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On KKKAAARRREEENNNIIINNNAAA, Charlemagne Palestine, Oren Ambarchi and Daniel O’Sullivan turn a 1997 “magic song” for a beloved dog’s spirit into a towering trio ritual. Organ drones, phase‑drifting cassette voices, Leslie‑swirled guitar and viola blooms coil around Palestine’s keening live chant, forming a single, dense, ecstatic invocation that feels like a séance conducted inside a vibrating cathedral.
Across four decades, Andrew Chalk has built one of experimental music's most singular bodies of work. Mystical Obscurant gathers new recordings into a survey in miniature — drifting guitars, blurred keys, and loop-based vignettes sharing one unmistakable atmosphere: a subjunctive music of suggestion, where memory unfolds at its own pace.
Joanna Newsom's 2006 masterpiece returns on double LP: five sprawling songs where harp and voice meet Van Dyke Parks' orchestral grandeur, recorded by Steve Albini, mixed by Jim O'Rourke. Named for a drowned Breton city, Ys remains overwhelming
In September, 1967, three of the primary ensembles of free music in Northern Europe gathered for a mini-festival on Radio Bremen: the Manfred Schoof Quintet, the Peter Brötzmann Quartet, and the Irène Schweizer Trio. Pianist Alexander von Schlippenbach appeared as part of the Manfred Schoof Quintet, but in these sets, which mixed the dozen members of the ensembles, as well as presenting them on their own, Schlippenbach in fact either led or was at the center of several groupings, presenting two …