fusion, this recording chronicles the early, creative explosion of a new musical era. With Mountain in the Clouds, Vitouš pushes the limits of jazz bass, blending lyrical improvisation and experimental technique to striking effect. The album…
Earth And Fire
1970 marks a new chapter in European rock as Earth and Fire captivate listeners with their self-titled debut album, blending progressive and symphonic sounds Available now, Earth and Fire introduces audiences to a rich sonic landscape, characterized by the band’s signature blend of progressive rock influences and sweeping symphonic elements.
Earning immediate acclaim in their home country, Earth and Fire’s visionary approach is exemplified by their breakout single, “Seasons,” which soared to No.…
Whipped Cream & Other Delights
Originally released in 1965, Whipped Cream & Other Delights stands as the landmark fourth studio album from Herb Alpert & the Tijuana Brass. Universally recognized as the group’s most popular and commercially successful record, the album masterfully blends elements of pop, jazz, and Latin-inspired instrumentals, offering an irresistible listening experience that continues to captivate audiences across generations.
Known for its smooth, catchy melodies and vibrant, upbeat arrangements, Whipped Cr…
Tone Float
Reissue of Organisation's Tone Float, originally released in 1970. German rock band, Organisation, is often referred to as the prototype or predecessor of Kraftwerk -- the godfathers of electronic music. In fact, it was the first iteration of Kraftwerk and if the band had managed to overrule its record label, RCA, Tone Float would have been credited as such. But given that the album was to be released only in the United Kingdom, the label opted for the more Anglicized name, "Organisation". Tone …
Pop
*Back in stock! 2025 repress* "Pop, the album that has become widely recognized as the defining moment in which Wolfgang Voigt brought us into a clearing of his deep, psychedelic forest. A landmark release in the GAS odyssey that drew international attention, Pop was originally released in 2000 on the iconic Frankfurt imprint Mille Plateaux. Pop was heralded by Pitchfork at the time of release as being “an exercise in sonic texture… pure sonic velvet, the layered drone radiating a palpable warmt…
Beginning
"Beginning" is, appropriately enough, the world-wide solo debut by Japanese percussionist Mari Sekine. She has been active since 2000 with numerous groups and artists, as well as providing music for the theatre. This latter experience is particularly in evidence throughout this piece, with its dramatic shifts and changing scenery, forming a very visual and evocative music with over fifteen percussion instruments entering and leaving the stage in their various roles. Sekine' s voice also takes a …
Ecological Plantron
Ecological Plantron was a CD released in 1994, the audio document of an installation held in 1994 at a gallery in Tokyo. The Plantron is a bioelectric interface developed by botanist Yuji Dogane; it was designed to give voice to plants, using electronic means to make audible the energy of the natural world, prioritizing the non-human aspects of nature. Dogane was assisted in the project by composer Mamoru Fujieda, who helped to convert the vegetal energies into audible sounds. Though they stress…