Christian Fennesz
Christian Fennesz (born December 25, 1962) is an Austrian electronic musician, often credited on albums simply as Fennesz. A key figure in the ascent of IDM and electronica in the 1990s, Fennesz uses guitar and notebook computers to make multilayered compositions that blend melody and conventional musical instruments with harsh, irregular glitch-influenced sounds and washes of white noise. He lives and works in Vienna, Austria and Paris, France.
Christian Fennesz (born December 25, 1962) is an Austrian electronic musician, often credited on albums simply as Fennesz. A key figure in the ascent of IDM and electronica in the 1990s, Fennesz uses guitar and notebook computers to make multilayered compositions that blend melody and conventional musical instruments with harsh, irregular glitch-influenced sounds and washes of white noise. He lives and works in Vienna, Austria and Paris, France.
Hotel paral.lel
*2022 stock* "Re-mastered at Piethopraxis in Köln, July 2007. "Hotel Paral.lel", originally released in September 1997 by Mego, was Christian Fennesz's debut solo album. Following up from the EP "Instrument", it was an investigation into the sonic possibilties residing in guitar based digital music, recorded just before mobile computing devices became the norm. A far more darker and experimental work than what was to follow. Freeform noise, sliced techno beats and subtle ambient textures create …
Endless summer
*In process of stocking* Endless Summer, originally released in 2001 by Mego, was a breakthrough album for Christian Fennesz. The album which brought his name and music towards the first steps of mainstream recognition. Following on from the more experimental Hotel Paral.lell and the Beach Boys homaged Plays single Endless Summer brought the guitars more to the front, the electronics shimmered more, and the melodies shined more brightly. It went on to be a classic of its time, topping many end o…
In Four Parts (Tribute To John Cage)
Equipped with a modular synthesizer, a guitar and electronics Patrick Pulsinger and Christian Fennesz approach the master of the treatment of silence, John Cage. The piece on this album, which was recorded live at Wiener Konzerthaus, was inspired by the underlying attitude of Cage’s String Quartet in Four Parts. Upon invitation by the WIEN MODERN festival the two legendary electronic music protagonists tackled the composer’s early string quartet, took it apart and adapted it for two players, alw…