We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Chris Brokaw

Chris Brokaw was born on August 1, 1964, in New York City. After college, he moved to Boston, Massachusetts, relocating to Seattle, Washington in 2011. He began recording and performing with Codeine (on drums & guitar) in 1990. In 1992, he left that band to pursue songwriting, singing and guitar playing with Come. In addition to his solo recordings, he has performed with a lot of artists (as a member or a guest) such as The Willard Grant Conspiracy, The Empty House Cooperative, Cobra Verde, Manta Ray, Karate, Via Tania, Steve Wynn, Evan Dando, Thalia Zedek, Tara Jane O'Neil, The Lemonheads, Thurston Moore, Hugo Race, etc.

Chris Brokaw was born on August 1, 1964, in New York City. After college, he moved to Boston, Massachusetts, relocating to Seattle, Washington in 2011. He began recording and performing with Codeine (on drums & guitar) in 1990. In 1992, he left that band to pursue songwriting, singing and guitar playing with Come. In addition to his solo recordings, he has performed with a lot of artists (as a member or a guest) such as The Willard Grant Conspiracy, The Empty House Cooperative, Cobra Verde, Manta Ray, Karate, Via Tania, Steve Wynn, Evan Dando, Thalia Zedek, Tara Jane O'Neil, The Lemonheads, Thurston Moore, Hugo Race, etc.

Ghost Ship
Four years after his rock juggernaut Puritan, Chris Brokaw delivers Ghost Ship, a landscape meditation (at sea) for vocals and electric guitars.  I set out to make an 8 song statement like 'Desert Shore' or 'Raw Power', but it became a 9 song...something else. I've described it to friends as 'Twin Peaks-ish' but that feels only part right. The songs were written on a 60's Teisco Del Rey electric guitar, set up by the Belgian luthier Flip Scipio with heavy gauge flat wound strings and an .80 gaug…
End of the Night
End of the Night was conceived based around a simple, yet extremely emotionally resonant concept. Late one evening the musician and myself were listening to records at home. After many hours it got to the point where everything became completely still, the silence permeating the walls, reverberating. We agreed to listen to one more record, but what would it be? What music could answer that existential quandary of the perfect last record of the night at home? I instantly asked him to make me the …
1